100 Books Like Dark Age

This is a World War II memoir by United States Marine Eugene Sledge, first published in 1981. 

It is a powerful depiction of war, honest and authentic, describing what it was like to fight in some of the fiercest battles of World War II. The writing is vivid and gripping, sometimes humorous, but mostly reflective of the horrors of war. There is a very refreshing “non-commercial” tone to the narrative.

Sledge originally wrote this as a private memoir for his immediate family, a way to finally tell them what he could never verbalize in person. Sledge’s passion comes through on every page, a reminder that the best books come from the heart.  

The book resonates with me on many levels. Firstly, of course, I’m a combat veteran, so the military and living through the hell of war are part of my identity. The author and I share an innate connection there.

But on a different level, it delves into the intangible burdens that resonate for years after the experience – the grief, the guilt, the terror, even the longing to return because it’s what you know.

The title is explicit, and I share the load with all my fellow veterans.

I read this book shortly after returning home from Iraq and remained haunted for months. Despite the novel being a work of fiction, it details the modern veteran's struggle to find his place in society and his unadulterated embrace of violence and camaraderie that permeates each corner of his life. Powers’ explanation of combat is similar to the suspended moment before a car crash is told in prose that sings, and probably why he won the PEN/Hemingway Award for this work of art. 

I was still a child when the Vietnam War ended, but for some reason, I always felt it was my war. It’s what I read about; it filed the movies I watched in high school. It was the war we trained for when I joined the Marines.

Marlantes arrived in Vietnam about the time I was born. Like the three preceding it, his memoir was written with a great deal of time for reflection. I feel that this interval between the action and the recounting of it adds a level of complexity to remembrances of a very harrowing time.

This book is a poignant exploration of guilt, love, and redemption in the aftermath of a life-altering swimming accident. 

The novel follows Hunter, paralyzed from the waist down, and his ex-girlfriend Emma, who blames herself for his disabling accident. This is a topic that really touches me, as I’ve met Purple Heart veterans who have dealt with life changing in an instant. 

I loved Woodburn’s evocative prose and authentic character development, as Emma journeys through self-forgiveness and the healing power of art. 

I’d recommend Before & After to anyone who is seeking a compelling read that reminds us of the resilience of the human spirit and the transformative nature of forgiveness. 

Stallings was there, on the frontlines, fighting. He was wounded, lost a leg. He received the Croix de Guerre from the French government and the Silver Star and Purple Heart from his government. Reading his book, you’re right there with the first Americans landing in France and then following them and those who came after right up until the armistice on November 11, 1918. He also published an award-winning photographic history of the war, wrote a novel about his experiences and, in 1924, with playwright Maxwell Anderson, co-wrote the famous play that twice was turned into a movie, “What Price Glory.” If you want to know what World War I was like for America, it’s well worth the read.

I was especially interested in the Great Depression years of this biography. Joe Dew graduated from Redfield, Iowa, two years after my mother graduated from the neighboring rival town of Dexter. Joe Dew’s father was a blacksmith, which was needed less and less during those times. Joe needed to find work. He had such drive and determination to find work, even eventually following the sweep of wheat harvesting from Texas and into the Pacific Northwest.

During Joe Dew's WWII years, he survived the Battle of the Bulge as a tank commander--with a Purple Heart, a Bronze Star, and a Distinguished Service Cross. The G.I. Bill enabled him to finish college in Ames, Iowa, then enjoy a career with General Motors.

I love books that inspire me and remind me that there is a way to overcome every hardship, if we will just keep our heads up and make the right choices. Tess Wakefield makes me remember too, that no matter what, there is always someone who will want to help, in the best way they know how. Her main characters, Cassie and Luke, do all the right things for all the wrong reasons, or maybe all the wrong things, for all the right reasons. They do suffer the consequences of those choices, but they learn a lot about themselves along the way. My favorite thing about Purple Hearts is how it teaches us that life is short and that we shouldn’t live with regrets. 

I love to be surprised. Poster Girl started a bit slow, but as the story unfolded, the web of connections made this dystopian book much more interesting than I thought it would be.

The story began after a revolution. Many considered patriots by the former government were either killed or imprisoned. As the new government tries to paint itself as the liberator from oppression, similarities between the new and old regimes are exposed.

As with any good dystopian story, it shows what people will do to survive in a dangerous and unfamiliar world and how they navigate relationships within a new set of social rules.  

I discovered this book in 1985, reading and re-reading the book during high school and, eventually, buying the worn-out copy from the library before graduation.

While it may seem to be a dystopian story – it takes place after a nuclear-biological armageddon, after all – it’s an early example of hopepunk. Candy Smith-Foster repeatedly puts the good of others, including her macaw, Terry (short for Terry Dactyl), ahead of her own welfare. Not bad for a preteen facing the destruction of all she knew.

How much of an impact did this have on me? One of the reasons Kendra’s name starts as Foster-Briggs is to honor Palmer’s masterwork.