Books like Dans la Rome des Césars — picked by fans

Hour by hour, we follow various Romans as they go about their day, seeing many different jobs and possible fates ahead for a whole cast of characters. Engagingly written, it smoothly shares a real wealth of knowledge and detail about Ancient Rome without falling into the trap of ‘info-dumping’. I really liked that it mainly follows plebians, not the ruling class: no villas and togas here, rather blocks of flats and plain tunics. A great read.

The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer as Rome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S. 

The author is a scholar, a professor of Classics, so he knows his stuff. He is also a wonderful writer. This is a collection of small and fascinating facts about Rome and the ancient world. A sampling of entries includes notes on Hannibal’s reputed use of jars of poisonous snakes as catapult ammunition, Roman fly fishing, window glass, and the mechanics of Nero’s revolving dining room.

This is quite simply the best entry-level guide to the ancient culture, world, and city of Rome I have found. Written in a humorous and engaging manner, it walks the reader through the history of Rome from its legendary founding to the date the book is nominally set (the reign of Domitian), all from the point of view of someone of Domitian’s time. It covers every subject from the dos and don’ts of dinner parties to the importance of gods. A perfect start for someone new to the subject, and equally entertaining for the scholar.

I think this is the single best edition of Julius Caesar’s original compositions: the footnotes, maps, battle diagrams, and appendices offer a treasure trove of information for the Roman history buff without overwhelming the casual reader.

(I had a particular interest in Appendix C, on “Roman Calendars, Dates, and Time,” where I learned that the main reason winter operations rarely occurred in ancient warfare was the inability to feed their animals.)

The translations struck me as contemporary sounding yet never sacrifice accuracy for clarity. I recommend this book as a perfect gateway for the fan of ancient Rome to enter the realm of authentic ancient Roman literature.

Mystery writer Steven Saylor’s recreations of late Republican Rome are the best out there. The Venus Throw finds Saylor’s detective, Gordianus the Finder, investigating the death of an Egyptian ambassador visiting the city. Through Gordianus’ search we meet a range of Romans known from historical sources including a noble woman, a love poet, and a eunuch priest of the eastern goddess Cybele. Saylor captures the variety of the city’s inhabitants and its places. You step into elegant houses, a dive bar with sour wine, and public baths where the floor is “heated to just the right temperature by the hot-water pipes underneath.” The Venus Throw is not the first entry in the Gordianus series but you can start with it, as I did, and then read all the others. One of these books’ many strengths is attention to the lives of slaves.

This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.

In my own research, I’m interested in how Roman imperialism is shaped through the concept of peace and this is central to Tom Holland’s latest examination of power in the ancient Mediterranean world.

I found myself sucked into to the cinematic accounts of shocking and poignant events, such as the erection of Vesuvius and the sacking of Jerusalem, yet also really struck by how Holland manages to paint a picture of the vast diversity and difference to be experienced in the Roman world. And I particularly like that he reminds us how different the Romans are from ourselves.

One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.    

I have always found ancient history fascinating. I couldn’t learn enough about ancient Rome and Greece during my teenage years. As an adult, one of my bucket list holidays is to visit the amazing ruins throughout Italy, including Mt Vesuvius. Through Harriet’s adventure, we experience ancient Rome in its glory days as if we were there. I found it fascinating to read and learn about the everyday life of an ancient Roman family with twists and turns of a thrilling adventure as Harriet is chased through ancient streets by Roman soldiers. It is great escapism into a place in the past where I wish I could travel to and immerse myself in an ancient society and civilization.