Here are 100 books that Dans la Rome des Césars fans have personally recommended if you like
Dans la Rome des Césars.
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Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
Hour by hour, we follow various Romans as they go about their day, seeing many different jobs and possible fates ahead for a whole cast of characters. Engagingly written, it smoothly shares a real wealth of knowledge and detail about Ancient Rome without falling into the trap of ‘info-dumping’. I really liked that it mainly follows plebians, not the ruling class: no villas and togas here, rather blocks of flats and plain tunics. A great read.
Walk a day in a Roman's sandals ... What was it like to live in one of the ancient world's most powerful and bustling cities - one that was eight times more densely populated than modern day New York?
In this entertaining and enlightening guide, bestselling historian Philip Matyszak introduces us to 24 characters who lived and worked there. In each hour of the day we meet a new character - from a senator to a slave girl, a gladiator to an astrologer, watchmen to washerwomen - and discover the fascinating details of their daily lives.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer asRome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S.
The city of Rome is the largest archaeological site in the world, capital and showcase of the Roman Empire and the centre of Christian Europe.
This guide provides:
* Coverage of all the important sites in the city from 800 BC to AD 600 and the start of the early middle ages, drawing on the latest discoveries and the best of recent scholarship
* Over 220 high-quality maps, site plans, diagrams and photographs
* Sites divided into fourteen main areas, with star ratings to help you plan and prioritize your visit: Roman Forum; Upper Via Sacra; Palatine; Imperial Forums; Campus…
As Damion Hunter, I have written six novels set in the first and second centuries of the Roman Empire, for which I have done extensive research. My picks are all books that I have found most useful and accessible for the writer who wants to ground her fiction in accurate detail and for the reader who just wants to know the little stuff, which is always more interesting than the big stuff.
The author is a scholar, a professor of Classics, so he knows his stuff. He is also a wonderful writer. This is a collection of small and fascinating facts about Rome and the ancient world. A sampling of entries includes notes on Hannibal’s reputed use of jars of poisonous snakes as catapult ammunition, Roman fly fishing, window glass, and the mechanics of Nero’s revolving dining room.
The ancient Romans have left us far more information about themselves than has any other Western society until much more recent times. But what we know about them is sometimes bizarre, and hardly fits the conventional view of the Romans as a pragmatic people with a ruthlessly efficient army and a very logical and well ordered language.
A Cabinet of Roman Curiosities is a serendipitous collection of odd facts and opinions, carefully gleaned from the wide body of evidence left to us by the Romans themselves. Each highlights a unique and curious feature of life in ancient Rome. Readers will…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
Simon has been a student and historian of ancient Rome for most of his life, and has authored one non-fiction work and numerous historical novels set in the era, a number of them set in the ancient city itself. He has spent time in Rome over the decades, hunting down traces of the ancient city and studying architecture and finds, ever deepening his understanding of the place, how it worked, what it looked like, and its place in the world. Rome is the core of three decades of research for Simon.
This is quite simply the best entry-level guide to the ancient culture, world, and city of Rome I have found. Written in a humorous and engaging manner, it walks the reader through the history of Rome from its legendary founding to the date the book is nominally set (the reign of Domitian), all from the point of view of someone of Domitian’s time. It covers every subject from the dos and don’ts of dinner parties to the importance of gods. A perfect start for someone new to the subject, and equally entertaining for the scholar.
Imagine you were transported back in time to Ancient Rome and you had to start a new life there. How would you fit in? Where would you live? What would you eat? Where would you go to have your hair done? Who would you go to if you got ill, or if you were mugged in the street? All these questions, and many more, will be answered in this new how-to guide for time travellers. Part self-help guide, part survival guide, this lively and engaging book will help the reader deal with the many problems and new experiences that they…
I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book.
Just like the Falco mysteries showed me that you could have fun with your historical detectives, this book showed me that there’s more drama in Ancient Roman history than in any daytime soap opera, and this novelisation of Marius and Sulla packs a lot more of an emotional punch than any textbook ever could.
I don’t know enough about Marius and Sulla to say how much poetic license the author took, but this really does read as a seamless and in-depth exploration of the bloody power struggles between two very different but equally ambitious men in the time of the Roman Republic.
With extraordinary narrative power, New York Times bestselling author Colleen McCullough sweeps the reader into a whirlpool of pageantry and passion, bringing to vivid life the most glorious epoch in human history.
When the world cowered before the legions of Rome, two extraordinary men dreamed of personal glory: the military genius and wealthy rural "upstart" Marius, and Sulla, penniless and debauched but of aristocratic birth. Men of exceptional vision, courage, cunning, and ruthless ambition, separately they faced the insurmountable opposition of powerful, vindictive foes. Yet allied they could answer the treachery of rivals, lovers, enemy generals, and senatorial vipers with…
I am a historian of ancient Rome. My interest was sparked in my high school Latin classes. On my first trip to Rome, several years later, I truly fell in love. I could see the famed orator delivering his fierce attacks against Catiline amid the grand temples of the Forum and its surrounding hills. I could imagine myself standing in a crowd, listening. In Washington DC, where I now live and teach at Georgetown University, there are classical buildings all around to keep me inspired. I have written a number of books about Roman political history and have also translated the biographer Suetonius and the historian Sallust.
Mystery writer Steven Saylor’s recreations of late Republican Rome are the best out there. The Venus Throw finds Saylor’s detective, Gordianus the Finder, investigating the death of an Egyptian ambassador visiting the city. Through Gordianus’ search we meet a range of Romans known from historical sources including a noble woman, a love poet, and a eunuch priest of the eastern goddess Cybele. Saylor captures the variety of the city’s inhabitants and its places. You step into elegant houses, a dive bar with sour wine, and public baths where the floor is “heated to just the right temperature by the hot-water pipes underneath.” The Venus Throwis not the first entry in the Gordianus series but you can start with it, as I did, and then read all the others. One of these books’ many strengths is attention to the lives of slaves.
On a chill January evening in 56 B.C. , two strange visitors to Rome--an Egyptian ambassador and a eunuch priest--seek out Gordianus the Finder whose specialty is solving murders. But the ambassador, a philosopher named Dio, has come to ask for something Gordianus cannot give--help in staying alive. Before the night is out, he will be murdered.
Now Gordianus begins his most dangerous case. Hired to investigate Dio's death by a beautiful woman with a scandalous reputation, he will follow a trail of political intrigue into the highest circles of power and the city's most hidden arenas of debauchery. There…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’m a Roman historian (associate professor at the University of Birmingham, UK), who’s particularly interested in understanding the nature of Roman power and how Rome’s presence and impact within the Mediterranean changed over time. I’m dyslexic and I think this, in part, might explain why I am quite a visual learner and find material culture a really valuable way to engage with the past, just as much as through written sources. I really hope that my selection of books offers you various different (and perhaps new) ways to think about ancient Rome!
In my own research, I’m interested in how Roman imperialism is shaped through the concept of peace and this is central to Tom Holland’s latest examination of power in the ancient Mediterranean world.
I found myself sucked into to the cinematic accounts of shocking and poignant events, such as the erection of Vesuvius and the sacking of Jerusalem, yet also really struck by how Holland manages to paint a picture of the vast diversity and difference to be experienced in the Roman world. And I particularly like that he reminds us how different the Romans are from ourselves.
The definitive history of Rome's golden age - antiquity's ultimate superpower at the pinnacle of its greatness
The Pax Romana has long been revered as a golden age. At its peak, the Roman Empire stretched from Scotland to Arabia, and contained perhaps a quarter of humanity. It was the wealthiest and most formidable state the world had yet seen.
Beginning in 69AD, a year that saw four Caesars in succession rule the empire, and ending some seven decades later with the death of Hadrian, Pax presents a dazzling history of Rome at the height of its power. From the gilded…
I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.
Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.
In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.
The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Ever since I spent a day wandering the Roman forum, imagining Caesar’s funeral at the site of his pyre, standing on the Palatine imagining living in palatial Palatine splendor, and looking down on Senators, plebeians, public baths, the Colisseum, temples, statues, basilicae, patricians, slaves, street vendors, centurions, courtesans, ladies, gladiators, urchins, schoolboys, pickpockets, and priests, I knew I wanted to write about it. I have done intensive research, with skills honed earning a Ph.D. in English from Lehigh University (specialty: literary-historical). I seek out literary historical novels, novels with distinctive style, artful plotting, engaging characterization, and historical fidelity.
In an ancient Roman Britain garrison town, Roman army physician, Ruso, and his native wife, Tilla, investigate a series of murders. Worse, Emperor Hadrian is coming. Ratcheting tension. The central issue in Semper Fidelis is the rivalry between Roman legionaries and Briton conscripts. The crime is solved, but the story doesn’t end. Briton conscripts riot, and, Hadrian absent, his empress, Sabina, must intercede.
The empress Vibia Sabina (posthumously deified), is my favorite character. Neglected, bored, sarcastic, calculating, duplicitous, funny, she is the perfect spoiled patrician matron. What I like best is how everybody lies to everybody in Semper Fidelis, a tour-de-force of mendacity. An interesting, different, more-than-just-murder-mystery historical novel.
When Ruso rejoins his unit in the remote outpost of the Roman Empire known as Britannia, he finds that all is not well with the Twentieth Legion. As they keep a suspicious eye on the barbarians to the north, the legionaries appear to have found trouble even closer to home-among the native recruits to Britannia's imperial army.
A young soldier has jumped off a roof, killing himself. Why? Mysterious injuries, and even deaths, begin to pile up in Ruso's medical ledgers, and it soon becomes clear that this suicide is not an isolated incident. Can the men really be under…