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I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Graham's village mysteries are dark reflections of the villages found in Agatha Christie, and she is especially good at looking under the rocks and finding what's crawling behind the idyllic villages. Chief Inspector Barnaby is the perfect British sleuth, both tough and intelligent. She does a terrific job of finding the problems that drive us in everyday lives, in this case, the secret passions that hide at an amateur production.
Actors do love their dramas, and the members of the Causton Amateur Dramatic Society are no exception. Passionate love scenes, jealous rages'they're better than a paycheck (not that anyone one in this production of Amadeus is getting one). But even the most theatrically minded must admit that murdering the leading man in full view of the audience is a bit over the top. Luckily, Inspector Tom Barnaby is in that audience, and he's just the man to find the killer. With so many dramas playing out, there's no shortage of suspects, including secret lovers and jealous understudies galore.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
MacLeod gives us one of the most delightful and intriguing couples with art investigators Sarah Kelling and Max Bittersohn. Although the plots are fun, with a kind of loopy charm, the real joy is the delightful characters, mostly from the widespread and eccentric Kelling clan. The Kellings are in fine form backstage of a Gilbert & Sullivan operetta. Every character here is indelible.
Murder upstages a Kelling family theatrical production—and Boston’s art sleuths are on the case. “The screwball mystery is Charlotte MacLeod’s cup of tea” (Chicago Tribune). Producing a Gilbert & Sullivan opera requires a special kind of madness, and the Kelling family is large enough and peculiar enough to undertake an entire company by themselves. For years now, Sarah Kelling’s Aunt Emma has supervised these annual productions—from The Pirates of Penzance to The Mikado—and this year she has invited her cast of relatives to rehearse The Sorcerer in her stately mansion. The show is nearly ready when a team of burglars…
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Marsh was one of the great mystery novelists, but her great love was theatre, and in this book, they come together. Few mysteries delve so deeply into the details of the theatre world. In this case, the play is Macbeth, and the murders behind the scenes eerily echo the violent play itself. The scene and setting are so gripping that it's impossible to stop reading and the ending is both surprising and satisfying.
The bad news: This is the last in Ngaio Marsh's marvelous Inspector Alleyn" series. The good: It's one of her very best. The secret to Light Thickens' success may lie in its combination of some of Marsh's greatest passions, including her native New Zealand -in the person of, unusually, a Maori character - and the theater. Indeed, the plot centers on a production of...well, let's skirt disaster by calling it the Scottish play," a play that Dame Ngaio produced and directed several times. Among theater folk, the Scottish play is considered unlucky, so much so that tradition requires anyone who…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Historical setting is the main draw here. Benjamin Franklin is in 1750s London, and the interest comes from the history. Franklin becomes involved in the lively theater scene of the era, and we get to see the sage's particular genius at work. The great joy here comes from all the period details and the delightful descriptions of the theatre world in Georgian England.
When a heckler at the Drury Lane Theatre topples to his death, Ben Franklin--in the Pennsylvania colony on business--probes into the theater's backstage intrigue.
Puzzles intrigued me since I was a three-year-old. Puzzle pieces that fit into pre-sized spaces. Then, disassembling and reassembling small 3-D animal shapes. Crosswords were next. Finally, Nancy Drew entered my life. I was addicted. Sherlock and Agatha became my mentors. But I loved to paint as well, so art was my first major at Michigan State University. Changed it to advertising in my senior year. Shortly after, Leo Burnett hired me to write print and radio media for Buster Brown shoes. Television was next. I solved many advertising puzzles at Foote, Cone & Belding, but after retiring, mystery re-entered my life when I wrote my first book.
Charles Finch grabbed my attention with his wonderful character Charles Lenox, an English Gentleman with a penchant for detection.
Finch creates Victorian mystery at its most unyielding moments. He delivers wonderful scenes of London, so real you can almost feel the fog settling on the city. And Lenox proves his mettle, despite being the second son of a titled father. Early London habits and culture give this book an engaging backstory that draws me in as a reader.
It's 1876, and Charles Lenox, once London's leading private investigator, has just given up his seat in Parliament after six years, primed to return to his first love, detection. With high hopes he and three colleagues start a new detective agency, the first of its kind. But as the months pass, and he is the only detective who cannot find work, Lenox begins to question whether he can still play the game as he once did.
Then comes a chance to redeem himself, though at a terrible price: a friend, a member of Scotland Yard, is shot near Regent's Park.…
I’d always known about the Lady of the Dunes. I’d read about how she was found in the dunes of Provincetown, Massachusetts, on July 26, 1974. I didn’t know about the tens of thousands of other unidentified victims like her, stowed around the US in the back rooms of morgues and unmarked graves. As a journalist who has always given a voice to those who struggle to be heard, I feel compelled to research and write about these Jane and John Does and the people who work to keep their cases in the public eye. I share a unique bond with writers who do the same.
Many get obsessed with cold cases involving Jane and John Does, and Sue Grafton was no exception. After a chance encounter with the forensic pathologist who investigated a Jane Doe who had been discovered near a quarry in Santa Barbara County, California, in 1969, Grafton incorporated the true story into one of her iconic works of fiction.
Sue Grafton delivers an intensely gripping mystery based on an actual unsolved murder in this #1 New York Times bestseller featuring private investigator Kinsey Millhone.
She was a "Jane Doe," an unidentified white female whose decomposed body was discovered near a quarry off California's Highway 1. The case fell to the Santa Teresa County Sheriff's Department, but the detectives had little to go on. The woman was young, her hands were bound with a length of wire, there were multiple stab wounds, and her throat had been slashed. After months of investigation, the murder remained unsolved...
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m an engineer-turned-mystery-writer, and my taste in fiction is as unconventional as my career. I love books set in obscure periods of the past, with underdog characters who rise to the occasion through cleverness and grit. I write the kind of books I love to read, which explains why I set my novels in ancient Rome. The engineer side of my brain thrives on doing historical research while my creative side imagines quirky, imperfect characters who find unconventional ways to solve tricky mysteries. I hope you enjoy my list of clever, spunky sleuths from various periods who solve murders in unique ways.
Reading a Lindsey Davis novel is a guilty pleasure. Why? She’s wickedly funny. She brings ancient Rome to vivid life, from the fancy fringe on a tunic hem to the steaming pile of donkey dung in the street. Her sleuth, a tough, no-nonsense woman named Flavia Albia, is assisted (whether she likes it or not) by an extended family of eccentric and sometimes meddlesome characters. I also appreciate how Davis adds just enough historical detail to bring the plot to life without bogging down the action.
In this book, I particularly enjoyed the interplay between Albia and the officious aedile, Manlius Faustus, who turns out to be nicer (and more interesting) than he first appeared. While each novel is stand-alone, I recommend starting here to get the full backstory.
Chosen by The Times as one of the Top Ten Crime Novels Written by Women since 2000
Flavia Albia is the adopted daughter of a famous investigating family. In defiance of tradition, she lives alone on the colourful Aventine Hill, and battles out a solo career in a male-dominated world. As a woman and an outsider, Albia has special insight into the best, and worst, of life in ancient Rome.
A female client dies in mysterious circumstances. Albia investigates and discovers there have been many other strange deaths all over the city, yet she is warned off by the authorities.…
My favorite childhood summertime memory is being allowed to choose a stack of Agatha Christies to take with me to summer camp and on vacation. As I moved on to academia and the “serious” study of literature, I quickly discovered that mysteries are every bit as serious as James Joyce—and are a lot more fun to read. Now that I have turned to writing the stories myself, I enjoy diving into a world of afternoon tea, well-read detectives, and impeccably mixed cocktails, and I love to find readers who want to join me there.
The Three Coffinsis legendary among traditional mystery fans for its “locked room” lecture in Chapter Seventeen, in which the detective, Dr. Gideon Fell announces, “We're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuits possible to characters in a book." He then goes on to enumerate and classify the possible solutions to an impossible crime. What I love about this chapter is that Carr unapologetically defends escapist stories that depend upon style, wit, and an intelligent puzzle, rather than grimly realistic depictions of everyday life.
Professor Charles Grimaud was explaining to some friends the natural causes behind an ancient superstition about men leaving their coffins when a stranger entered and challenged Grimaud's skepticism. The stranger asserted that he had risen from his own coffin and that four walls meant nothing to him. He added, 'My brother can do more... he wants your life and will call on you!' The brother came during a snowstorm, walked through the locked front door, shot Grimaud and vanished. The tragedy brought Dr Gideon Fell into the bizarre mystery of a killer who left no footprints.
As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions.
Okay, so this main character is Private Investigator, but I loved this book. A good flawed, dubious, tough-guy main character, a sexy femme fatale, dangerous mobsters, and lots of keep-you-guessing plot twists and turns. This page-turner, with great, witty, wise-guy banter, fulfills all that this Neo-Noir Crime Novel fan craves for.
PI Pete Fortunato, half-Italian, half-Jewish, who suffers from anger management issues and insomnia, wakes up one morning with a bad taste in his mouth. This is never a good sign. Working out of a friend’s downtown real estate office, Fortunato, who spent a mysteriously short, forgettable stint as a cop in a small upstate New York town, lives from paycheck to paycheck. So, when a beautiful woman wants to hire him to find her husband, he doesn’t hesitate to say yes. Within a day, Fortunato finds the husband in the apartment of his client’s young, stud lover. He’s been shot…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I have picked these books because I have a passion for good reading material. All the books I have chosen have become reading classics in their own way. They are well written and have plots that go well beyond normal literature in a sense that they unveil the 'human condition' into the realm of the protagonist being up against all odds, where in the end, truth reveals all!
This book was a birthday gift from a good friend and fellow writer at The Guardian. It captured my interest immediately because I enjoy Patterson. This exciting action thriller explores the seedy life of Las Vegas, where love and murder are lost and found for a few quick dollars.
I especially enjoyed his tale with wild twists, where his main character, Jack Morgan, is continually beaten down and challenged through incredible odds and tribulations.
Jack Morgan, head of Private Investigations, the global PI agency of the rich and famous, is being pushed to the limit. His car has been firebombed, his ex is dating someone else, and his twin brother is still out to destroy him.
But Private doesn't rest, and nor do its clients: not the LAPD who need Private's help catching two scumbags with diplomatic immunity, and not the client who has just confessed to murdering his wife.
Add to that Jack's best friend being held on a trumped-up charge that could see him locked away for a…
