Here are 100 books that Dancer from the Dance fans have personally recommended if you like
Dancer from the Dance.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
I didn’t know if I could recommend a play here, but reading this one is how I first experienced it because it premiered in London. I hadn’t seen it yet, so I read its two monumental parts, “Millennium Approaches” and “Perestroika,” on a typewritten marked-up rehearsal script someone had lent me.
Quite simply, Tony Kushner wrote THE play for my generation, a generation that lost probably half of itself to an awful plague most people, especially the government, ignored until it was too late. When my lover Jeffrey died, I went to the Bethesda Fountain in Central Park and wept because Tony had given it to me in his play, a monument for the AIDS generation.
Finally seeing it on Broadway, with Jeffrey, as he was dying, was like having my DNA scratched and resurfaced into something other than who I was before it. It was shape-shifting, soul-stirring, and salve…
Winner of the Pulitzer Prize for Drama Angels in America: A Gay Fantasia on National Themes includes Part One, Millennium Approaches and Part Two, Perestroika
“Glorious. A monumental, subversive, altogether remarkable masterwork…Details of specific catastrophes may have changed since this Reagan-era AIDS epic won the Pulitzer and the Tony, but the real cosmic and human obsessions—power, religion, sex, responsibility, the future of the world—are as perilous, yet as falling-down funny, as ever.” –Linda Winer, Newsday
"A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama." - Frank Rich, New York Times
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I became aware of the struggles of the LGBTQ community as a 22-year-old touring the Dachau concentration camp in Germany, where hundreds of gay men were imprisoned—my mother was a Holocaust survivor who survived Auschwitz. A month later, in October 1978, after I returned to San Francisco, Supervisor Harvey Milk and Mayor George Moscone were murdered. As a hippie, San Francisco seemed extremely tolerant, but after the murders, I realized there was a monumental struggle for “unalienable rights” in the LGBTQ community. I started photographing LGBTQ political events and, for six years, documented the “gay liberation movement” as it exploded across the streets of New York and San Francisco.
I learned so many things that I was not taught in school from this book. As if revealing a parallel universe, I was made aware of the history of LGBTQ life and culture hidden in American history.
I could think about Melville in a new way when he wrote, “..waking next morning I found Queequeg’s arm thrown over me in the most affectionate manner. You had almost thought I had been his wife”.
Or Emily Dickinson, who remained single but was steadfastly devoted to her close friend Sue Gilbert, who had married her brother. She wrote to Sue: “Susie, forgive me, darling, for every word I say–my heart is full of you, none other than you is in my thoughts…”
Winner of a 2012 Stonewall Book Award in nonfiction
The first book to cover the entirety of lesbian, gay, bisexual, and transgender history, from pre-1492 to the present.
In the 1620s, Thomas Morton broke from Plymouth Colony and founded Merrymount, which celebrated same-sex desire, atheism, and interracial marriage. Transgender evangelist Jemima Wilkinson, in the early 1800s, changed her name to “Publick Universal Friend,” refused to use pronouns, fought for gender equality, and led her own congregation in upstate New York. In the mid-nineteenth century, internationally famous Shakespearean actor Charlotte Cushman led an openly lesbian life, including a well-publicized “female marriage.”…
I became aware of the struggles of the LGBTQ community as a 22-year-old touring the Dachau concentration camp in Germany, where hundreds of gay men were imprisoned—my mother was a Holocaust survivor who survived Auschwitz. A month later, in October 1978, after I returned to San Francisco, Supervisor Harvey Milk and Mayor George Moscone were murdered. As a hippie, San Francisco seemed extremely tolerant, but after the murders, I realized there was a monumental struggle for “unalienable rights” in the LGBTQ community. I started photographing LGBTQ political events and, for six years, documented the “gay liberation movement” as it exploded across the streets of New York and San Francisco.
I was overwhelmed with the loving simplicity of this beautifully rendered and highly charged romantic graphic novel. Reading it was akin to watching a film–I was drawn in and held tight until I had finished the last page.
Tender, emotional, cross-cultural, and cross-class, it resonated with me on so many levels but especially reaffirmed my belief that love is possible at any age and despite any obstacle.
Written by black, gay science-fiction writer, professor, and theorist Samuel R. Delany, and drawn by artist/martial arts instructor Mia Wolff, Bread & Wine, based on the poem “Bread and Wine†by the German lyric poet Friedrich Holderlin, is a graphic autobiography that flashes back to the unlikely story of how Delany befriended Dennis, and how they became an enduring couple—Delany, a professor at Philadelphia’s Temple University, Dennis, an intelligent man living on the streets. For casual readers and fans, Bread & Wine is a moving, sexually charged love story, with visuals informed by Wolff’s professional physical pursuits. Her black-and-white, pen-and-ink…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
If society considered your desires illegal, would you save records of it? As a historian of sexuality in the US and as a queer person, I’m drawn to stories about convention-defying love. We know much more about straight people’s passions because these were the socially approved ones. Learning about queer people’s desires is more challenging—and the result feels even more precious.
I can’t take my eyes off this collection of gorgeous historical photographs of affectionate queer couples from 1850 to 1950. Nini and Treadwell scoured libraries and personal collections to create this visual testament to gay love. Their painstaking digitization of often fragile originals created a unique archive, one that we can all share on our coffee tables.
I loved the book so much that I obtained permission from Nini and Treadwell to reprint one of their images as the frontispiece of Fierce Desires! We, too, rarely get to see these snapshots of queer affection, but they are beautiful to behold.
Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the…
I grew up in a time when it was nearly unheard of to be out in high school. This led to a very lonely and isolating childhood, with few role models and almost no queer fiction. I'm dedicated to making it easier for the next generation by providing joyful stories about queer people living their best lives. My stories feature proud queer people, where being queer is simply an aspect of their personalities and doesn't dominate the plot. People imitate art, and by providing positive examples of happy queer people, I hope to make the world a more accepting place, one story at a time.
This book was a fascinating, humorous, and emotional look inside the reality TV industry while also being a wonderful queer romance and serious look at mental health and overworking.
I particularly liked that the main characters were flawed and fallible but also loveable, a hard mix to achieve. The story features a bisexual awakening, which is often tricky to pull off well in queer fiction but was handled in an excellent and believable way. While queerness does come up as an issue, since the Bachelor-like contestant is supposedly straight, the topic is handled with grace and rarely dominates the story.
A MOST ANTICIPATED ROM-COM SELECTED BY * BUZZFEED * LGBTQ READS * BUSTLE * THE NERD DAILY * ENTERTAINMENT TONIGHT * FROLIC MEDIA * AND MORE!
A BEST BOOK PICK BY * HARPER' S BAZAAR * ENTERTAINMENT WEEKLY
"The Charm Offensive will sweep you off your feet." -PopSugar
In this witty and heartwarming romantic comedy-reminiscent of Red, White & Royal Blue and One to Watch-an awkward tech wunderkind on a reality dating show goes off-script when sparks fly with his producer.
Dev Deshpande has always believed in fairy tales. So it's no wonder then that he's spent his career crafting…
I am, first and foremost, an avid reader. And romance, especially romantic comedy, is my go-to choice. And if that romantic comedy has a fake-dating theme…YAY! It was only natural that I write that theme. I believe that life throws you love at the most unexpected times and unexpected places. I love writing character-driven stories, and what better way to have them show off their true selves than by pretending to be in a relationship with a stranger?
I loved that this book’s inciting incident is the toppling of a many-tiered wedding cake of a British royal couple. The cause? The immature tussling of a prince and the U.S. president’s son? (Adults, mind you. They’re adults)
And because of that, they have to pretend to be friends, pals, buddies.
And as with most fake-relationship-themed books, the fake friendship soon turns into real love. Even though both Alex and Henry are outrageously advantaged individuals, I saw them as people—people in love—and not as a representation of their class.
Perhaps the thing I love most about McQuiston’s writing is the idealism and hopefulness she brings to the story. The obstacles Alex and Henry must overcome are literally international and yet, she can boil their love down to the simplest of gestures—and make it seem realistic.
* Instant NEW YORK TIMES and USA TODAY bestseller * * GOODREADS CHOICE AWARD WINNER for BEST DEBUT and BEST ROMANCE of 2019 * * BEST BOOK OF THE YEAR* for VOGUE, NPR, VANITY FAIR, and more! *
What happens when America's First Son falls in love with the Prince of Wales?
When his mother became President, Alex Claremont-Diaz was promptly cast as the American equivalent of a young royal. Handsome, charismatic, genius--his image is pure millennial-marketing gold for the White House. There's only one problem: Alex has a beef with the actual prince, Henry, across the pond. And when…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a queer author of over thirty novels, most recently The House in the Cerulean Sea, Under the Whispering Door, In the Lives of Puppets, and my upcoming novel, Wolfsong. Though I’ve written across many genres, science fiction, and fantasy are where I feel most at home, and my writing reflects that. I love exploring worlds where good people fight for what’s right even when they make mistakes along the way. Humanity is always at the forefront of what I do, and though we can be disappointing, there is nothing quite like us in all the universe—as far as we know.
I was able to be on a couple of panels with Mr. Greer where he discussed this novel and its sequel, Less is Lost. The first book, Less, is a queer novel that won the Pulitzer Prize, a well-deserved accolade for this story about second chances in life—or third or fourth chances, depending upon the situation.
It’s remarkable to see a novel like this win such a major literary prize. Mr. Greer deserves it for his dynamic work.
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
Like so many of the books I love, this book isn’t afraid to show a queer couple in distress.
I love this book for its brutality, its interracial couple and the dynamics that entails, for its detour to Japan, for its scrumptious descriptions of food, and its emphasis on food as a means of connection.
It’s beautiful, honest, raw, and contemporary in all the best ways.
'This feels like a vision for the 21st-century novel... It made me happy' Ocean Vuong, author of On Earth We're Briefly Gorgeous
Benson and Mike are two young guys who have been together for a few years - good years - but now they're not sure why they're still a couple. There's the sex, sure, and the meals Mike cooks for Benson, and, well, they love each other. But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives for a visit, Mike picks…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
What’s unique about Klune’s psychopomp, is that he is human.
Hugo Freeman is able to interact with the dead but unlike the usual eternal beings, he is alive, has a backstory, and the ability to empathize with the fears and regrets of his reluctant clients, most recently, the jerk-lawyer, Wallace Price.
The action is circumscribed, taking place entirely within Charon’s Crossing, which serves as a teahouse for the living and a waystation for the dead. And as any fan of Klune’s work will anticipate, the hearth that gathers a found family.
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead. Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over. But Wallace isn't ready to abandon the life he barely lived. With Hugo's help, he finally starts to learn about all the things he…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
One of my favorite bits of praise for my books was Michael Silverblatt, of KCRW, saying, "There is no one else like her—she invents a new improvised form for her fiction." The last five books of fiction I’ve written (my total is nine) have been webs, spinning out from one character to another, across different times and places. It lets me be intimate and distant both at once. So I’ve naturally loved reading writers who’ve done this in various ways. People like to quote John Berger saying, “Never again shall a single story be told as though it were the only one,” and I’m in line with that.
The novel is set in three end-of-century time-frames—1893, 1993, and 2093. In the opening, set in a mansion on Washington Square in New York, we discover we’re in an America where same-sex marriage has been legal for a long time, and a young man is about to run off with a suitor his father distrusts (a new version of a Henry James plot). The next section is in Hawaii, the colonized Paradise, where descendant characters (with the same set of names, juggled) stumble and grab what they can of freedom and love. My favorite section is the last, where characters with those recurring names are in a New York of “cooling suits” and “decontamination chambers” and totalitarian rule. This is a wild and really quite brilliant book, whose sprawling parts are fueled by a searing vision.
'This magisterial follow-up to A Little Life offers three books in one . . . Yanagihara weighs up damage and privilege - social, emotional, political, colonial in a gripping, immersive ride through alternative Americas.' - The Guardian 'Best Reads For Summer'
'After the painfully affecting [A Little Life] To Paradise gives us three stories far apart in space and time but each unique in their power to summon the joy and complexity of love, the pain of loss. I'm not sure I've ever missed the world…
