100 Books Like D-Day Girls

In 2017, my family was invited to France to retrace my father’s footsteps after his plane was shot down over occupied France in May 1944. During that visit, I realized how many ordinary citizens aided in his evasion. I thought their stories deserved to be preserved. I spent the next five years researching and writing, The Duty of Memory. During four trips to France to visit the actual sites, I interviewed eyewitnesses and became friends with family members of those depicted and learned their stories. I also studied documents from the US National Archives and the French Military Archives, as well as personal documents provided by the families.

I didn’t sit down to write Carried Away with a personal sermon in my back pocket. No buried lessons or hidden curriculum—it was just a story I wanted to tell. But stories have a way of outsmarting you. 

So when I chose these books, I wasn’t looking for perfect comparisons—I was looking for echoes. Some of these books will drag you through POW camps or strand you on a lifeboat with a tiger; others will lean in and whisper that you’ve been running a program and calling it personality. A few say the quiet part out loud—about grit, meaning, and purpose. Others ring you up with fable, abstractions, or science, but they leave their mark just the same. 

My Grandpa is the reason I’m interested in WWII history. He was my best friend until I was 26, when I lost him forever. We spent all our time together watching old movies, playing video games, and going through old photo albums. I found out about his war service when I was 18 while writing a school paper. Once he showed me his photos from when he was 18, I just fell in love with these pictures and the stories that accompanied them. And ever since, I’ve spent the last 20+ years learning more and more about WWII history. I just really love reading about it, talking to veterans, and re-telling their stories to whoever will listen. 

I am a speaker, author, and academic. Originally from Rome, I now live in the Netherlands, where I lecture and do research on international and diplomatic history. My book examines the ethical and pragmatic dilemmas that characterized the making of the German-Israeli relationship after the Holocaust at the outset of the global Cold War. I value good reads and excellent conversations, and I held visiting fellowships in, among others, Berlin, Jerusalem, and Oxford. My work won a Dutch National Research Council grant, a major research grant from the Alfred Landecker Foundation, and the LNVH award for ‘Distinguished Women Scientists.’ These days, I divide my time between Rome, Berlin, and Utrecht. 

When I learned, at seventeen, of my father’s Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.        

I am an ex-lawyer, ex-army officer, and ex-Hollywood film editor who loves stories about females in danger who dig deep to solve problems and survive. I can’t claim to be an expert, but I marvel at the breadth of female styles–from delicate, feminine, and sweet to brave, adventuresome, and tough. I have edited films about various women characters, from Charlize Theron’s killer in Monster to Cate Blanchett’s spiritual medium in The Gift and Diane Lane’s brave romantic survivor in Under the Tuscan Sun. I have three successful step granddaughters: an accountant, a lawyer, and one getting a PhD in computer studies. Smart, talented, and interesting women people in my life.

As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.

I love a well-written historical fiction novel that immerses me in the time period and introduces a female character I can relate to. We may live in different times, but women in all eras feel love, attempt and fail, find strength, perform heroic deeds,  suffer mishaps, and experience life. Escaping into their stories makes me question what I would have done in their shoes as well as think about how my own story is still being written. As a historical fiction author, I seek to create those relationships between my characters and readers.

I write spy fiction because I’ve lived close to the seams of power—working and traveling across the U.S., Europe, and China—and I’m obsessed with how ideas turn into decisions. I read philosophy for clarity, history for humility, and intelligence studies for the uncomfortable truth that good intentions aren’t enough.

My novel, A Spy Inside the Castle, grew from years of research and the harder work of translating it into human stakes. I’m passionate about books that illuminate secrecy and strategy without losing sight of people. These five shaped my thinking and, more importantly, kept me honest on the page.

My mother instilled a love of books in me, and my father fostered my fascination with history – which meant that a good part of my formative years involved books, writing, and watching WW2 films. Years later, when a BBC documentary captured my imagination, I delved into the world of SOE’s female spies, binge-reading biographies and autobiographies. I was struck by their determination, dedication, resourcefulness – and in awe of their exploits. These women were heroes. When an idea for a story took hold, I followed one "what if..." after another until my first novel emerged. While City of Spies is fiction, I tried to stay as faithful as possible to history.