Books like Cutting Your Teeth

This was just such a fun read. It had me giggling. Well, at first, it had me rolling my eyes. This is probably one of my all-time favorites. Within a few chapters, I was swooning for both characters and trying to logic a reason why things would turn out well, even though it’s literally about an assassin whose target is a prince.

There was so much fun worldbuilding in the background of this adorable romance, and I’m a sucker for big magical worlds.

This book has so many tropes that I despise, such as miscommunication, deceit/manipulation, and third-act breakups. Yet somehow, Bryn managed to execute them all with such finesse that I fell in love.

Both main characters are adorable in completely different ways. Wes is such a confident goof, while Vincent is so sad and adorable that I just want to hug him. The romance is cute but fades to black. However, there are apparently some spicy short stories that follow up with the lives of Wes and Vincent. I need to get my next dose of these cute boys.

This falls more on the Sci-fi side of SFF, but it really is just such a fun ride. What I loved the most about this one is how it seemed to have such a fascinating world of technology but was completely closed off from the world.

It takes place in a mansion, a very small setting, and very character-driven until BAM—suddenly you’re thrown into this big mysterious world with all the clues of technology advancements and government, etc (har har).

Watching the two main characters navigate their way through this dangerous world, and the way it shapes each of them is spectacular. My eyes watered for sure during this one.

This book is a fricken gut punch. At least the first few chapters. Dang, they hit me hard and heavy. I definitely almost set the book down. It was just sad and a reminder of how awful my teen years were.

However, once we got to the wonderful world of magic and space tech, the theme lightened up, and I found myself falling in love with this mysterious, magical planet far, far away. I’m very patiently awaiting book two in the duology.

This novella is a close retelling of Carmilla by Sheridan Le Fanu, which is the OG sapphic vampire story. It recasts the ending to give the leads a happy ever after, and ups the sapphic content to modern standards, adding a bit of steaminess. Simper’s version retains Laura’s initial ambivalence and horror towards Carmilla, the historical setting, and the gothic flair. It’s a must-read for fans of the original who are looking for a more modern interpretation.

Have you ever read Dracula and thought, “What if the vampire were a lady? An extremely gay lady?” That’s Carmilla in a nutshell!

The story actually predates Bram Stoker’s tale by several years, making it a neat little literary artifact on its own, but this isn’t some dry historical text. It is, in fact, super heckin’ horny, to the point that I would strongly advise against listening to the audiobook with, say, your parents or other unsuspecting cishets in the room. It’s gonna get awkward.

It’s also fairly short, making for an easy, steamy bedtime read for anyone who’d like to imagine themself as a waifish little lass ravaged nightly by your lesbian vampire BFF. 

Bleak, beautiful, and visceral. I’ve reread this graphic novel a dozen times just to look at the absolutely stunning creature design that engulfs the environment. Sal, a sword-wielding exterminator, is faced with their crumbling relationship, their terrible job, and the monsters that lurk in every corner of this near-future world—all in one shift.

I vote that this novella by Cassandra Khaw be made into an animated limited series, opening on a mermaid who leaves her two children after they’ve devoured what is left of the city that had to be burned to the ground to prevent the spread of the plague.

They devoured because they have teeth, as mermaids do. The children also have “supple lips”, as their father had, a prince who abducted and forced the mermaid to marry him then cut her tongue out.

She leaves them and their destruction behind to wander the countryside with a plague doctor who wears a vulture mask. It was the plague doctor who insisted they burn everything to the ground. The unusual pair soon find their way to a village where saints decide which people can be brought back from the dead in (on theme) Frankenstein-ian ways. A perfect animation.

Cari Hunter never fails to invoke Northern England with every sense, and Nicola Victoria Vincent’s performances continue to be among the absolute best experiences. This story starts off with an EMT, Grace, being taken hostage by a wounded woman at gunpoint, and then manages to twist and shift the entire time you’re listening. Hunter’s ability to weave in a secondary romantic plot while people are dodging bullets, outwitting villains, and desperately trying to stay alive is brilliant, and my dog always gets a longer walk while I’ve got a Hunter thriller to listen to. If you’re a fan of thrillers and audiobooks, and have yet to bump into Hunter or Vincent, thank me later, once you’ve enjoyed the whole backlist.

I have to admit, although I know a lot about gods, I haven’t spent a ton of time reading about folkloric creatures, like faeries, brownies, and selkies. This book, set in a gothic old house in the English countryside in the 1850s, definitely made me feel my neglect of the topic; luckily, I got to learn alongside magician John Blake and Lord Thornby as they investigate the spell that’s holding Thornby trapped.

One remarkable thing about this book is the intriguing and clever magic system. The romance is great. And the twist at the end—well, I didn’t see it coming.