Books like Crosshairs — picked by fans

Cherie Dimaline's book really spoke to me because, in addition to great story-telling, it sets Native people in a post-apocalyptic setting.

As Native people, we are so often portrayed as ancient rather than modern. So this work connected the ancient and the modern in a novel way. With relatable characters searching for family and community, it was relatable and real even in the world the book describes.

I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.

Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.

This book reminded me that hope is often raw, painful, and ultimately necessary.

Hopkinson’s stunning debut plunges the reader into a wildly inventive future Toronto. She seamlessly weaves together the politics of race, class, and gender, inflected with the rich culture and history of the Caribbean diaspora.

Despite the grim post-apocalyptic setting, the characters are part of a community, surviving through solidarity and mutual aid. There are no easy answers or neat resolutions to be found here—the fraught, tenuous connections between families and lovers are messy and grounded.

Sadly, many of the elements of this 1998 novel have proven prophetic, and this book is still a clarion call 25 years later.

As Rebecca Roanhorse put it, Indigenous people on Turtle Island have already survived an apocalypse.

So it’s not surprising that my favourite apocalypse novel centres around a remote Anishinaabe community struggling to survive after a distant and never-fully explained calamity. It’s a prescient story, especially in light of real-life catastrophe that arrived only two years after its publication.

Much apocalyptic and post-apocalyptic fiction focuses on gritty bands of survivors, but Rice provides a scenario that is much more in keeping with how communities actually act during disasters, contrasting the acts of care and mutual aid with the haunting slow decay of the world and the threat posed by violent outsiders.

It’s a multilayered, stunningly crafted realist take on how to keep surviving after the world ends.

The Island achieved an incredible feat by inducing two competing thoughts in my mind: this couldn’t possibly happen, and this could possibly happen! 

A family of four is on an Australian driving holiday and is unexpectedly allowed entry onto a privately owned Dutch Island. This isolated setting soon makes them vulnerable and reliant on others. I loved following the characters’ journeys as they grappled with how to protect themselves and their loved ones. They’re "ordinary everyday people" who are forced to take action—and there’s plenty of it! 

As with most of the best thrillers, there are multiple points of view that ratchet up the tension.

I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.

The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too. 

Cold Welcome is the first book in the Vatta's Peace Series by Elizabeth Moon (a sequel series to Vatta’s war), but it stands alone and can be read by a newcomer. The MC, Kylara Vatta, rejected a place in her powerful family’s space trading business and instead elected to join the military. Our war hero returns home to find not the accolades she was given to expect but an assassination attempt. The sabotage of her shuttle leaves Vatta and her crew fighting for survival, first in an icy sea and then a frozen wasteland, for history buffs this is a definite nod to Shackleton. Vatta manages to find a clandestine underground facility, which provides somewhat risky shelter for the group since the builders of the facility will do anything to keep their secrets. This is an engaging, fast-paced read; though not actually set in space, it has a classic space-opera… show more.

Flesh has it all – zombies, characters who come alive on the page, romance that sizzles, and action to keep the suspense going. Ali, Daniel, and Fin have to discover how to deal with each other as their relationship develops, while at the same time battling zombies and other survivors to reach safety. They learn to fight for each other, make sacrifices they would never have imagined in their old lives, and love like they would never have believed possible. The key to it all is the trust they develop in each other which forms a team that nothing can break.

England, in the near future, walking blindly into totalitarianism, everything falling apart. Eve has grown up in a happy family, with loving parents, but not even they can protect her from the world collapsing around them. Eve sets out on a journey, alone, across the wild Yorkshire moors, in search of new ways of living. This is a powerful, beautiful graphic novel from Una. 

Alistair MacLean’s thrillers have been a guilty reading pleasure of mine since high school, when MacLean churned out bestsellers like The Guns of Navarone and Where Eagles Dare every year. MacLean creates tough, grim heroes who do whatever they have to do to get the job done. The writing is clumsy but effective, with heavy-handed humor and world-weary cynicism. The women are barely defined. And yet...

The plot, mood, and setting of each book provide one heck of an adventure. Like the crash-landing of a passenger airliner on the Greenland ice cap in Night Without End. A nearby team of scientists rushes to save the survivors. Among whom are the murderous criminals who caused the plane crash. A thoroughly riveting tale of survival in an Arctic wilderness.