Here are 100 books that Crosshairs fans have personally recommended if you like
Crosshairs.
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I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
Cherie Dimaline's book really spoke to me because, in addition to great story-telling, it sets Native people in a post-apocalyptic setting.
As Native people, we are so often portrayed as ancient rather than modern. So this work connected the ancient and the modern in a novel way. With relatable characters searching for family and community, it was relatable and real even in the world the book describes.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
Since losing his mom, thirteen-year-old Jack Wilson has spent most of his time seeing just how much trouble he can get away with so that he feels like a winner at something. But he takes his mischief too far and is faced with the possibility of unbearable consequences. He…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
Hopkinson’s stunning debut plunges the reader into a wildly inventive future Toronto. She seamlessly weaves together the politics of race, class, and gender, inflected with the rich culture and history of the Caribbean diaspora.
Despite the grim post-apocalyptic setting, the characters are part of a community, surviving through solidarity and mutual aid. There are no easy answers or neat resolutions to be found here—the fraught, tenuous connections between families and lovers are messy and grounded.
Sadly, many of the elements of this 1998 novel have proven prophetic, and this book is still a clarion call 25 years later.
The rich and the privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.
As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
As Rebecca Roanhorse put it, Indigenous people on Turtle Island have already survived an apocalypse.
So it’s not surprising that my favourite apocalypse novel centres around a remote Anishinaabe community struggling to survive after a distant and never-fully explained calamity. It’s a prescient story, especially in light of real-life catastrophe that arrived only two years after its publication.
Much apocalyptic and post-apocalyptic fiction focuses on gritty bands of survivors, but Rice provides a scenario that is much more in keeping with how communities actually act during disasters, contrasting the acts of care and mutual aid with the haunting slow decay of the world and the threat posed by violent outsiders.
It’s a multilayered, stunningly crafted realist take on how to keep surviving after the world ends.
Winner of the 2019 OLA Forest of Reading Evergreen Award
Shortlisted for the 2019 John W. Campbell Memorial Award
Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award
2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick
January 2020 Reddit r/bookclub pick of the month
“This slow-burning thriller is also a powerful story of survival…
I’m a science fiction writer who loves my chosen genre for the promises it makes for the worlds that we can have—and the warnings that it offers for the worlds that might be ours if we don’t take care. I’ve picked books for people who like their thinking to be challenged, and who also long for the world to be a much better place. These are the kinds of books I love to read—and the kinds of books I try to write.
England, in the near future, walking blindly into totalitarianism, everything falling apart. Eve has grown up in a happy family, with loving parents, but not even they can protect her from the world collapsing around them. Eve sets out on a journey, alone, across the wild Yorkshire moors, in search of new ways of living. This is a powerful, beautiful graphic novel from Una.
A powerful novel of mothers and daughters, and how we imagine our future, from acclaimed author of BECOMING UNBECOMING
'A disturbing and necessary book for our times ... Una has held up a chilling mirror for us, and leaves us with a choice - what kind of world will we make for ourselves?' JACKY FLEMING
In the near future, in a world that seems just like our own, Eve grows up in a loving family that is increasingly threatened by a society which seems to be sleepwalking into totalitarianism. After a catastrophe that changes everything, Eve must set off on…
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.
The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
A spy school for girls amidst Jane Austen’s high society.
Daughters of the Beau Monde who don’t fit London society’s strict mold are banished to Stranje House, where the headmistress trains these unusually gifted girls to enter the dangerous world of spies in the Napoleonic wars. #1 NYT bestselling author…
I’ve loved zombie movies since I was a kid and first saw Return of the Living Dead during a slumber party. Since then I’ve watched as many as I could, along with shows like The Walking Dead and Z Nation. The changes in the publishing industry over the past few years have given me something even better – hundreds of amazing books about romance and survival in the zombie apocalypse to read. The five books on my list are the very best of those that eventually inspired me to write my own books. I hope you like them!
Flesh has it all – zombies, characters who come alive on the page, romance that sizzles, and action to keep the suspense going. Ali, Daniel, and Fin have to discover how to deal with each other as their relationship develops, while at the same time battling zombies and other survivors to reach safety. They learn to fight for each other, make sacrifices they would never have imagined in their old lives, and love like they would never have believed possible. The key to it all is the trust they develop in each other which forms a team that nothing can break.
Ali has been hiding in an attic since civilization collapsed eight weeks ago. When the plague hit, her neighbors turned into mindless, hungry, homicidal maniacs.Daniel has been a loner his entire life. Then the world empties and he realizes that being alone isn’t all it’s cracked up to be.Finn is a former cop who is desperate for companionship, and willing to do anything it takes to protect the survivors around him.When the three cross paths they band together; sparks fly, romance blooms in the wasteland and Ali, Daniel and Finn bend to their very human needs in the ruins of…
As a survivor of child sexual abuse, I endured many years with my voice stolen. Growing up, books offered a sanctuary from a world of cruelty and violence. Yet I never saw myself in fiction—not only as a young person battling to survive, but as a vulnerable teen questioning their sexuality. Now, I’m determined to support fellow survivors. 100% of the proceeds of my books are donated to charities supporting sexual abuse survivors, particularly victims of child trafficking. Living with CPTSD means I have a particular interest in trauma narratives, and an intense desire to do justice to abuse survivors in fiction. No one should feel alone or unseen.
Purists might raise their brows at seeing this series included, but I would argue this manga is so deeply queer-coded it could not be omitted. Following a horrific epidemic, vampires rise from the shadows to enslave the remains of humanity. Reckless and stubborn, Yuichiro has made a home with his fellow orphans, led by sensitive and intelligent Mikaela. When their daring escape from the vampires ends in disaster, Yuichiro's dream of ridding the world of vampires is kept alive at a devastating price. The dynamic between Yu and Mika is perfectly balanced, infused with yearning almosts and bittersweet if-onlys. At the heart of the series, you’ll find a fierce determination to protect one’s chosen family, and an unapologetic commitment to sacrifice everything – even humanity – for the sake of love.
After a catastrophic epidemic kills every adult on earth, vampires arise from the shadows to enslave the remaining human population. Yuichiro escapes from captivity and joins the Japanese Imperial Demon Army. But before he's allowed to fight vampires, he has to complete his first, terrifying mission - make new friends with his fellow aspiring monster slayers!
Yuichiro and his friends are kept as vampire fodder in a creepy institution masquerading as an orphanage. One day, Yuichiro's dreams of fighting back are realized when the orphans stage a daring escape. But things go horribly wrong, and his dream is kept alive…
Not only have I been a fan of the genre since my early childhood, I’ve also submerged myself from an author's perspective. I've honed my craft through several courses, research, and networking so that I know what I’m putting out is the best work I can produce. I love the familiar style of description and a plot woven into a well-versed tale of good versus evil, especially if the reader is left questioning whether it really was good that won in the end. My love for horror started young when I delved into Stephen King’s Bag of Bones, and I have devoured a lot of classic horror fiction since then.
While on the shorter side of horror, Five Nights at Freddie’s has the classic jump scares that you’re looking for in a punchy horror book. Some might not consider it classic fiction as such, but it has its roots in the old adage of something lurking around the corner waiting for you—a timeless story motif. With a harrowing twist in the end, this book gives all the right chills at the right time. You hang onto the edge of your seat while you follow the main character and the ‘things’ that are haunting her. Despite it having a clear motif, I still found it a bit unpredictable and enjoyed it thoroughly. Suitable for younger audiences.
Ten years after the horrific murders at Freddy Fazbear's Pizza that ripped their town apart, Charlie, whose father owned the restaurant, and her childhood friends reunite on the anniversary of the tragedy and find themselves at the old pizza place which had been locked up and abandoned for years. After they discover a way inside, they realize that things are not as they used to be. The four adult-sized animatronic mascots that once entertained patrons have changed. They now have a dark secret . . . and a murderous agenda.
A gay retelling of the classic fairy tale--a scrumptious love story featuring ungrateful stepsiblings, a bake-off, and a fairy godfather.
Cinderelliot is stuck at home taking care of his ungrateful stepsister and stepbrother. When Prince Samuel announces a kingdom-wide competition to join the royal staff as his baker, the stepsiblings…
I spent more than 10 years and 25,000 nautical miles voyaging as the captain of my sailboat, Swell. My desires for life did not fit the common mold and context of where I grew up in Southern California– I sailed away wanting to understand the meaning of life, live simply and closer to nature, experience and learn from other cultures, be in solitude and ask life’s bigger questions. I chased my big, unlikely ocean dream and succeeded, but not without radical challenges, learning, and growth.
Steven Callahan not only survived this harrowing sea adventure but also wrote about it in such a powerful way. His unique descriptions constantly made me smile. I love how he was able to capture his evolving relationship with the ocean, his spirituality, himself, and the creatures he encounters during the 76-day saga of being adrift in a life raft on the Atlantic after his sailboat sunk.
I didn’t want to put this book down, he was just so courageous not to give up. It was fascinating to be in his head through this radical journey, especially as he questions the meaning of life while fighting to hang on to his own.
Before The Perfect Storm, before In the Heart of the Sea, Steven Callahan’s dramatic tale of survival at sea was on the New York Times bestseller list for more than thirty-six weeks. In some ways the model for the new wave of adventure books, Adrift is an undeniable seafaring classic, a riveting firsthand account by the only man known to have survived more than a month alone at sea, fighting for his life in an inflatable raft after his small sloop capsized only six days out. “Utterly absorbing” (Newsweek), Adrift is a must-have for any adventure library.
