Here are 99 books that Creating a Confederate Kentucky fans have personally recommended if you like
Creating a Confederate Kentucky.
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I am a historian based in Louisville, Kentucky. When I moved here two decades ago, I could tell the vibe was different than other places I had been. Southern—but not like Tennessee. Midwestern—but not like Illinois. So I started reading, and eventually writing, about the state’s history. I have a Ph.D. in United States history so I lean toward academic books. I like authors who dig into the primary sources of history and then come out and make an argument about the evidence that they uncovered. I also lean toward social and cultural history—rather than military history—of the Civil War.
To outsiders, Kentucky is clearly part of the South. For those of us who live here—especially those who know a little about the state’s history—it can be a little more nebulous. Phillips’ book helps explain why. Kentucky had a lot in common with its fellow states of the first West like Indiana, Ohio, and Illinois, and those northern states could be a lot more “southern” than commonly understood. Phillips’s book shows how the Civil War remade those regional boundaries, turning the Ohio River into a line of separation between “North” and “South.”
Most Americans believe that the Ohio River was a clearly defined and static demographic and political boundary between North and South, an extension of the Mason-Dixon Line. Once settled, the new states west of the Appalachians - the slave states of Kentucky and Missouri and of the free states of Illinois, Indiana, Ohio, and Kansas - formed a fixed boundary between freedom and slavery, extending the border that inevitably produced the war. None of this is true, except perhaps the outcome of war. But the centrality of the Civil War and its outcome in the making of these tropes is…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am a historian based in Louisville, Kentucky. When I moved here two decades ago, I could tell the vibe was different than other places I had been. Southern—but not like Tennessee. Midwestern—but not like Illinois. So I started reading, and eventually writing, about the state’s history. I have a Ph.D. in United States history so I lean toward academic books. I like authors who dig into the primary sources of history and then come out and make an argument about the evidence that they uncovered. I also lean toward social and cultural history—rather than military history—of the Civil War.
This book reminded me of the deep parallels in the histories of Missouri and Kentucky. I don’t tend to associate Kentucky with Missouri, but Astor’s book really drives home why that is wrongheaded. Both were border states and, during the war, both suffered guerrilla insurgencies, had divided populations, and ended up supporting the pro-Confederate Lost Cause vision of the war. And when so much writing on Kentucky’s history is focused on its white inhabitants, Astor restores agency to its African American residents, showing how they resisted slavery and then, after emancipation, created their own institutions to contest for racial equality in the face of fierce opposition.
Rebels on the Border offers a remarkably compelling and significant study of the Civil War South's highly contested and bloodiest border states: Kentucky and Missouri. By far the most complex examination to date, the book sharply focuses on the ""borderland"" between the free North and the Confederate South. As a result, Rebels on the Border deepens and enhances understanding of the sectional conflict, the Civil War, and Reconstruction.
After slaves in central Kentucky and Missouri gained their emancipation, author Aaron Astor contends, they transformed informal kin and social networks of resistance against slavery into more formalized processes of electoral participation…
I am a historian based in Louisville, Kentucky. When I moved here two decades ago, I could tell the vibe was different than other places I had been. Southern—but not like Tennessee. Midwestern—but not like Illinois. So I started reading, and eventually writing, about the state’s history. I have a Ph.D. in United States history so I lean toward academic books. I like authors who dig into the primary sources of history and then come out and make an argument about the evidence that they uncovered. I also lean toward social and cultural history—rather than military history—of the Civil War.
I once stumbled onto a celebration of Confederate Memorial Day in a small Kentucky mountain town, but I had always been told that the mountains of eastern Kentucky were a stronghold of Unionism during the Civil War. McKnight’s book helped me understand the complexity of the Appalachian region and its experience of the war. Both armies used the mountain gaps as gateways to invasion, exploited the local residents, and despoiled the landscape. Life in the mountains in the 19th century had always been hard; the Civil War made it a lot harder.
From 1861 to 1865, the border separating eastern Kentucky and southwestern Virginia was more than just a geographic marker -- it represented a major ideological split, serving as an "international" boundary between the United States and the Confederacy. The loyalties of those who lived in this mountainous region could not be so easily divided, and large segments of the population remained neutral or vacillated in their support. Location and a wealth of resources made the region strategically important to both sides in the conflict, and both armies fought for control. In Contested Borderland, Brian D. McKnight shows how military invasion…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I am a historian based in Louisville, Kentucky. When I moved here two decades ago, I could tell the vibe was different than other places I had been. Southern—but not like Tennessee. Midwestern—but not like Illinois. So I started reading, and eventually writing, about the state’s history. I have a Ph.D. in United States history so I lean toward academic books. I like authors who dig into the primary sources of history and then come out and make an argument about the evidence that they uncovered. I also lean toward social and cultural history—rather than military history—of the Civil War.
I have long been interested in the history of US religion but a lot of religious history can be, well, boring. Harlow’s book is not. People interested in the Civil War often forget about the role religious belief played in the lives of 19th-century Americans, preferring to focus on military strategy or the politics of emancipation and Reconstruction. Harlow’s book foregrounds religion and shows how pro-slavery theology united Kentuckians even as they split over the war. And how that same theology helps explain why they turned their back on their wartime Unionism and embraced the Lost Cause version of events.
This book sheds new light on the role of religion in the nineteenth-century slavery debates. Luke E. Harlow argues that the ongoing conflict over the meaning of Christian 'orthodoxy' constrained the political and cultural horizons available for defenders and opponents of American slavery. The central locus of these debates was Kentucky, a border slave state with a long-standing antislavery presence. Although white Kentuckians famously cast themselves as moderates in the period and remained with the Union during the Civil War, their religious values showed no moderation on the slavery question. When the war ultimately brought emancipation, white Kentuckians found themselves…
Schoolteacher turned writer. With the encouragement of my old college friend, the great Michael Crichton I began writing detective novels—paperback originals at first, then a hardback thriller called Target of Opportunity, which was a detective novel but included a long section of historical background about the Resistance in southern France. From there I moved to biographical fiction: novels about Thomas Jefferson, Andrew Jackson, Ulysses S. Grant. Then straight historical fiction, often with a Parisian background, because I’ve lived and worked in that marvelous city and can’t get enough of it.
The appealing heroine Diony Hall moves with her new husband into the Kentucky wilderness. A beautiful variation on the archetypal plot, “Someone Goes on a Journey,” written in gorgeous prose and featuring many perfectly rendered actual characters such as Thomas Jefferson and Daniel Boone. The story shows determined human nature struggling against hostile nature, the earliest of the great American themes.
Set at the time of the western migration from Piedmont Virginia to her native Kentucky, Ms. RobertsAIs novel recounts the heroism of the Kentucky pioneer. Roberts was that rare thing, a true artist...She was one of the indispensables.O-Robert Penn Warren. Southern Classics Series.
I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
OK, I’m a pioneer junkie, and here’s the scene: Kentucky frontier, 1700s. Daniel Boone country, but he’s a minor character. I love the star of this show: Hannah, a large, strong woman who holds her own in this time and place. I love how she seizes upon her limited choices. As one of the few women in the settlement, all the unattached dudes want to marry her, yet she proposes to the one who’s too shy to ask.
I love that she values her own survival skills: plowing and hunting, chopping wood, weaving cloth, working until the moment she goes into labor. This is the type of woman who settled the American wilderness. She made me wonder about all those like her whose stories I’d never heard.
In the novel Hannah Fowler, Janice Holt Giles created a pioneer woman who would, In Giles's words, "endow her own physical seed with her strength and courage, and her own tenderness and love." First published in 1956, this work is the second in Giles's series of historical novels on Kentucky, which includes The Kentuckians and The Believers.
Samuel Moore and his daughter Hannah set out for the border country with a party led by George Rogers Clark but left to follow the Kentucky River to Boones' Fort. As the story opens, Hannah is nursing her father, injured when an axe…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I have not served in the military nor been subject to a manhunt. However, I have been battling PTSD for almost 5 years. There are many, many misconceptions of PTSD in the media, and finding it portrayed accurately is a difficult task. My goal with Polaris was to first depict mental illness as realistically as possible, with all its ugly messiness. Secondly, the social commentary of a dystopian-sci-fi setting fascinated me. Polaris came about when I combined the two. In my own personal experience, most people do not understand the totality of PTSD and how it overtakes one’s life.
As one of the most unflinching, realistic depictions of PTSD in modern history, First Blood gave me shivers. It provides an intense dive into the psyche of someone traumatized by warfare and how messy and unpredictable one can become when attempting to adjust to civilian life. It may be hard for some to stomach.
From New York Times bestselling author, David Morrell, comes a classic thriller that introduced the character of Rambo, one of the most iconic action heroes of the twentieth century.
Called “the father of the modern action novel,” FIRST BLOOD changed the genre. Although the book and the film adaptation have similarities, they are very different, especially its unexpected ending and its greater intensity.If you’ve only experienced the film, you’re in for a surprise.
Once they were soldiers. Rambo, the ragged kid whose presence in town is considered a threat. And Teasle, the Chief of Police of Madison, Kentucky. Both have…
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this study Belue creates a sense of the world of Kentucky before settlement, as Long Hunters began to explore the Bluegrass and send reports back east of the streams and savannas, the game, and beauty of the land. While writing Boone, I found this volume especially useful for visualizing the places where Boone hunted in his first and second forays into Kanta-kee.
The Hunters of Kentucky covers a wide range of frontier existence, from daily life and survival to wars, exploits, and even flora and fauna.
The pioneers and their lives are profiled in biographical sketches, giving a rich sampling of the personalities involved in the United States' westward expansion. Author Ted Franklin Belue's colourful and vivid prose brings these long-forgotten frontiersmen to life.
Using the Draper manuscripts and a variety of other primary sources Belue has woven together a fine narrative of life on the frontier.
1995 - “Write what you know,” Mark Twain advised. I’d been married three times. I wrote romances. 2012 - “Write what you know.” I’d been divorced three times and fantasized about murdering my ex. Only massive doses of chocolate kept my finger off the trigger. Hence…Death by Chocolate.
Death by a HoneyBee is humorous and suspenseful, and I love the heroine.
Josiah Reynolds is a snarky, fifty-year-old beekeeper in the southern town of Lexington, Kentucky. The story is intriguing and the quirky characters fascinating. The author inserts interesting details of beekeeping without interrupting the story. I later learned that the author is a beekeeper and hence was able to provide authentic details.
When Josiah finds her rival beekeeper dead with his head in one of her bee hives, she is thrown into a world of suspense and mystery…and humor! Josiah is a strong southern woman who greets problems with southern wit and wisdom!
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I’ve always loved reading memoirs, especially about a hero’s journey—whether it’s a teacher figuring out a tough group of students or a kid figuring out how to change the story they’ve been written into. I love nothing more than the triumphant ending that makes me cheer and cry happy tears. As an English teacher and debut author of my own memoir, I’ve found that honest storytelling opens a door for others to walk through and tell their own stories. I love seeing my students connect with stories like theirs because it shows them they’re not alone in their struggles and that living happily ever after is possible.
Bobi Conn’s story of growing up in poverty was too familiar: the cheap food, a car they push to start, a motel they move into when her father hits her mother, and the frustration of watching our mothers go back because they don’t have the courage to stay gone. Bobi also found refuge at school, which I related to because this was where life was predictable—and we were fed.
The author’s voice is powerful and honest as she shares her trauma, humiliation, and loss. Bobi Conn comes from the holler, deep in Appalachia, and her story is a beautiful testament to the resilience and bravery children are forced to have—and the childhood too many lose along the way.
A clear-eyed and compassionate memoir of the Appalachian experience by a woman who embraced its astonishing beauty, narrowly escaped its violence, and struggles to call it home.
Bobi Conn was raised in a remote Kentucky holler in 1980s Appalachia. She remembers her tin-roofed house tucked away in a vast forest paradise; the sparkling creeks, with their frogs and crawdads; the sweet blackberries growing along the road to her granny's; and her abusive father, an underemployed alcoholic whose untethered rage and violence against Bobi and her mother were frighteningly typical of a community marginalized, desperate, and ignored. Bobi's rule of survival:…
