Books like Counterfeit

In this book, Lisa See drops us into the lives of three young women of Asian descent who were fighting to make their way in a city and society that saw them as “dolls” rather than people. The friendship at the heart of the novel is compelling, but I am equally impressed by See’s historical research.

She weaves her fictional characters through real events, people, places, and cultures. I often shy away from “historical fiction” as a genre, cringing at the license some authors take with the history side of things, but See is an excellent social historian and storyteller. I loved this opportunity to visit World War II America, the entertainment industry, and, most especially, San Francisco’s Chinatown through the eyes of these women. 

This book holds a cherished place in my heart as it delves into the intricate dynamics of mother-daughter relationships and the profound journey of self-discovery. Growing up, I often felt the weight of cultural expectations, and choosing a different path inevitably strained my familial bonds.

As I read, memories of my mother and sisters flooded back, reminding me of the unique connections we share. An artfully crafted story that made me question so much about myself and the way that culture has influenced me as a person. Tan’s lyrical prose eloquently voices the experiences of so many young girls who have long been silenced, making this, without a doubt, one of my most treasured reads.

Reading this graphic novel just feels good. It’s so positive and full of all kinds of sweet relationships—romantic, friends, and family.

It’s also a fantastic portrayal of numerous people with something that makes them different from most others, including wearing hearing aids, lesbian grandmas, large bodies, and last but not least, being nonbinary. None of these things is an issue in the book, and instead they’re presented as being as normal as breathing.

I just love the normalization of human differences. Add to that the fun urban fantasy elements of magic and werewolves, and it’s a perfect mix.  

Lee depicts the world of San Francisco through the eyes of a young Chinese-American boy, navigating the grownup world of race, class, and urban life, and trying to find the place where he fits, in between his family and ethnicity, and his modern American sensibility. Also worth noting, Kai-Ting’s encounters with African-Americans, Chicanos and other Chinese people, in a novel that has nary a white person in it. 

The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.

Among U.S. immigrants and racially and culturally marginalized peoples, Asian Americans have a particularly complicated history in our national culture. Chinese and other ethnic Asians are still less than 7% percent of the U.S., a modicum at least partly conditioned by Chinese Exclusion, a federal law that for more than sixty years (from 1882-1943) severely restricted ethnic Asians from immigrating to and settling within the U.S.

But just as Neil Gabler and Lin-Manuel Miranda emphasize the migrants and racial-ethnic minorities at the core of America’s founding myths, novelist Lisa See details an eclectic group of artists, movie stars, and other creatives who gathered in Los Angeles Chinatown since the 1930s. This multimedia, multicultural milieu included both whites and ethnic Asians and spanned Hollywood, fine art, and commercial design.

Now a classic Asian American history, See's bestselling 1995 family history documents the enduring impact of the Chinatown residents and creatives who… show more.

You will never look at (or wear) a kimono the same way after reading Amy Sueyoshi’s ingenious investigation into the making of an American leisure culture awash in stereotypes of Japanese and Chinese sexuality. With a focus on San Francisco, Sueyoshi’s book reveals how Anglo-European Americans appropriated “Oriental” dress and design aesthetics, even as the white press and legal system displayed overt hostility toward people of Asian descent. This book is one of my very favorites among a growing body of work that centers on the making of racial identities within histories of sexuality. Sueyoshi is a superb writer, and in this book, she excels at honoring the humanity of Asian-descended people within a white leisure culture that insisted on their inferiority.

The life and writings of Iris Chang portray a woman with a passion for learning about her cultural heritage. Like a soldier, she gave her life in the pursuit.

The Chinese in America brings into focus just how it was for early Chinese immigrants to live in this land and their place in America today. The book not only sheds light on the Chinese American experience, but indirectly on all immigrant groups as well.

I value Chang’s encompassing work enlightening for understanding Chinese Americans as much as for understanding my own heritage.

I love how this book examines white male cultural appropriation of Chinese Literature and does it to such an extreme extent that it becomes wonderfully absurd. Chou skillfully depicts the discomfort of being Ingrid Yang, a first-generation Taiwanese American woman and Ph.D candidate who is attempting to navigate the elite halls of academia where white men still have all the power.

But what I also appreciated was how Chou examines the main character’s own complicity in the fetishization of Asian women through her relationship with her subtly sketchy boyfriend. 

An absolute tour de force from the author of The Joy Luck Club. This novel is not as famous, but it’s actually my favourite Tan book. It has that epic sweep across history that I adore, whereby the movement of history catches people in its wake and hurls them hither and thither, uncaring of the consequences of its wreckage. The novel follows the experiences of a Chinese woman before and after Japan’s invasion of China in the 1930s and 40s and on to her move to America after the war. Reading this novel was truly immersive and fueled my interest in writing about war and showing how my own characters are caught up in its inexorable flow. A brutal and beautiful novel.