72 Books Like Coming Clean

My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.

The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.

What could possibly captivate the mind more than monsters? As a kid, I eagerly consumed books from authors like R.L. Stine, Stephen King, and HP Lovecraft. I watched George Romero, Wes Craven, and John Carpenter, and played games like Dungeons and Dragons, Vampire: The Masquerade, and The Call of Cthulhu. When I discovered monster studies in my PhD years—a way to read monsters as cultural productions that tell us something about the people that create them—I was hooked. Ever since, I get to continue reading my favorite books, watching my favorite movies, and playing my favorite games. It’s just that now someone’s paying me to do it.

I’ve published many books for children, but this one is truly special. The Everybody Club is a collaboration with my dear friend Linda Hayen in memory of her daughter, Carissa. As a child, Carissa started a real-life Everybody Club. The first members were toys, dolls, the family cat, and her brothers, one of whom had severe disabilities. Carissa died in a car accident at the age of 16, and this book is Linda’s way of sharing her daughter’s generous spirit with the world. A note for adults at the end of the book shares this backstory.

CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made. 

Ever since I was a little girl and watched the 1943 version of Jane Eyre on Halloween, I’ve had an affinity for gothic fiction. I love books that keep me up at night, the slow, subtle creep of horror that this genre elicits. Combine that with fantastical elements, or better yet a retelling of an old classic, and I’m in. Writing A Multitude of Dreams, a reimagining of Poe’s The Masque of the Red Death, allowed me to indulge in everything I love about gothic fantasy, and it gave me the perfect excuse to read as much of it as possible. 

An author who also runs an online shop, PZBaubles New Orleans, specializing in quirky vintage jewelry, occult curios, holy objects, rare Tarot decks, metaphysical parlor games, and more. Music has always been a huge inspiration to me, and bands often turn up in my fiction, the best-known probably being Lost Souls from the novel of the same name. I published and lived for twenty-odd years under the name Poppy Z. Brite, but now go by Billy Martin.

I’m Tara Button, founder of Buy Me Once, a company dedicated to finding the longest-lasting, most sustainable products in every category. My obsession with durability started when I was given a cast iron frying pan that outlasted every cheap alternative I’d ever owned. Since then, I’ve been on a mission to help people escape the buy-throw-buy cycle and embrace mindful consumption. My book shares how to resist disposable culture and choose well-made, meaningful things that truly last. This list brings together the books that have shaped my philosophy and inspired my work in sustainable living.

I am an international bestselling author of Strays and a London-based journalist for The Guardian, The Observer, The Sunday Times, and other publications. I've written about animals, conservation, and volunteered at sanctuaries around the world, from tending big cats and baboons in Namibia to wild mustangs in Nevada—a labour of love that has inspired features for The Guardian, The Independent, and Condé Nast Traveller. I've raised hundreds of thousands of dollars for many charities through my investigative animal-cruelty stories; as an activist, I helped shut down controversial breeders of laboratory animals in the UK. I also created Catfestlondon, a sell-out boutique festival that rescues and rehomes Moroccan street kittens in the UK.

I’m Andy Marx and I am definitely a child of Hollywood. My paternal grandfather was the comic icon, Groucho Marx, and my maternal grandfather was the legendary songwriter, Gus Kahn, who wrote such classic songs as “It Had To Be You,” “Makin’ Whoopee!” and “Dream a Little Dream of Me.” After working as a film publicist on a number of films including, Terminator and Red Dragon, I launched my journalism career writing about Hollywood for such publications as The Los Angeles Times, and Daily Variety. I also co-founded the satirical website, Hollywood & Swine, which poked fun of Hollywood, not a terribly hard thing to do.