100 Books Like Chouette

Lawlor’s novel gave me the best gift a book can offer: it changed my mind halfway through.

I had been so intrigued by the premise of a shapeshifting character who can change their gender at will, that I forced myself to read on even though I wasn’t enjoying the emphasis on sex, especially as conquest, and I was sorely disappointed the story didn’t seem to go deeper.

But as I continued, I was happy to be proven wrong. By the end of the novel, I was checking my own biases and prejudices and empathizing deeply with Paul and his/her/their struggles. Reading this novel was an emotional experience unlike any I’ve had with a book.

Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.

The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.

But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.

Against the backdrop of a speculative future in which extra shadows have become the alternative to prison and cameras watch our every move, I Keep My Exoskeletons to Myself takes a raw, honest look at grief, family, queerness, and how we survive.

Kris has lost her wife Beau and gained an extra shadow—along with a child who also has an extra shadow. As she navigates her new reality, Kris can either sink deeper into her grief, accepting a life of surveillance and oppression for herself and her kid, or she can choose love and hope.

Crane’s approach to storytelling, open and vulnerable and using small fragments and pop quizzes, allowed me deep into Kris’s heart, and I rooted for her as she forged a life against all odds.   

I started this book for the unlikely main character–Sister Holiday, a chain-smoking, tattooed, queer nun–but it was the mystery that kept me reading. I always love it when a writer can make me feel like I am the one on the line, like I am fighting for my life or to prove my innocence. This book did just that.

I found I was holding myself tightly as Sister Holiday investigated but just kept finding more evidence against herself. The snippets of her past life made me feel for her more and more, taking the character from an unlikely hero to someone I cared deeply about. I can’t wait to get my hands on the second in the series.

At some point, every child is in a situation, maybe just for a few seconds, where they are not totally sure that their parent is coming back. I can still remember the look on my kids’ faces on their first day at nursery school! That feeling is no different for the young owl siblings in this story, left alone in the dark woods when their mother flies off in search of food. 

I love the simplicity of this tale, and the language is beautiful. We often turned to it at bedtime in our house, and no matter how many times I read, “Soft and silent, she swooped through the trees to Sarah and Percy and Bill,” it never got old.

Though we will never have inside pets because of allergies, my family thoroughly enjoys this true story centered around a family raising two owls (and a variety of other wild animals). This story showed a supportive family as the parents not only endured a continuous round of new pets (including a meal interrupted by one owl dropping a dead skunk on the table) but also assisted Billy in his early zoo-keeping habits. The hilarious slices of life had us in stitches. I especially love the relationship between the owl—Wol—and Billy’s dog.

Can a picture book be any more dramatic! The title! Those eyes! Hoot Owl, Master of Disguise pairs Sean Taylor’s purple prose with Jean Jullien’s graphic characters against a sky, “as black as burnt toast.” Readers meet an owl who thinks that he is clever and stealthy enough to land himself a meal – Rabbit? Mutton? Pigeon? Or simpler fare? Look there – hungry owl schemes, dramatically!

I first read this book when I was 10 years old, and from then on I was utterly devoted to the genre of fantasy series.

With its mixture of childlike wonder and rather advanced concepts, this first book in the extensive Guardians of Ga’Hoole series succeeds in making the reader think while remaining an entertaining piece of literature. And the choice of owls as the main characters proves a worthwhile gamble on the part of the author that makes the series informative as well as unique.

A nearly wordless comic about a cute little owl who goes on adventures and meets new friends. Not only is Owly adorable – but it’s practically wordless. This series is perfect for an early reader who wants to start reading graphic novels on their own. Its non-intimidating approach makes it a great start for any reluctant reader. Plus, did I mention that Owly is super cute? 

I am recommending this book because I fell in love with it as a child.

First, those beautiful watercolor illustrations of pure whimsy and secondly, I secretly loved the mischievous squirrel Nutkin and his riddles. As an adult, I love cuddling with my family's nutkins and sharing a laugh and a lesson on the sly.

There is just something special about sharing with your grandchildren a book you loved as a child!