Here are 49 books that Chocky fans have personally recommended if you like
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I have a passion for reading and telling tales. But I am a Christian first and foremost, and when I am not studying the Bible, I love to write when my mind is at rest and not too busy with life’s responsibilities. I love fantasy as it has a rich capacity for symbolism, and Jesus taught with parables. Symbolism in storytelling is such a potent way to convey truths and stimulate thought as thoughts work like seeds. It only takes one seed to germinate and sprout. It takes a humble heart to listen and consider something new we haven’t thought of before. And epic tales have a strong impact for touching hearts, for it had truly reached mine.
I would have thought to list another book here, and for sure, there are truly many books to be read that could easily be listed here, and despite that, this is listing Tolkien’s works for a third time; the truth simply stands in my library that his works are simply that great.
So far be it that the renowned book of The Lord of the Rings be not included. I had been introduced to Tolkien and fantasy’s more serious nature by my dad and grandfather with readings of The Hobbit, and by it, I was already enamored with the world of Middle-earth, as Bilbo was my hero.
I loved the classic animated cartoon adaptations back then by Rankin and Bass, and Bakshi, which at the time was my main exposure to The Lord of the Rings, along with commentaries from my dad, until I finally read it at the time…
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
A hundred years in the future, the world has been ravaged by climate change, dwindling resources, and pandemics – one of which has wiped out most of the men. A women’s republic has arisen, sustained by cloning, and privileged teenager Clara Perdue is desperate to become…
Since the summer of 1983, these stories have not only captivated my imagination but also directed much of my life. I love the apocalyptic fantasy genre. I love stories that push characters to their breaking points to see what happens. I love stories of lepers finding personal redemption through trials and despair, of impossible space battles, and of kings kneeling before unlikely heroes. I love the story arcs where the character grows into a whole new person because of their trials and faith. I love the beauty and incredible landscapes of a future Earth, as well as the view of space and the countless sights.
This book took me to places that I never knew existed.
Once I began to read the book, I was drawn into a land of beauty and realism that I could literally see as I read the story. I learned so much about the strengths and weaknesses of a human being. It made me examine my own inner self.
I saw terrible things happening to deep and intense people in the story, and I saw them react in the best and the worst ways. The beauty and pain that Donaldson put into this book were far more than I had expected or been ready to face myself.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
From as early as I can remember, I've been fascinated by science and the supernatural. I guess it was the bookcases of my parents and relatives that stoked my imagination as a child. From books about mysteries of the universe, to stories of fairies, nymphs and banshees, all asked questions that I longed to know the answers to. It’s a habit I've maintained throughout my life, always investigating, always challenging my beliefs. I like to think this has given me the skills to write a good, fantasy story. While I create worlds, characters, and rules of magic based on a logic that’s believable, as the world my characters live in is very real to them.
Clarke is the master of the sci-fi short stories in my view, and this collection is a great example of his genius. My dog-eared paperback is over forty years old, and I pick it up often for both nostalgic and professional reasons. With evocative titles such as "The Nine Billion Names of God," "No Morning After," and "If I Forget Thee, Oh Earth," these stories were just what my young, curious mind needed. In just a few pages, Clarke had an amazing ability to pull you into the world of the character and make you care. Both my children have read and enjoyed this book. Brilliant collection.
A compelling and unforgettable tale of humanity, resilience, and the lengths we will go to for love. When the end comes, what will you wish you had done?
In 2050s London, a deadly virus sweeps the globe, and the British government decides to evacuate children from the cities while a…
From as early as I can remember, I've been fascinated by science and the supernatural. I guess it was the bookcases of my parents and relatives that stoked my imagination as a child. From books about mysteries of the universe, to stories of fairies, nymphs and banshees, all asked questions that I longed to know the answers to. It’s a habit I've maintained throughout my life, always investigating, always challenging my beliefs. I like to think this has given me the skills to write a good, fantasy story. While I create worlds, characters, and rules of magic based on a logic that’s believable, as the world my characters live in is very real to them.
I picked this up in a bookshop due to the cover as it stirred my curiosity. And when I read the first line, "I had reached the age of six hundred and fifty miles," I found myself walking to the cashier to buy it. This is quite an unusual premise by a quite unusual and versatile writer. It breaks a number of rules by switching from first to third person, but I found it worked. I found myself constantly trying to guess what was happening, and where it was going. That may not sound like a recommendation, but I found I couldn’t put it down without knowing why. And when the last chapter delivers the big twist, I turned back to page one and started it all over again! It then becomes a different book and is still enjoyable.
Featured in Science Fiction: The Best 100 Novels Winner of the British Science Fiction Award Nominated for the Hugo Award
The “devilishly entertaining” masterpiece of hard science fiction, set in a city moving through a strange, dystopian world—from the multi-award-winning author of The Prestige (Time Out New York)
The city is winched along tracks through a devastated land full of hostile tribes. Rails must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city’s engineers. But if the city does not move, it will…
I am the author of more than sixty published novels, most of which are military science fiction, or near-future alternative history fiction, so I have an abiding interest in the subgenre, and the authors who helped to shape it.
As with my other recommendations, I am making this one based on the impact the book had on me. From this novel, as well as the others that Jerry wrote, I learned how important it is to build a comprehensive world-universe when planning a book. And, when I sat down to pen the first book in what would become the Legion of the Damned series, I attempted to build a reality as fully realized as the CoDominium universe is.
In a future universe in which prisoner colonists are shipped to strange worlds for a corrupt alliance of Earth nations, John Christian Falkenberg gives up a brilliant military career and makes a monumental sacrifice
As a frequent writer of science fiction, I focus not on real or imagined science, on aliens or other worlds, but on the impacts those things have on individuals, groups, and societies. Similarly, as a reader, I enjoy visiting places, cultures, and ideas with which I am unfamiliar, particularly when unveiled with elevated artistic expression. In my writing, often in the Star Trekuniverse, I attempt to avoid feeding the perception that media-tie-in writing is less-than, instead working to weave complex tales exploring the human condition. I don’t know if my reading tastes follow from my writing, or if the converse is true, but the two go hand in hand.
I generally don’t enjoy works of fiction that feature writers as their main characters. The process of writing, while influenced by life, is nevertheless a solitary process, difficult to capture in an interesting and meaningful way. William Goldman manages to do that, mostly by focusing on the backstory of story, on the flow and emotions of existence that contribute not only to the tales a writer tells, but their need to do so. The Color of Lightfeels both fantastical and real, steeped in preposterous events and genuine emotion, in a way that traces both the artistic process and the vagaries of life.
I'm an internationally recognised opinion leader in sustainable fashion. My career started as a designer with the pioneering upcycling label From Somewhere, which I launched in 1997. My label’s designer collaborations include collections for Jigsaw, Speedo, and 4 best-selling capsule collections for Topshop. In 2006, I co-founded the British Fashion Council Initiative Estethica at London Fashion Week, which I curated until 2014. In 2013 I co-founded Fashion Revolution, a global campaign with participation in over 90 countries. I'm a regular keynote speaker and mentor, and Associate Visiting Professor at Middlesex University. My first book Loved Clothes Last is published by Penguin Life, Corbaccio Editore in Italy and in France by Edition Marabou.
Exploring an earth-centric view of business for the future, envisioning regenerative systems where fashion can support, rather than deplete our planet’s finite resources, this book challenges the concept of growth and offers real alternatives.
This book feels challenging, but is rooted in common sense, it may seem out there and unrealistic, but being about Earth it actually makes it feel not just possible but eminently doable.
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
Restoree is a stand-alone novel by Anne McCaffrey of the Dragon Riders of Pern fame. The protagonist, Sara, is swept up in a mass kidnapping and carried away to a planet where she ends up in a new body. She is given the job of caring for a man who seems largely unresponsive. Sara and the reader slowly come to understand what’s happening and she makes a bold move to rescue herself, her charge, and the other restorees. Like all the best science fiction, Restoree is less about the trappings and more about the human story.
There was a sudden stench of a dead sea creature. There was the sudden horror of a huge black shape closing over her. There was nothing...
Then there were pieces of memory, isolated fragments that were so horrible her mind refused to accept them. Intense heat and shivering cold; excruciating pain; dismembered pieces of the human body. Sawn bones and searing screams.
And when she awoke she found she was in a world that was not earth, and with a face and body that were not her own. She had become a Restoree...
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
The Star King is one of the first science fiction romances I read. It has everything I want in a space opera – politics, fast-paced action, danger, drama, angst, all mixed up with a great love story. I fell in love with the characters, especially the dishy alien alpha male. And I particularly like that the romance is between two mature people with life experience.
An alien king, an Earth woman. Fated mates—Or is fate stacked against them?
Rom B’Kah is fighting for the survival of his people when a beautiful and mysterious warrior from Earth saves his life. When she vanishes without a trace, he vows to find her again.
Years after battlefield trauma sends her life into a tailspin, Jas Hamilton has given up on love. When a galactic empire makes first contact with Earth, she sets out to reclaim her lost sense of adventure—and finds it in the arms of the golden-eyed alien warrior she’s spent a lifetime trying to forget.
I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.
I have written speculative fiction, and the protagonist, Angel, a feisty, courageous, enigmatic, curious survivor is placed into such a setting. Climate change, one of my personal concerns, has wreaked havoc with the geographical, and therefore the political world, as we know it. It deals with the way elites take what they see as the necessary action to continue their privileged lifestyles.
The author managed to make me empathize with almost all the characters on some level, regardless how selfish, wicked, good, generous, or courageous they may be. I encountered elderly heroes and heroines, resourceful individuals and communities, victims, self-serving demagogues, cruel leaders, uncaring servants, unquestioning followers, and a group of talented and determined resistance fighters bent on turning a terrifying world into a just and equable future.
Linda Nicklin's eco-thriller Storm Girl charts a dystopian near future. Planet earth has largely drowned under rising seas, disease is rife, society has broken down. Everything is now owned by the super-rich and exploited for their own personal gratification, including the people still struggling to live on what land remains... Angel, the Storm Girl of the title, has been harvested by a gang of Reapers and is frantic to escape what she knows to be a death sentence. Her only way out is through the treacherous waters of a drowned city. From depths of despair, she begins to find glimmers…
