Here are 50 books that Chocky fans have personally recommended if you like
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Like many people of my generation, I first discovered fantasy worlds through morning cartoons. Then came comics, but The Lord of the Rings changed everything for me, followed by Dragonlance, Forgotten Realms, and many more. I was an introverted child, often bored with ordinary life, and these worlds gave me somewhere to escape. Most importantly, I loved journeys that transformed characters, because they gave me hope that people could change too. I created fantasy realms in my head for years, but it took reaching my 40s to finally start putting them on paper. Today, I write and publish my own stories, including Chronicles of Ankhara, through AltWorld Comics.
I read this trilogy in 1998 when I had just finished high school.
Even then, I understood the book presented Frodo as the main hero, but I was always aware that without Sam, Frodo couldn't go far. He was just a gardener in the beginning, but when the books were over, he proved himself and even became the mayor of the Shire.
Seeing a regular guy carrying the main hero on his shoulders is something else. The decisions he made and his forcing himself to do more transformed him into a natural hero and a leader.
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
A hundred years in the future, the world has been ravaged by climate change, dwindling resources, and pandemics – one of which has wiped out most of the men. A women’s republic has arisen, sustained by cloning, and privileged teenager Clara Perdue is desperate to become…
Since the summer of 1983, these stories have not only captivated my imagination but also directed much of my life. I love the apocalyptic fantasy genre. I love stories that push characters to their breaking points to see what happens. I love stories of lepers finding personal redemption through trials and despair, of impossible space battles, and of kings kneeling before unlikely heroes. I love the story arcs where the character grows into a whole new person because of their trials and faith. I love the beauty and incredible landscapes of a future Earth, as well as the view of space and the countless sights.
This book took me to places that I never knew existed.
Once I began to read the book, I was drawn into a land of beauty and realism that I could literally see as I read the story. I learned so much about the strengths and weaknesses of a human being. It made me examine my own inner self.
I saw terrible things happening to deep and intense people in the story, and I saw them react in the best and the worst ways. The beauty and pain that Donaldson put into this book were far more than I had expected or been ready to face myself.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
From as early as I can remember, I've been fascinated by science and the supernatural. I guess it was the bookcases of my parents and relatives that stoked my imagination as a child. From books about mysteries of the universe, to stories of fairies, nymphs and banshees, all asked questions that I longed to know the answers to. It’s a habit I've maintained throughout my life, always investigating, always challenging my beliefs. I like to think this has given me the skills to write a good, fantasy story. While I create worlds, characters, and rules of magic based on a logic that’s believable, as the world my characters live in is very real to them.
Clarke is the master of the sci-fi short stories in my view, and this collection is a great example of his genius. My dog-eared paperback is over forty years old, and I pick it up often for both nostalgic and professional reasons. With evocative titles such as "The Nine Billion Names of God," "No Morning After," and "If I Forget Thee, Oh Earth," these stories were just what my young, curious mind needed. In just a few pages, Clarke had an amazing ability to pull you into the world of the character and make you care. Both my children have read and enjoyed this book. Brilliant collection.
A compelling and unforgettable tale of humanity, resilience, and the lengths we will go to for love. When the end comes, what will you wish you had done?
In 2050s London, a deadly virus sweeps the globe, and the British government decides to evacuate children from the cities while a…
From as early as I can remember, I've been fascinated by science and the supernatural. I guess it was the bookcases of my parents and relatives that stoked my imagination as a child. From books about mysteries of the universe, to stories of fairies, nymphs and banshees, all asked questions that I longed to know the answers to. It’s a habit I've maintained throughout my life, always investigating, always challenging my beliefs. I like to think this has given me the skills to write a good, fantasy story. While I create worlds, characters, and rules of magic based on a logic that’s believable, as the world my characters live in is very real to them.
I picked this up in a bookshop due to the cover as it stirred my curiosity. And when I read the first line, "I had reached the age of six hundred and fifty miles," I found myself walking to the cashier to buy it. This is quite an unusual premise by a quite unusual and versatile writer. It breaks a number of rules by switching from first to third person, but I found it worked. I found myself constantly trying to guess what was happening, and where it was going. That may not sound like a recommendation, but I found I couldn’t put it down without knowing why. And when the last chapter delivers the big twist, I turned back to page one and started it all over again! It then becomes a different book and is still enjoyable.
Featured in Science Fiction: The Best 100 Novels Winner of the British Science Fiction Award Nominated for the Hugo Award
The “devilishly entertaining” masterpiece of hard science fiction, set in a city moving through a strange, dystopian world—from the multi-award-winning author of The Prestige (Time Out New York)
The city is winched along tracks through a devastated land full of hostile tribes. Rails must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city’s engineers. But if the city does not move, it will…
I‘m a Sydney-based exploration geologist and science writer, travelling the world in search of gold, exotic metals, gemstones, and the stories they have to tell — writing is my tool to bring alive ideas and concepts important to me, and my popular books include Rocks, Fossils and Dinosaurs;Natural Disasters; and Geologica. Working in the world's poorest regions has also sparked a strong humanitarian interest. I'm the founding president of FreeSchools World Literacy – Australia, a charity dedicated to education of underprivileged children, and towards which earnings from my writing go. It is my belief that education for all, not just a privileged few, is key to solving the world's problems.
This book stands as one of the last great paper encyclopedias created for children in this day and age of digital searches, and that is what I love about it. As you leaf through its pages, it is reminiscent of turning the stone pages of our own planet’s 4.6 billion-year-old story, featuring the evolution of life, culminating in us! This beautifully illustrated and written encyclopedia presents the most up-to-date information about planet Earth in a style and format designed for children, but which will appeal to a wide range of readers. With hundreds of photographs, illustrations, diagrams, and maps, it presents an impressive overview of our globe—beginning with the history of the universe and ending with today's conservation issues. A truly spectacular reference.
How do twisters form? What makes lightening strike? Why are tropical rain forests the lungs of our planet? Curious kids want to know everything about their planet. They’ll find the answers to their questions here, as they investigate our world from its core to its cosmic connections.
I have been engaged as a teacher of religion and ecology since the first Earth Day 50 years ago. That has entailed writing some prize-winning books,Earth Community, Earth Ethics(1996) and Earth-honoring Faith: Religious Ethics in a New Key(2013). Now I want to pass along distilled learnings to my grandchildren as they face a planet in tumult. The form—love letters—and the audience—future generations as represented by my grandkids—moves me to focus on effective communication of a highly personal sort to young people on matters vital to their lives. It’s a nice bookend near the end of my own life.
My own work, even in retirement, entails teaching and writing on changes in planetary systems that impact us dramatically (e.g., climate change). To engage students it is most helpful to have a highly engaging account of Earth’s own dramatic history over its 4.6. billion years. This book provides that in non-technical, jargon-free language that anyone of high school and college age, as well as older, easily understands.
"[A]n exuberant romp through evolution, like a modern-day Willy Wonka of genetic space. Gee’s grand tour enthusiastically details the narrative underlying life’s erratic and often whimsical exploration of biological form and function.” —Adrian Woolfson,The Washington Post
In the tradition of Richard Dawkins, Bill Bryson, and Simon Winchester—An entertaining and uniquely informed narration of Life's life story.
In the beginning, Earth was an inhospitably alien place—in constant chemical flux, covered with churning seas, crafting its landscape through incessant volcanic eruptions. Amid all this tumult and disaster, life began. The earliest living things were…
I grew up a fan of all things sci-fi, Star Wars, Star Trek, Battlestar Galactica, and so on. But the older I got, the pickier I got, wanting more depth in character, creative stories and fun, but believable action. I read classic sci-fi like iRobot, Starship Troopers, and Enders Game, to name a few. I did find some contemporary authors I liked like Marco Kloos, Detmare Wehr, and Rebecca Branch, but they were needles in a haystack. So, instead of complaining that there were not enough good books out there, I started writing my own. A decade later I have 8 published titles and more on the way.
This book is a little more Space Opera than Sci-fi as it focuses more on the adventure than the impossibility of the technology. It takes place thousands of years in the future when man kinds had spread out across the galaxy and forgotten about Earth, for the most part. The characters are not deep, and the story relies more on action than complexity, but it’s fun. It moves from one event to another, the main character is a bit of a rogue that you can’t help but like and his female counterpart is smarter, faster, and deadlier than he will every be, so it's good she is on his side. One of the reasons I like these books (10 book series with some spin-offs) is because it is very different from my style. If my books were Angus Steaks, these would be an Ice-cream Sunday.
They say the Earth is just a myth. Something to tell your children when you put them to sleep, the lost homeworld of humanity. Everyone knows it isn't real, though. It can't be.
But when Captain Jace Hughes encounters a nun with a mysterious piece of cargo and a bold secret, he soon discovers that everything he thought he knew about Earth is wrong. So very, very wrong.
Climb aboard The Renegade Star and assemble a crew, follow the clues, uncover the truth, and most importantly, try to stay alive.
Experience the beginning of a sprawling galactic tale in this…
As a frequent writer of science fiction, I focus not on real or imagined science, on aliens or other worlds, but on the impacts those things have on individuals, groups, and societies. Similarly, as a reader, I enjoy visiting places, cultures, and ideas with which I am unfamiliar, particularly when unveiled with elevated artistic expression. In my writing, often in the Star Trekuniverse, I attempt to avoid feeding the perception that media-tie-in writing is less-than, instead working to weave complex tales exploring the human condition. I don’t know if my reading tastes follow from my writing, or if the converse is true, but the two go hand in hand.
I generally don’t enjoy works of fiction that feature writers as their main characters. The process of writing, while influenced by life, is nevertheless a solitary process, difficult to capture in an interesting and meaningful way. William Goldman manages to do that, mostly by focusing on the backstory of story, on the flow and emotions of existence that contribute not only to the tales a writer tells, but their need to do so. The Color of Lightfeels both fantastical and real, steeped in preposterous events and genuine emotion, in a way that traces both the artistic process and the vagaries of life.
I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.
I have written speculative fiction, and the protagonist, Angel, a feisty, courageous, enigmatic, curious survivor is placed into such a setting. Climate change, one of my personal concerns, has wreaked havoc with the geographical, and therefore the political world, as we know it. It deals with the way elites take what they see as the necessary action to continue their privileged lifestyles.
The author managed to make me empathize with almost all the characters on some level, regardless how selfish, wicked, good, generous, or courageous they may be. I encountered elderly heroes and heroines, resourceful individuals and communities, victims, self-serving demagogues, cruel leaders, uncaring servants, unquestioning followers, and a group of talented and determined resistance fighters bent on turning a terrifying world into a just and equable future.
Linda Nicklin's eco-thriller Storm Girl charts a dystopian near future. Planet earth has largely drowned under rising seas, disease is rife, society has broken down. Everything is now owned by the super-rich and exploited for their own personal gratification, including the people still struggling to live on what land remains... Angel, the Storm Girl of the title, has been harvested by a gang of Reapers and is frantic to escape what she knows to be a death sentence. Her only way out is through the treacherous waters of a drowned city. From depths of despair, she begins to find glimmers…
I’m a science journalist in Colorado, living in the foothills of the Rocky Mountains that were raised by millions of years of mountain-building. I studied geology in college and now write about the earth and space sciences, primarily for the journal Nature. On reporting trips I’ve camped on floating Arctic sea ice and visited earthquake-ravaged mountains in Sichuan, China. But my favorite journey into deep time — the planet’s unfathomably long geologic history, as preserved in rocks — will always be a raft trip with scientists along a section of the Colorado River in Arizona.
This gorgeously illustrated coffee-table volume draws on Black’s expertise in science writing and paleontology. She begins with the Big Bang that created the universe 13.8 billion years ago, then moves in short chapters through milestones of the rise of life on Earth. Prehistoric plants harden into coal in the Carboniferous Period, 359 million years ago; dinosaurs roam the Morrison Formation of the western US, 156 million years ago; and small blobs of molten glass from Laos reveal a powerful meteorite impact 790,000 years ago. You’ll never see the timeline of life the same way again.
Deep time is the timescale of the geological events that have shaped our planet. Whilst so immense as to challenge human understanding, its evidence is nonetheless visible all around us.
Through explanations of the latest research and over 200 fascinating images, Deep Time explores this evidence, from the visible layers in ancient rock to the hiss of static on the radio, and from fossilized shark's teeth to underwater forests. These relics of ancient epochs, many of which we can see and touch today, connect our present to the distant past and answer broader questions about our place in the timeline…