48 Books Like Chocky

What truly is there left to say about this masterpiece of classic fantasy that hasn’t been said a million times already?

After devouring the light appetizer that is The Hobbit, my teenage imagination was utterly blown away by what I only later understood to be the quintessential blueprint for nearly everything that’s followed throughout the years in this genre.

The sheer level of minute detail and painstakingly developed mythos is nothing short of a masterclass in world-building—a must-have skill for writing this kind of epic tale—but it was the story itself, with its core principles of friendship, loyalty, and sacrifice, that resonated so deeply with me.

Thomas Covernant is a leper shunned by society but finds himself in the Land where some herald him as the one who’ll save them from an evil sorcerer, Lord Foul. He is not always a sympathetic character, but being on society’s edge where all and sundry openly shun him can do that to anyone.

What I loved the most was the captivating Land with its many peoples and inhabitants, such as the sentient woods and the Forestals that ward them, the Elohim, a benign people with special powers, the Giants and the evil Viles, Waynhim, and ur-viles.

Outside being exotic, the world feels credible and immersive, especially the “wild magic” Covernant begins to wield. I ended up caring passionately about what happened to the Land and wanting Covernant to acknowledge his worth.

Clarke is the master of the sci-fi short stories in my view, and this collection is a great example of his genius. My dog-eared paperback is over forty years old, and I pick it up often for both nostalgic and professional reasons. With evocative titles such as "The Nine Billion Names of God," "No Morning After," and "If I Forget Thee, Oh Earth," these stories were just what my young, curious mind needed. In just a few pages, Clarke had an amazing ability to pull you into the world of the character and make you care. Both my children have read and enjoyed this book. Brilliant collection.

I picked this up in a bookshop due to the cover as it stirred my curiosity. And when I read the first line, "I had reached the age of six hundred and fifty miles," I found myself walking to the cashier to buy it. This is quite an unusual premise by a quite unusual and versatile writer. It breaks a number of rules by switching from first to third person, but I found it worked. I found myself constantly trying to guess what was happening, and where it was going. That may not sound like a recommendation, but I found I couldn’t put it down without knowing why. And when the last chapter delivers the big twist, I turned back to page one and started it all over again! It then becomes a different book and is still enjoyable.   

As with my other recommendations, I am making this one based on the impact the book had on me. From this novel, as well as the others that Jerry wrote, I learned how important it is to build a comprehensive world-universe when planning a book. And, when I sat down to pen the first book in what would become the Legion of the Damned series, I attempted to build a reality as fully realized as the CoDominium universe is.  

This book stands as one of the last great paper encyclopedias created for children in this day and age of digital searches, and that is what I love about it. As you leaf through its pages, it is reminiscent of turning the stone pages of our own planet’s 4.6 billion-year-old story, featuring the evolution of life, culminating in us! This beautifully illustrated and written encyclopedia presents the most up-to-date information about planet Earth in a style and format designed for children, but which will appeal to a wide range of readers. With hundreds of photographs, illustrations, diagrams, and maps, it presents an impressive overview of our globe—beginning with the history of the universe and ending with today's conservation issues. A truly spectacular reference. 

My own work, even in retirement, entails teaching and writing on changes in planetary systems that impact us dramatically (e.g., climate change). To engage students it is most helpful to have a highly engaging account of Earth’s own dramatic history over its 4.6. billion years. This book provides that in non-technical, jargon-free language that anyone of high school and college age, as well as older, easily understands.

This book is a little more Space Opera than Sci-fi as it focuses more on the adventure than the impossibility of the technology. It takes place thousands of years in the future when man kinds had spread out across the galaxy and forgotten about Earth, for the most part. The characters are not deep, and the story relies more on action than complexity, but it’s fun. It moves from one event to another, the main character is a bit of a rogue that you can’t help but like and his female counterpart is smarter, faster, and deadlier than he will every be, so it's good she is on his side. One of the reasons I like these books (10 book series with some spin-offs) is because it is very different from my style. If my books were Angus Steaks, these would be an Ice-cream Sunday.   

Restoree is a stand-alone novel by Anne McCaffrey of the Dragon Riders of Pern fame. The protagonist, Sara, is swept up in a mass kidnapping and carried away to a planet where she ends up in a new body. She is given the job of caring for a man who seems largely unresponsive. Sara and the reader slowly come to understand what’s happening and she makes a bold move to rescue herself, her charge, and the other restorees. Like all the best science fiction, Restoree is less about the trappings and more about the human story. 

I generally don’t enjoy works of fiction that feature writers as their main characters. The process of writing, while influenced by life, is nevertheless a solitary process, difficult to capture in an interesting and meaningful way. William Goldman manages to do that, mostly by focusing on the backstory of story, on the flow and emotions of existence that contribute not only to the tales a writer tells, but their need to do so. The Color of Light feels both fantastical and real, steeped in preposterous events and genuine emotion, in a way that traces both the artistic process and the vagaries of life.