84 Books Like Chiefs

Kaya Clark is the wild child I longed to be growing up. Although her family story is tragic and well-explored, how she inhabits her world of nature and allows it to inhabit her is stunning. Once again, she is a young woman who is an outcast who manages to rise above her limitations and those placed on her by society. 

Beyond the incredible storytelling and intriguing plot lines, I was mesmerized by the natural world of the North Carolina marshes, being as much a main character as Kaya herself. The intricate details of the lushness and cruelty of the natural world were incredible. In looking back at my favorite novels, one of the commonalities is the writing’s ability to come alive in my head and to take up a permanent space as much as my own lived memories. This novel is one of those.

Many an idealistic young law student like me felt that jolt in our spine early on when we saw up in the balcony of that courthouse a sleepy Scout being told, “Stand up, Jean Louise. Your father’s passin’.”

The movie is as faithful to the novel as the medium would allow. The novel is told entirely from Scout’s POV and not only focuses upon the racism of the time and place, but also upon her coming of age as a tomboy and being told to act “As a little girl should.”

The book offers more to those of us for whom the rule of law and not of men is a passion, especially in Finch’s closing: “There is one human institution that makes a pauper the equal of Rockefeller, a stupid man the equal of Einstein… That institution, gentlemen, is a court.” 

I love this nonfiction book because it reveals much about the history of Jackson County, Georgia, that I did not know when Floyd Hoard moved there in the 1950s.

Mike Buffington gives details of the corruption in the county, which was much deeper than Hoard knew when he continued making efforts to clean out the bootlegging and car theft rings in the area. Those criminal rings would later become known as the Georgia Dixie Mafia, the group that would order and carry out Hoard’s car bombing death in 1967.

I love the nonfiction book because Phil Hudgins tells the story of Billy Sunday Birt, who killed more than fifty people in the 1970s in Georgia before his arrest. I was intrigued by the honesty of Birt’s widow as she told of the fear she lived with as the true character of her husband unfolded and why she stayed with him because of the threats of what would happen if she tried to leave. I was also interested in how she tried to keep her faith in God as she learned more and more about the killings.

I love the book because Hudgins shows Birt's gradual dehumanization until a spiritual awakening in prison brings him to a recognition of the pain he has caused others. However, the awakening does not bring about the happy ending people might expect of such a story. 

I am always grateful when a book introduces me to a place completely unknown to me. Janisse Ray’s gorgeous memoir does exactly that: southern Georgia's disappearing longleaf pine forests. Her introduction to this landscape is a gift to readers, who will yearn, as she does, for its regeneration after a century of exploitation.

Raised in a junkyard along a busy highway, this writer learned the land’s history through the stories of her parents and others; she learned the intricate ecology of the pines and their companion flora and fauna, almost lost to industry and greed. Lyrical and beautifully written, Ray’s evocations of complex plant communities linger in the mind long after you’ve finished the book.

A complex, deeply researched epic, The Love Songs of W.E.B. Du Bois spans multiple generations of a Southern Black family, from slavery to the present.

The story takes place in several different worlds: an African village, the experience of Southern sharecroppers, sorority life at a Black college. Author Honoree Fanonne Jeffers creates a huge cast of sympathetic characters, especially the protagonist, Ailey Pearl Garfield.

I loved how Ailey’s character evolves through the years and settings until we understand that she has taken the many stories passed down to her and is using them in her PhD thesis, and that we are essentially reading her research. It’s such a clever way of weaving a woman writer’s tale into the story of many generations of a heroic family. 

The mystery in this story is about the murder that happened years ago and three strangers who are drawn together in a small Georgia town. Memories come racing back to the residents in town when the woman who served prison time for the murder returns. The town is trying to survive and has lots of challenges.

Cody, the pet of Emily’s parents, is a link to them and a comfort to her. This is also the first story in a series. It makes you question everything and everyone in the small town. 

This is a significant departure from the notion of a “haunted house” most of us are familiar with. We expect an old house, haunted by the past, far from humankind, and left to rot and fester in isolation somewhere remote. The haunted house in Siddons’s novel, however, is right in the middle of an upper-class neighborhood in Atlanta, and it’s a brand-new build. Rather than being haunted by the ghosts of the past inhabitants, the house itself is a force of evil, corrupting all who cross its threshold in terrible, terrifying, and often deadly ways.

Amanda Kyle Williams quit school at sixteen, was diagnosed with dyslexia at twenty-two, and read her first book at twenty-three. She overcame addiction and wrote while working odd jobs, becoming a best-seller with her Keye Street series.

My wife heard Amanda speak at a dyslexia conference and told her about her husband who wanted to write books; later when I met Amanda at the Decatur Book Festival, she smiled and said, “Oh, yeah, you’re the writer.”

I love her protagonist Keye, a private investigator in Atlanta and former FBI profiler. She’s funny and gutsy and wrestles with her own demons. Don’t Talk to Strangers, the third in the series, is as good as the first two. Amanda died of cancer in 2018, but she left behind a tremendously inspiring legacy in both Keye and her own incredible story.

A dual-timeline novel, about a family on the ‘Titanic of the South’, the Pulaski a paddlewheel steamer that sunk in 1838, and a historian today, who is creating a museum showing of the disaster.

She also has a huge decision to make—live in the past, in survivor’s guilt, or to grab an uncertain future she’s not sure she deserves.