Here are 30 books that Chess Story fans have personally recommended if you like
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I am passionate about this topic because patriarchy has generally told us that raising babies and kids is a mundane, even vilified, topic that’s hardly worthy of artistic attention, which is ridiculous. It is the richest of topics, underlines the mysteries of being alive, and so many wonderful books that explore it are either overlooked, unwritten, or admired for how they address something else. I have a hard time saying “Best” of anything, but these are great books that contribute to the respect and reverence that the experience deserves.
I’m recommending this book because it brilliantly captures the overwhelm and mania of a woman whose husband of fifteen years has left her for a younger woman. This novel likewise brilliantly captures the overwhelm and mania of being responsible for children and living within the flimsy identity of being a wife and mother.
What I like best about this book is its darkness and strangeness. Raising children is full of paranoia, fear, and threats of danger at every turn, and a mother’s state of mind trickles down to all aspects of childrearing. It is refreshing to read such well-rendered (even darkly funny) desperation of a mom.
From the New York Times–bestselling author of My Brilliant Friend, this novel of a deserted wife’s descent into despair―and rage―is “a masterpiece” (The Philadelphia Inquirer).
The Days of Abandonment is the gripping story of an Italian woman’s experiences after being suddenly left by her husband after fifteen years of marriage. With two young children to care for, Olga finds it more and more difficult to do the things she used to: keep a spotless house, cook meals with creativity and passion, refrain from using obscenities. After running into her husband with his much-younger new lover in public, she cannot even…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I first started lying as a child and was fascinated to discover that the art of deception could turn into full-time employment as either a politician or an author (I choose the one with moderately better hours and substantially worse pay). As someone who crafts elaborate lies for the purposes of entertainment, I remain fascinated by people who lie for nefarious ends, something I swear I’d never do. (Except for the time I snuck into a music festival by pretending to be one of the catering staff, earning me the dubious distinction of being one of very few people to ever appear in a Metallica moshpit wearing a waiter’s uniform.)
In an age of constant digital deception, it was utterly fascinating to read the story of someone who manipulates people through the simple use of a phone call.
The plot follows two filmmakers, Carrie and Meadow, the latter of whom makes a documentary about “Nicole”, a woman who seduced an array of Hollywood heavy hitters armed with nothing more than a telephone. The novel unfolds through multiple perspectives and timeframes that begin as disparate but are slowly woven together by Spiotta’s expert hand.
The plot itself is fascinating, but Spiotta’s stylistic and thematic mastery are a wonder to behold. Sidenote: Nicole is loosely based on the true story of Whitney Walton, on whom Jen Silverman also did a brilliant take in her audiobook The Miranda Obsession (performed by Rachel Brosnahan).
'Spiotta is a wonder.' - George Saunders, author of Lincoln in the Bardo
Meadow Mori and Carrie Wexler grew up together in Los Angeles, and both became film-makers.
Meadow makes challenging documentaries; Carrie makes successful feature films with a feminist slant. The two friends have everything in common - except their views on sex, power, movie-making and morality. And yet their loyalty trumps their different approaches to film and to life.
Until, one day, a mysterious woman with a unique ability to cold-call and seduce powerful men over the phone - not through sex, but through listening - becomes the…
Louise-Élisabeth Vigée Le Brun, a feminine icon in her day, is today an inspiration for us. Ambitious since childhood to be a great artist, undaunted by the obstacles that, as a woman, stood in her way, Vigée Le Brun’s confidence in her talent and devotion to her art; her strong values and basic integrity; intellectual curiosity and appreciation of beauty in nature, art, music, and letters; capacity for pleasure; and delight in the society of friends gave her strength to overcome the vicissitudes of life.
Vigée Le Brun’s patron and friend, Queen Marie-Antoinette, had a major influence on the painter’s career. Zweig’s concise, compelling story, largely based on correspondence between Marie-Antoinette and her mother, Austrian Empress Maria-Theresa, later with the love of her life, Swedish diplomat Count Axel von Fersen, clarifies the queen’s character development with grace and understanding.
Beautifully told by one of pre-World War II Europe’s finest writers, Zweig’s account paints a well-rounded, nuanced picture of Marie-Antoinette, from her personal pleasures as a mother and lover to her suffering and courage during the Revolution, thereby helping us to better understand the queen and Vigée Le Brun’s unique relationship and how it affected the painter.
Bringing to life one of the most complex characters in European history
Stefan Zweig based his biography of Marie Antoinette, who became the Queen of France at the age of fifteen, on the correspondence between her and her mother, and her great love the Count Axel von Fersen. Zweig analyzes the chemistry of a woman's soul from her intimate pleasures to her public suffering as a Queen under the weight of misfortune and history. Zweig describes Marie Antoinette in the King's bedroom, in the enchanted and extravagant world of the Trianon, and with her children. And in his account of…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
When I first read Zweig’s memoir, I initially thought it was pretentious name-dropping, mentioning one prominent fin de siècle Viennese writer or musician after another. Only years later did I warm to his memories describing a world that existed before the cataclysm of World Wars and the ultimate fate of Europe’s Jewish citizens.
In reading other memoirs from the period (such as Ernst Krenek’s–not available in English), it’s possible to see that Zweig was writing from a position of enormous privilege while also reflecting the very essence of cultural life in a world where culture was perhaps its most important characteristic and distinguishing element.
The World of Yesterday, mailed to his publisher a few days before Stefan Zweig took his life in 1942, has become a classic of the memoir genre. Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.
Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.
Having spent much time in France, I’ve been party to some incredible stories of the war years. The beautiful home owned by friends was once gifted by General De Gaulle to the village baker for his work hiding Resistance messages in loaves of bread; 90-year-old Jeanne remembers her father hiding Jewish families and helping them cross into free France; woodlands are punctuated by wooden crosses marking execution sites. For a writer, this is irresistible material, and it has been an honour to write The Schoolteacher of Saint-Michel and The Lost Song of Paris in tribute to the many acts of bravery and resistance over four long years of German occupation.
On finishing my book, I wanted to write a companion novel, based this time in Paris. My inspiration for the lead character in that book was Marie-Madeleine Fourcade, an extraordinary woman who led the Alliance network in France, operating on behalf of SIS, as MI6 was then known. Her handler Sir Kenneth Cohen described her as the ‘textbook beautiful spy,’ but her intelligence and courage marked her out even more. Marie-Madeleine lived a life on the run, operating under the radar via a string of false identities, and even escaping imprisonment. Lynne Olsen’s riveting account tells the story of Marie-Madeleine’s terrifying existence in Nazi-occupied France, and of a heartbreaking love affair.
NEW YORK TIMES BESTSELLER • The little-known true story of Marie-Madeleine Fourcade, the woman who headed the largest spy network in occupied France during World War II, from the bestselling author of Citizens of London and Last Hope Island
“Brava to Lynne Olson for a biography that should challenge any outdated assumptions about who deserves to be called a hero.”—The Washington Post
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE WASHINGTON POST
In 1941 a thirty-one-year-old Frenchwoman, a young mother born to privilege and known for her beauty and glamour, became the leader of a…
Louise-Élisabeth Vigée Le Brun, a feminine icon in her day, is today an inspiration for us. Ambitious since childhood to be a great artist, undaunted by the obstacles that, as a woman, stood in her way, Vigée Le Brun’s confidence in her talent and devotion to her art; her strong values and basic integrity; intellectual curiosity and appreciation of beauty in nature, art, music, and letters; capacity for pleasure; and delight in the society of friends gave her strength to overcome the vicissitudes of life.
No artist exists in a vacuum. Certainly, Vigée Le Brun had little interest in politics, but political events shaped her life and the world she inhabited. It is, therefore, essential to understand the times in which Vigée Le Brun lived.
History and art history professor, documentarian, and cultural essayist, award-winning author Simon Schama’s Citizens:A Chronicle of the French Revolution presents Louis XVI’s France as vibrant, dynamic, and innovative, its people fascinated by novelty and technology. Schama’s gripping style combines entertainment and scholarship to make this book a convincing social, cultural, and narrative account of the French Revolution.
One of the great landmarks of modern history publishing, Simon Schama's Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural and narrative history of the French Revolution ever produced.
'Monumental ... provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review
'The most marvellous book I have read about the French Revolution' Richard Cobb, The Times
'Dazzling - beyond praise - He has chronicled the vicissitudes…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I’ve always been captivated by stories about powerful women. After a corporate career as one of the first female executives in the international world of Wall Street, while raising two children as a single working parent, I returned to academia. I am a magna cum laude graduate of Smith College, hold a doctorate in modern European history, with academic distinction, from New York University. I wanted to ascertain whether the mostly male writers of history were correct in attributing the success of exceptional women to the bedroom. Meticulous research yielded a different narrative, one I delight in sharing.
British historian Madariaga, an expert in the field of eighteenth-century Russia, gives the reader a balanced, up-to-date, and insightful, multi-faceted yet concise, description of the vast empire that constituted Catherine’s Russia. The author describes how a minor German princess seized the Romanov throne, how she contrived to become an autocrat ruling over all the Russias, and, how during her thirty-four-year reign, Catherine guided her country into becoming a major player in international power politics.
An eminent scholar of Russian history here presents the most informative, balanced, and up-to-date short study of Catherine the Great and her reign. This edition includes a new preface dealing with recently discovered sources and revised interpretations of the period. Praise for the earlier edition: "A panoramic view of Russia's social, political, economic, and cultural development and of its emergence as a formidable power in the international arena during the thirty-four years of [Catherine's] reign."-Anthony Cross, New York Times Book Review "De Madariaga's book will be the standard and an essential guide for all students and scholars of Russian and…
I’ve always been captivated by stories about powerful women. After a corporate career as one of the first female executives in the international world of Wall Street, while raising two children as a single working parent, I returned to academia. I am a magna cum laude graduate of Smith College, hold a doctorate in modern European history, with academic distinction, from New York University. I wanted to ascertain whether the mostly male writers of history were correct in attributing the success of exceptional women to the bedroom. Meticulous research yielded a different narrative, one I delight in sharing.
Impressively researched, elegantly written, and sprinkled with dry humor, Moore’s account is an even-handed portrait of a remarkable woman who turned her sex and her humble background from handicaps into assets, and used her outstanding political skills to become a driving force in twentieth-century British history. The author addresses his polarizing subject’s inconsistencies, and her bizarre yet conventional personality, to present a multidimensional picture of Britain’s first female prime minister.
Not For Turning is the first volume of Charles Moore's authorized biography of Margaret Thatcher, the longest serving Prime Minister of the twentieth century and one of the most influential political figures of the postwar era.
Charles Moore's biography of Margaret Thatcher, published after her death on 8 April 2013, immediately supersedes all earlier books written about her. At the moment when she becomes a historical figure, this book also makes her into a three dimensional one for the first time. It gives unparalleled insight into her early life and formation, especially through her extensive correspondence with her sister, which…
I’ve always been captivated by stories about powerful women. After a corporate career as one of the first female executives in the international world of Wall Street, while raising two children as a single working parent, I returned to academia. I am a magna cum laude graduate of Smith College, hold a doctorate in modern European history, with academic distinction, from New York University. I wanted to ascertain whether the mostly male writers of history were correct in attributing the success of exceptional women to the bedroom. Meticulous research yielded a different narrative, one I delight in sharing.
Beautiful, intelligent, ambitious, and self-confident, headstrong Sarah sought to parlay her friendship with Princess Anne into political power when Anne became queen. But Anne disagreed with Sarah’s strident Whiggism, and resented her attempts at manipulation. Sarah’s persistence in pestering Anne about politics, her arrogance, and her inability to admit either another opinion than her own, or take responsibility for her mistakes, combined with her uncontrollable temper to kill the friendship and with it, Sarah’s political ambitions.
Sarah, Duchess of Marlborough, was a woman with a `passion for government': a compulsion to wield power not only in her own family but in public affairs as well. She was the favourite of Queen Anne, the devoted wife and political associate of the Queen's most powerful subject, the passionate ally or bitter enemy of most of the leading public figures of her day, and in her widowhood the effective head of one of England's great families. Despite her stormy relationship with the architect Vanbrugh, she played a major role in the building of Blenheim Palace, one of England's most…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
The Scottish author Muriel Spark’s specialty was short, mordant, corrosive novels, the best known being, of course, The Prime of Miss Jean Brodie. This one, published in 1970, was among her most striking.
A repressed woman’s vacation during the free-loving sixties turns out to be a date with death she may have initiated: the question lingers after you finish.
It became a flawed yet fascinating 1974 film with Elizabeth Taylor at her most—literally and figuratively—exposed.
Driven mad by an office job, Lise flies south on holiday - in search of passionate adventure and sex. In this metaphysical shocker, infinity and eternity attend Lise's last terrible day in the unnamed southern city that is her final destination.
