66 Books Like Cheaper by the Dozen

Another novel in verse, I loved Rajani LaRocca’s Red, White, and Whole for its emotional complexity.

Though a work of fiction, LaRocca has said that many of the aspects of the book are based on her own experience growing up as an Indian American in the 1980s. In the story, thirteen-year-old Reha straddles two worlds: expected to honor Indian traditions and expectations at home, while fitting into the life of an American teenager at school.

But when Reha’s mother is diagnosed with cancer, Reha must confront more than just her fear of blood. I love this book for the mirrors and windows it provides readers of all ages.

I highly recommend this book to every parent. It is filled with gentle, practical wisdom in the setting of a frontier family. The father takes the time to teach through everyday experience and vivid analogies. We use his analogy of the “character house” all the time in our family. The mother has her own quiet strength, which the author shows more in the following books of the series. The book is also filled with the high energy and pranks of children, and the adventures of growing up on a ranch. A lovely true story, though be warned, you will cry at the end.

Though we will never have inside pets because of allergies, my family thoroughly enjoys this true story centered around a family raising two owls (and a variety of other wild animals). This story showed a supportive family as the parents not only endured a continuous round of new pets (including a meal interrupted by one owl dropping a dead skunk on the table) but also assisted Billy in his early zoo-keeping habits. The hilarious slices of life had us in stitches. I especially love the relationship between the owl—Wol—and Billy’s dog.

I love me a tomboy. And that’s Caddie Woodlawn, who lives on the Wisconsin frontier with her family in the 1860s, where there are still Indians in the woods, and all the richness of nature to explore with her two brothers. Plus lots of mischief to get into. The threat of a proper, domestic young lady’s life looms, but with her father to support her, Caddie resists it.

I love this book because it brings me back to my own childhood, where my siblings and I played for endless days in the woods and creek around our home, making pretend food out of sticks and mud, catching frogs and salamanders, and building forts. The kind of childhood that few children now have in suburban America.

I wanted madcap, impossible worlds, and this book is packed with them. It was great fun to see my home country of Wales become a gateway to an interdimensional river, leading to a host of imaginative and compelling new planets.

This is pacey, funny, and action-packed, with some wonderfully quirky characters, including a sentient houseplant that communicates through Morse code.

I never knew that the telegraph started as a series of physical towers conveying coded messages by line of sight from one hill to another. It took years for the word telegraph to refer to the system we know so well, relying on electrical lines, the telegraph key, and Morse code.

I love how Standage finds the through line from this 19th-century communications network to the Internet we all take for granted today.

Future-facing at the time of its publication in 1957, On the Beach isn’t really war fiction in the literal sense, because the fictional war around which it is built is already over.

Set in 1963 Australia, it details the life-affirming but grim experiences of a cast of characters including the crew of a US Navy submarine who are all facing inevitable and impending death from the aftereffects of massive nuclear war that has extinguished all life in the northern hemisphere.

The LA Times described it as "timely and ironic... an indelibly sad ending that leaves you tearful and disturbed," and The Economist called it "still incredibly moving after nearly half a century.” I’d call it a compelling and thought-provoking cautionary tale, and a ride you only want to go on via your imagination.

This book is out of print, but I include it in the hope that some public-spirited publisher may be persuaded to reissue this large-format picture book. It was the first book on mathematics that I read at about the age of ten and it contained precisely what I needed to show me that this was a subject with a history and a use. (Nor am I the only mathematician to have this experience.)

As an adult, I found the same author’s Mathematics for the Million a bit crass and utilitarian but I pardon him everything for a wonderful first experience.

One of the most popular explanations for the outbreak of war between 1918 and 1939 was that it had been caused by the ‘Merchants of Death,’ i.e. the large armaments firms and their financiers who profited from international animosity. Although the conspiracy theory tendency in this belief gradually dissipated, the idea that the arms race was a significant contributory factor leading to war has long featured on any list of ‘causes’.

David Stevenson’s exhaustive research in the archives of most of the combatant states has provided us with massive and fascinating detail on the thinking of those involved and the relationship between geopolitical ambitions, strategic calculations, and financial realities. His treatment makes for fascinating reading, enhanced by crisply argued interpretations of the role of military and naval preparedness in the crises that plagued prewar Europe.

This book provides a radically alternative perspective on what this event meant for ordinary people. Using a wide range of letters, diaries, and memoirs, Neiberg reveals that most people had no idea what the war was about and saw no good reason for it, while the soldiers were often confused as to whom they were fighting and which part of the world they were in. It is a short book but an enlightening read.