Here are 100 books that Challenger Deep fans have personally recommended if you like
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Since I was a child, stories steeped in secrets have fascinated me. I spent many hours devouring books about detectives and spies, shadows and deceit. As an adult, it is a rare treat to discover one that is so engaging I must know how it unfolds as soon as possible, and is told in a way that leaves me surprised by how it ends. Each of these books is deliciously tricky, inspiring me to read quickly, before the ghosts between the pages could escape to haunt me.
Wintergirls is heart-wrenching and repulsive. Laurie Halse Anderson uses evocative, jarring language to tell a story about deadly friendship and an almost insurmountable eating disorder. This book pried open my eyes to the harsh struggles of people who live with eating disorders, teaching me about a reality I have mercifully never had to face. My heart ached for the main character as she descended farther into her illness, but left me with that cruel but vital ingredient: hope.
"Dead girl walking," the boys say in the halls. "Tell us your secret," the girls whisper, one toilet to another. I am that girl. I am the space between my thighs, daylight shining through. I am the bones they want, wired on a porcelain frame.
Lia and Cassie are best friends, wintergirls frozen in matchstick bodies, competitors in a deadly contest to see who can be the skinniest. But what comes after size zero and size double-zero? When Cassie succumbs to the demons within, Lia feels she is being haunted by her friend's restless spirit.
I know from my own experience how much kids need books that deal honestly with hard things and point to hope. When I was in fifth grade, a friend was killed by a car while walking to school. I had moved to town not long before; this boy was the first friend I’d made, and suddenly, he was gone. Soon after, I found a novel called Bridge to Terabithia, the story of a fifth-grader, Jess, who loses a friend in an accident. It made me cry, but it was healing: I felt less alone and found strength in watching Jess find his way forward despite his grief.
This book amazed me with its bravery: Bradley takes on child sexual abuse and a teen suicide attempt, and she presents this story, as hard as it is, in a way that young readers can understand and process.
The voice of the narrator, 10-year-old Della, is a big draw for me: She’s tough, candid, and funny, and her personality propelled me through the book. I love that this story ultimately shows a child fighting back effectively in the darkest of circumstances.
Della begins by saying she has a “big mouth” and has been told to keep quiet and edit herself. But in the end, Della’s mouth and her refusal to keep quiet about horrible things done to her big sister get them both to a better place.
*Newbery Honor Book* *Boston Globe-Horn Book Honor*
A candid and fierce middle grade novel about sisterhood and sexual abuse, by two-time Newbery Honor winner and #1 New York Times best seller Kimberly Brubaker Bradley, author of The War that Saved My Life
Kirkus Prize Finalist Boston Globe Best Book of the Year Horn Book Fanfare Best Book of the Year School Library Journal Best Book of the Year Booklist Best Book of the Year Kirkus Best Book of the Year BookPage Best Book of the Year New York Public Library Best Book of the Year Chicago Public Library Best Book…
I do not remember a time when I wasn’t captivated by stories about adolescence. This was the case when I myself was a teenager—when I sought in these overwrought sagas the sort of sentimental melodrama that eluded the banality of my own life—but curiously it’s no less true at thirty, for reasons that are fundamentally the same but somehow more urgent. Becoming an adult is an exercise in hardening; to grow up is to forget what it’s like to be beholden to one’s own autobiographical romance.The following titles offer a respite from the cynicism that is adulthood; as a writer and a human, I'm forever in their debt.
This is another novel written expressly for teenagers, and all the better for it.
Inflected by the author’s own autobiographical experiences—like Craig, the novel’s narrator, Vizzini spent a week in a psychiatric hospital as a teenager—It’s Kind of a Funny Story was the first work of fiction I’d read that articulated the adolescent experience through the language of mental health. It was here that I learned “depression” isn’t an abstracted emotion but the very real neurochemical imbalance that impels Craig to call the suicide hotline after abandoning his SSRIs.
There’s an uncanny familiarity to the circumstances of Craig’s breakdown—namely in how he struggles to remain above water at a famously rigorous college preparatory high school—and a fundamental earnestness to his story’s confessions that gilds even its grimmest moments with a fifteen-year-old's sense of impressionable wonder.
Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan’s Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That’s when things start to get crazy.
At his new school, Craig realizes that he isn't brilliant compared to the other kids; he’s just average, and maybe not even that. He soon sees his once-perfect future crumbling away. The stress becomes unbearable and…
Like many adults, I love a good YA story. YA books take us back to our younger days when we were stronger, faster, and likely better-looking, but also to the confusing transitional time of being a teenager. Mostly, I love reading and writing YA novels because despite being about hard topics–friendship, disease, toppling the patriarchy–they are hopeful. In this confusing, stressful world, we need a little optimism. With that in mind, I offer you five of my favorite YA books that I think adults will love, too.
Did you love Calvin and Hobbes when you were a child? How about as an adult? If so, you will love Martine Leavitt’s Calvin. Calvin, in this novel, is a schizophrenic teen who is convinced that Hobbes is real. He thinks if he can walk across frozen Lake Erie – with the girl he loves, Suzie – and convince Bill Watterson to write one more Calvin cartoon, he will be healed.
This book is a brilliant exploration of mental health and relationships, rooted in characters you already know and love.
Just because you see something doesn't mean it's really there.
Seventeen-year-old Calvin has always known his fate is linked to the comic book character from Calvin & Hobbes.
He was born on the day the last strip was published. His grandpa put a stuffed tiger named Hobbes in his crib. And he even had a best friend named Susie.
Then Calvin’s mom washed Hobbes to death. Susie grew up beautiful and stopped talking to him. And Calvin pretty much forgot about the strip―until now.
Now he is seventeen years old and has been diagnosed with schizophrenia. Hobbes is back, as…
One of the reasons I wanted to write about and explore mental health was because I was always fascinated by how the mind works and how it can turn on you without provocation. How and why some people can power through dark times, while others struggle is a topic that, within the African American community, isn't frequently discussed. Often the advice given to someone about how to get through depression or anxiety is to pray or just dig deep and power through. It is the idea that because our ancestors suffered so much, those of us living in "easier" times should have nothing to be sad about that seems to prevent us from asking for help or getting therapy.
Lily’s mom has schizophrenia and Lily is terrified that she might get it too. Lily gets personally involved in a story at her newspaper internship about an abandoned elephant calf. Feeling a kinship with the elephant, Lily goes through extraordinary lengths to make sure the calf finds a safe home, while at the same time, realizing that she has begun to show signs of mental illness. Fischer combines mental illness, family, friendship, and animal welfare into a riveting, thought-provoking book. I loved how she showed the reader how a character can live with the early stages of schizophrenia without losing her sense of self and purpose.
"Nancy Richardson Fischer deserves high praise for her well-researched and endearing novel. Her imagination, craft, and effort has resulted in her writing a piece of fiction that is worthy of winning a prize. This really is an outstanding piece of fiction that cannot be recommended enough.” –New York Journal of Books
A Parade Most Anticipated Book of Fall 2018! A YA Books Central Buzzworthy Books of Fall 2018! A Publishers Lunch Fall Buzz Book!
Don’t miss one of the most heartwarming young adult novels of the year. Perfect for fans of Water for Elephants, Wonder and All the Bright Places,…
Bad boys in young adult romance have always been one of my favorite tropes to read. For seven years, I facilitated a poetry workshop with teens in a juvenile detention center and got to hear their stories—the heartbreak, the challenges, and the triumphs under all that bad boy façade. My memoir, Kids in Orange: Voices from Juvenile Detention, is about the workshops and helped me understand both myself as a writer and the “bad boys” who wrote poetry each week. There are a lot of complexities to bad boy characters and the most satisfying stories are the ones where the bad boys redeem themselves and find love.
Bad boy, Tim, has struggled with drinking and now is a member of AA and is trying to start his life over. He and my character, Christopher, could attend AA meetings together and I am always happy to find a young adult character who is a reformed bad boy and trying to stay sober with AA and this story does not disappoint.
For fans of Morgan Matson's Since You've Been Gone, Rainbow Rowell's Fangirl and John Green's Paper Towns
Tim Mason was The Boy Most Likely To find the drinks cabinet blindfolded, need a liver transplant, and drive his car into a house.
Alice Garrett was The Girl Most Likely To ... well, not date her little brother's baggage-burdened best friend, for starters.
For Tim, it wouldn't be smart to fall for Alice. For Alice, nothing could be scarier than falling for Tim. But Tim has never been known for making the smart choice, and Alice is starting to wonder if the…
My childhood was marred by change and a search for meaning. Born in the UK to an English mother and Iraqi father, moving to Iraq as a toddler and then back to the UK as a 14-year-old, I was exposed to the dramatic differences in the unwritten rules of how we are meant to behave and experience the world. It was probably inevitable that after training as a doctor, I would eventually end up as a child and adolescent psychiatrist grappling with big questions about life and its struggles. These are the books that opened my mind to re-imagining these dilemmas. I hope they help to open yours, too.
I first read this book in 1987, when I was a fourth-year medical student. This is the book that really sparked my interest in psychiatry.
It opened my eyes to the possibility that even those in the most disturbed state of mind experience meaningful and understandable human dilemmas. It’s as fresh and relevant today as it was when it was first published six decades ago. A deeply humane text that humanizes the most disenfranchised and lost of our human family.
Presenting case studies of schizophrenic patients, Laing aims to make madness and the process of going mad comprehensible. He also offers an existential analysis of personal alienation.
When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
This quintessential Arthur Machen collection of thirteen of his most highly praised stories and short novels was my introduction to Arthur Machen, and like Rider Haggard’s work, affected me deeply, to the extent that I eventually needed to “soak up some Arthur Machan country” and flew to Wales (from California) for no other purpose.
Arthur Machen is known best for the exceptionally vivid, mind-numbingly creepy horror stories that he wrote in the late 1880s, which have hugely inspired Lovecraft, Stephen King, and T.E.D. Kline, among many others. Machen’s work is, nearly all of it, alchemical; that is, by some divine magic, he made mere words and sentences seem far more than the sum of their parts; when he strung together any eight words, they would always sound more charming than the same eight words strung together by any other author.
"Tales of Horror and the Supernatural" is a collection of some of Welsh author and mystic Arthur Machan's best horror and mystery fiction. Throughout his life, Machan espoused the existence of the mystical and supernatural, a belief reinforced by numerous inexplicable and, he would argue, preternatural experience that he himself was witness to. His life and work revolved around this idea, and in time he became one of the masters of modern supernatural horror fiction. The stories of this collection include: "The Novel Of The Black Seal", "The Novel Of The White Powder", "The Great God Pan", "The White People",…
I have always been interested in the metaphysical and in psychology, so I have always gravitated to how the mind creates our perception of reality and how that can be stretched. Coming to this country as a refugee with my family and watching the struggles of my family has given me a keen interest in the human mind, resilience, and mental health. My artwork and writing lends itself towards magical realism and the blurring between reality and the supernatural. I truly believe that things are often not what they seem and I aim to prove it.
Maybe I am gullible. Maybe everything I thought I knew was a lie. I don’t know anymore.
This is how this book left me feeling. And I’m not mad at all. But if I ever believed the ravings of a mad-man, I believed Horselover Fat’s. Every last damn word.
There was truly a scary blurring of lines here between what could happen and what actually did happen.
It began with a blinding light, a divine revelation from a mysterious intelligence that called itself VALIS (Vast Active Living Intelligence System). And with that, the fabric of reality was torn apart and laid bare so that anything seemed possible, but nothing seemed quite right.
It was madness, pure and simple. But what if it were true?
I was an imaginative and sensitive kid – growing up in the confusing oppressions of the US south and raised by parents who are themselves trauma survivors. When I started to go into altered states, hear voices, withdraw in frightened isolation and drift towards strange beliefs, I was forcibly locked up at Langley Porter Psychiatric Hospital in San Francisco. I was drugged, put in restraints and solitary confinement, and told I was schizophrenic and would never live a normal life. Today I don’t take medication, work as a therapist teacher, and advocate, and have joined the international patients’ movement working to change an abusive and misguided mental health system. I am not anti-medication, but I see psychiatric meds for what they are – tranquilizers, not treatments, tools not solutions. We need compassionate approaches and caring communities for individuals suffering from a psychotic crisis like I was. I am also the author of the Harm Reduction Guide to Coming Off Psychiatric Drugs.
Hearing voices is considered a symptom of schizophrenia and can quickly lead to hospital lockup, medication, and being shunned by society as “mentally ill.” In this fascinating account, Smith reveals the truth about this experience we call “madness” – hearing voices is actually a normal human experience across history and culture. Poets, religious visionaries, people spending time alone or grieving – even Freud, Gandhi, actor Anthony Hopkins, singer Lady Gaga -- all heard voices, and anyone under the right kind of stress can hear voices. The problem only arises when people hear distressing voices and have nowhere to go for help other than being treated as ill by a doctor.
Psychiatry made the catastrophic mistake of calling homosexuality a mental disease, and for many decades LGBT people were abducted, confined in hospitals, drugged, tortured, and killed for the mental crime of being different. Today people who hear voices are also…
An inquiry into hearing voices-one of humanity's most profound phenomena
Auditory hallucination is one of the most awe-inspiring, terrifying, and ill- understood tricks of which the human psyche is capable. In the age of modern medical science, we have relegated this experience to nothing more than a biological glitch. Yet as Daniel B. Smith puts forth in Muses, Madmen, and Prophets, some of the greatest thinkers, leaders, and prophets in history heard, listened to, and had dialogues with voices inside their heads. In a fascinating quest for understanding, Smith examines the history of this powerful phenomenon, and delivers a ringing…