Here are 100 books that Cathy Come Home fans have personally recommended if you like
Cathy Come Home.
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I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
The Television Genre Book is a smorgasbord of leading international scholars who come together to offer an accessible yet comprehensive introduction to the debates, issues, and concerns of what it is that makes unique television genres so appealing.
From the news and quiz shows to soaps and serious HBO dramas I still remember first opening this book and being enthralled by my newfound ability to look at our favourite pastime differently and critically.
Genre is central to understanding the industrial context and visual form of television. This new edition of the key textbook on television genre brings together leading international scholars to provide an accessible and comprehensive introduction to the debates, issues and concerns of the field. Structured in eleven sections, The Television Genre Book introduces the concept of 'genre' itself and how it has been understood in television studies, and then addresses the main televisual genres in turn: drama, soap opera, comedy, news, documentary, reality television, children's television, animation and popular entertainment. This third edition is illustrated throughout with case studies of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
If I asked you whether you fancied reading the entire history of British television from its beginnings on the BBC in the 1930s to its position today, you’d probably tell me to get lost.
But the evocative writing of Lez Cooke makes this a far more pleasurable experience than it otherwise ought to be. I guarantee you will be stimulated yet entertained as you are walked through the key creatives, technologies, dramas, and genres that captured the imaginations of millions of avid British telly addicts each decade. You will put down this book as an immediate expert in the field, guaranteed.
This widely-respected history of British television drama is an indispensable guide to the significant developments in the area; from its beginnings on the BBC in the 1930s and 40s to its position in the twenty-first century, as television enters a multichannel digital era. Embracing the complete spectrum of television drama, Lez Cooke places programmes in their social, political and industrial contexts, and surveys the key dramas, writers, producers and directors.
Thoroughly revised and updated, this second edition includes new images and case studies, new material on British television drama before 1936, an expanded bibliography and a substantial new chapter…
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
This is my biggest inspiration for becoming an author right here.
James has a fantastically infectious writing style. Let his enthusiasm wash over you as he works his way through a plethora of fun and entertaining dramas that laced our television sets to evoke the world of possibility offered by the swinging sixties.
James ditches a typically dry academic writing style to pin down what made flamboyant crime fighters of The Avengers, The Saint, and The Persuaders, delectably enjoyable and still continue to inspire a cult following.
Eccentric, ironic and fantastic series like The Avengers and Danger Man, with their professional secret agents, or The Saint and The Persuaders, featuring flamboyant crime-fighters, still inspire mainstream and cult followings. Saints and Avengers explores and celebrates this television genre for the first time. Saints and Avengers uses case studies to look, for example, at the adventure series' representations of national identity and the world of the sixties and seventies. Chapman also proves his central thesis: that this particular type of thriller was a historically and culturally defined generic type, with enduring appeal, as the current vogue for remaking them…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
Whoa! Prepare to be amazed as the world’s most controversial filmmaker himself sits you down, writes from the heart, and reels through his most cherished films of the New Hollywood era.
Part memoir part film analysis stuffed shirts may feel this impinges on traditional film criticism, but this is how you write, what would otherwise be a specialist book, for the general public. I’m all for it.
"And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers" who appreciate this book…or something. Far out, my gnarly bros.
A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino.
The long-awaited first work of nonfiction from the author of the number one New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.
In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films.
When students ask me: ‘Do you never get bored with a film after you have analyzed it thoroughly?’ my usual reply is: ‘Either the film is not as good as you have assumed, or your analysis is not succinctly enough’. The books I recommend have all, in their own ways, taught me how and why I love the movies as I do. (Film) theory ideally functions as a stepping-stone to cinephilia, and the best way to ensure that a love for cinema will grow is to develop an attention to details, idiosyncratic shot transitions, focus (or out-of-focus), striking performances, un-heard camera movements (or the choice of a static shot).
Jean-Luc Gordard famously said that film criticism died with the premature demise of Serge Daney, at the age of 48, in 1992. Daney wrote an incredible number of essays and reviews, and his eloquence is astounding. Daney seems to have undergone something of a breakthrough in the Anglo-Saxon world more than thirty years after his death with some new translations, such as The Cinema House.
I consider him the most original reviewer that has ever lived, for I can never foretell his opinion of a certain film: he is constantly oscillating between cinephilic passion and political commitment, between enthusiasm and derision, and for him, moral issues are determined by a filmmaker’s formal approach rather than content: one can ruin a film by making an inappropriate tracking shot.
The writings of one of the greatest film critics of his generation on the auteur approach of the French New Wave to a more structural examination of film.
One of the greatest film critics of his generation, Serge Daney wrote for Cahiers du Cinéma before becoming a journalist for the daily newspaper Libération. The writings collected in this volume reflect Daney's evolving interests, from the auteur approach of the French New Wave to a more structural examination of film, psychoanalysis, and popular culture. Openly gay throughout his lifetime, Daney rarely wrote explicitly about homosexuality but his writings reflect a queer…
By François Vigneault and Jonas Madden-ConnorAuthor
Why are we passionate about this?
We’re a couple of award-winning graphic novel creators who happen to have been friends since middle school. We’ve been enmeshed in films and comic books for our entire lives, and always enjoyed discussing them with each other, sharing hidden gems, and staying up late to pore over what went right (or wrong) when a favorite comic was made into a movie or TV show. We’re in the middle of an ongoing wave of cinematic adaptations, with billion-dollar blockbusters and indie gems alike looking to graphic novels for inspiration. Read these five books now before they show up on a screen near you, and you’ll have the sweet pleasure of pronouncing “The graphic novel was better!”
This slim graphic novel populated with murderous anthropomorphic animals might not seem like an obvious choice for a live-action cinematic adaptation, but the high concept here is irresistible: In a vicious universe where murder for hire is common, a laconic assassin is hired to take out the ultimate target—Adolf Hitler. Time travel, romance, jealousy, and bloody violence ensue, with plenty of twists and turns en route. A surprisingly funny and unremittingly dark sci-fi story that combines effortless French New Wave cool with a Tarantino-esque sense of humor, I Killed Adolf Hitler could become a verifiable dark comedy hit on the big screen.
Unavailable since 2014, I Killed Adolf Hitler is back in print in a newly designed edition!
In this graphic novel, a hitman travels back in time to kill Adolf Hitler in 1939... but things go spectacularly wrong. Full-color illustrations throughout.
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
Having been a teacher for many years, I have had the great fortune to be surrounded by young people most of my adult life. As a result, I’ve been witness to countless moments reflecting the struggles of teenagers facing various challenges in their lives. Without question, one of the most painful is having to grapple with loss, and regardless whether it involves a friend, a family member, a home, an opportunity, or any number of other misfortunes, the act of facing and rising above that loss is often character-defining. I will always be grateful to my many students whose candour and courage have both inspired me and informed my own writing.
Sixteen-year-old Dylan has lost everything. His mother has thrown him out of their house and he’s forced to live on the streets, begging for handouts and avoiding the thugs that threaten him daily. During my work as a literacy mentor, one of the teachers I supported taught a particularly challenging group with a ringleader (I’ll call him Sean) who frequently interrupted lessons with unruly outbursts. I suggested that the teacher try ending his lessons ten minutes early and reading a few pages of Theories of Relativity as a reward when the group performed well. A week later when I came to observe the teacher’s practice, Sean stopped me before class and demanded, “Have you read Theories of Relativity?” I pretended I hadn’t and he breathlessly summarized the story they’d heard so far. And during the lesson, he shushed anyone whose behaviour might have interfered with that day’s reading, which…
I’ve been fascinated by nonfiction since my teens, by the idea of books about things that really happened. Fiction gets all the kudos, all the big prizes, all the respect. But as far as I’m concerned, trying to wrestle the unruly matter of reality onto the page is much more challenging – imaginatively, technically, ethically – than simply making things up! My book The Travel Writing Tribe is all about those challenges – and about the people, the well-known travel writers, who have to confront them every time they put pen to paper.
“Middle-class academic writes nonfiction about homeless substance abuser” – that sounds like a recipe for overweening earnestness at best, or at worst an exploitative catastrophe. But right from the first line of this astonishing book you know that the author isn’t entirely in control, that the subject, his troubled friend Stuart Shorter, has agency in these pages in a way he seldom did elsewhere in life. It’s a gut-crunchingly sad story, but also often very funny – which, you get the feeling, is exactly how Stuart would have wanted it.
A unique biography of a homeless man and a complete portrait of the hidden underclass. 'So here it is, my attempt at the story of Stuart Shorter, thief, hostage taker, psycho and sociopath street raconteur, my spy on how the British chaotic underclass spend their troubled days at the beginning of this century: a man with an important life. I wish I could have presented it to Stuart before he stepped in front of the 11.15 train from London to Kings Lynn.' Stuart Shorter's brief life was one of turmoil and chaos. In this remarkable book, a masterful act of…
In March 2020, in the middle of a pandemic that had all but crippled New York City, my husband and I became homeless advocates. For months, we woke up each morning, made dozens of sandwiches, and walked the deserted city streets trying to feed the homeless, who were struggling to survive. Deserted streets meant no panhandling, which in turn, meant no food. In doing so, we became friends with many of the homeless men and women in our neighborhood. Fear and suspicion were replaced by trust and love, and our eyes and hearts were forever opened to people who had once been objects to be avoided.
Liz Murray’s riveting memoir tells of her unlikely rise from homelessness to being accepted to Harvard. It is another classic triumph over adversity story of someone beating the odds. I picked this book because of my own personal experience with homelessness. During the pandemic, my husband and I walked the deserted New York City streets helping to feed the homeless in our neighborhood. This led to the writing of my third book. Like Westover’s story, my book also tells the story of one woman’s rise from living on the streets of New York City to becoming sheltered, employed, and admitted to college.
____________________________________ Liz Murray never really had a chance in life. Born to a drug-addicted father who was in and out of prison, and an equally dependent mother who was in and out of mental institutions, she seemed destined to become just another tragic statistic; another life wasted on the brutal streets of New York.
By the age of 15, Liz found herself homeless with nowhere to turn but the tough streets, riding subways all night for a warm place to sleep and foraging through dumpsters for food. But when her mother died of AIDS a year later, Liz's life changed…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I moved to New York City in 1984 as homelessness, and the AIDS epidemic were crises all too visible to this newcomer. To my good fortune, my post-doctoral training included some of the earliest experts on mental illness and homelessness. This work became a career goal that has sustained me through almost 40 years of research using qualitative (in-depth) methods. Obtaining federal funding to support this work and mentoring many graduate students were extra benefits that I cherished. Along the way, I wrote a textbook on qualitative methods (now in its 3rd edition), co-authored a book about Housing First, and traveled to Delhi, India to study their ‘pavement dwellers’.
This book is the first to finally put to rest the blame-the-victim causal explanations for homelessness. Using economic and geographic data, Colburn and Aldern show that homelessness is the result of poverty, but not only poverty; for example, Detroit has low rates of homelessness.
Essential is the existence of economic inequities combined with the unavailability of affordable housing, for example, in New York City. This book makes my teaching about homelessness so much easier.
Using rich and detailed data, this groundbreaking book explains why homelessness has become a crisis in America and reveals the structural conditions that underlie it.
In Homelessness Is a Housing Problem, Gregg Colburn and Clayton Page Aldern seek to explain the substantial regional variation in rates of homelessness in cities across the United States. In a departure from many analytical approaches, Colburn and Aldern shift their focus from the individual experiencing homelessness to the metropolitan area. Using accessible statistical analysis, they test a range of conventional beliefs about what drives the prevalence of homelessness in a given city-including mental illness,…
