Here are 95 books that Cathy Come Home fans have personally recommended if you like
Cathy Come Home.
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I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
The Television Genre Book is a smorgasbord of leading international scholars who come together to offer an accessible yet comprehensive introduction to the debates, issues, and concerns of what it is that makes unique television genres so appealing.
From the news and quiz shows to soaps and serious HBO dramas I still remember first opening this book and being enthralled by my newfound ability to look at our favourite pastime differently and critically.
Genre is central to understanding the industrial context and visual form of television. This new edition of the key textbook on television genre brings together leading international scholars to provide an accessible and comprehensive introduction to the debates, issues and concerns of the field. Structured in eleven sections, The Television Genre Book introduces the concept of 'genre' itself and how it has been understood in television studies, and then addresses the main televisual genres in turn: drama, soap opera, comedy, news, documentary, reality television, children's television, animation and popular entertainment.
This third edition is illustrated throughout with case studies of…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
If I asked you whether you fancied reading the entire history of British television from its beginnings on the BBC in the 1930s to its position today, you’d probably tell me to get lost.
But the evocative writing of Lez Cooke makes this a far more pleasurable experience than it otherwise ought to be. I guarantee you will be stimulated yet entertained as you are walked through the key creatives, technologies, dramas, and genres that captured the imaginations of millions of avid British telly addicts each decade. You will put down this book as an immediate expert in the field, guaranteed.
This widely-respected history of British television drama is an indispensable guide to the significant developments in the area; from its beginnings on the BBC in the 1930s and 40s to its position in the twenty-first century, as television enters a multichannel digital era. Embracing the complete spectrum of television drama, Lez Cooke places programmes in their social, political and industrial contexts, and surveys the key dramas, writers, producers and directors.
Thoroughly revised and updated, this second edition includes new images and case studies, new material on British television drama before 1936, an expanded bibliography and a substantial new chapter that…
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
This is my biggest inspiration for becoming an author right here.
James has a fantastically infectious writing style. Let his enthusiasm wash over you as he works his way through a plethora of fun and entertaining dramas that laced our television sets to evoke the world of possibility offered by the swinging sixties.
James ditches a typically dry academic writing style to pin down what made flamboyant crime fighters of The Avengers, The Saint, and The Persuaders, delectably enjoyable and still continue to inspire a cult following.
Eccentric, ironic and fantastic series like The Avengers and Danger Man, with their professional secret agents, or The Saint and The Persuaders, featuring flamboyant crime-fighters, still inspire mainstream and cult followings. Saints and Avengers explores and celebrates this television genre for the first time. Saints and Avengers uses case studies to look, for example, at the adventure series' representations of national identity and the world of the sixties and seventies. Chapman also proves his central thesis: that this particular type of thriller was a historically and culturally defined generic type, with enduring appeal, as the current vogue for remaking them…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
Whoa! Prepare to be amazed as the world’s most controversial filmmaker himself sits you down, writes from the heart, and reels through his most cherished films of the New Hollywood era.
Part memoir part film analysis stuffed shirts may feel this impinges on traditional film criticism, but this is how you write, what would otherwise be a specialist book, for the general public. I’m all for it.
"And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers" who appreciate this book…or something. Far out, my gnarly bros.
A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino.
The long-awaited first work of nonfiction from the author of the number one New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.
In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films.
When students ask me: ‘Do you never get bored with a film after you have analyzed it thoroughly?’ my usual reply is: ‘Either the film is not as good as you have assumed, or your analysis is not succinctly enough’. The books I recommend have all, in their own ways, taught me how and why I love the movies as I do. (Film) theory ideally functions as a stepping-stone to cinephilia, and the best way to ensure that a love for cinema will grow is to develop an attention to details, idiosyncratic shot transitions, focus (or out-of-focus), striking performances, un-heard camera movements (or the choice of a static shot).
Jean-Luc Gordard famously said that film criticism died with the premature demise of Serge Daney, at the age of 48, in 1992. Daney wrote an incredible number of essays and reviews, and his eloquence is astounding. Daney seems to have undergone something of a breakthrough in the Anglo-Saxon world more than thirty years after his death with some new translations, such as The Cinema House.
I consider him the most original reviewer that has ever lived, for I can never foretell his opinion of a certain film: he is constantly oscillating between cinephilic passion and political commitment, between enthusiasm and derision, and for him, moral issues are determined by a filmmaker’s formal approach rather than content: one can ruin a film by making an inappropriate tracking shot.
The writings of one of the greatest film critics of his generation on the auteur approach of the French New Wave to a more structural examination of film.
One of the greatest film critics of his generation, Serge Daney wrote for Cahiers du Cinéma before becoming a journalist for the daily newspaper Libération. The writings collected in this volume reflect Daney's evolving interests, from the auteur approach of the French New Wave to a more structural examination of film, psychoanalysis, and popular culture. Openly gay throughout his lifetime, Daney rarely wrote explicitly about homosexuality but his writings reflect a queer…
By François Vigneault and Jonas Madden-ConnorAuthor
Why are we passionate about this?
We’re a couple of award-winning graphic novel creators who happen to have been friends since middle school. We’ve been enmeshed in films and comic books for our entire lives, and always enjoyed discussing them with each other, sharing hidden gems, and staying up late to pore over what went right (or wrong) when a favorite comic was made into a movie or TV show. We’re in the middle of an ongoing wave of cinematic adaptations, with billion-dollar blockbusters and indie gems alike looking to graphic novels for inspiration. Read these five books now before they show up on a screen near you, and you’ll have the sweet pleasure of pronouncing “The graphic novel was better!”
This slim graphic novel populated with murderous anthropomorphic animals might not seem like an obvious choice for a live-action cinematic adaptation, but the high concept here is irresistible: In a vicious universe where murder for hire is common, a laconic assassin is hired to take out the ultimate target—Adolf Hitler. Time travel, romance, jealousy, and bloody violence ensue, with plenty of twists and turns en route. A surprisingly funny and unremittingly dark sci-fi story that combines effortless French New Wave cool with a Tarantino-esque sense of humor, I Killed Adolf Hitler could become a verifiable dark comedy hit on the big screen.
Unavailable since 2014, I Killed Adolf Hitler is back in print in a newly designed edition!
In this graphic novel, a hitman travels back in time to kill Adolf Hitler in 1939... but things go spectacularly wrong. Full-color illustrations throughout.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
In March 2020, in the middle of a pandemic that had all but crippled New York City, my husband and I became homeless advocates. For months, we woke up each morning, made dozens of sandwiches, and walked the deserted city streets trying to feed the homeless, who were struggling to survive. Deserted streets meant no panhandling, which in turn, meant no food. In doing so, we became friends with many of the homeless men and women in our neighborhood. Fear and suspicion were replaced by trust and love, and our eyes and hearts were forever opened to people who had once been objects to be avoided.
Liz Murray’s riveting memoir tells of her unlikely rise from homelessness to being accepted to Harvard. It is another classic triumph over adversity story of someone beating the odds. I picked this book because of my own personal experience with homelessness. During the pandemic, my husband and I walked the deserted New York City streets helping to feed the homeless in our neighborhood. This led to the writing of my third book. Like Westover’s story, my book also tells the story of one woman’s rise from living on the streets of New York City to becoming sheltered, employed, and admitted to college.
____________________________________ Liz Murray never really had a chance in life. Born to a drug-addicted father who was in and out of prison, and an equally dependent mother who was in and out of mental institutions, she seemed destined to become just another tragic statistic; another life wasted on the brutal streets of New York.
By the age of 15, Liz found herself homeless with nowhere to turn but the tough streets, riding subways all night for a warm place to sleep and foraging through dumpsters for food. But when her mother died of AIDS a year later, Liz's life changed…
I grew up in New York City listening to my parents’ stories of extreme hardship and suffering during the Nazi occupation of their native Greece—and the courageous resistance they and many Greeks mounted. I’m outraged by the unfairness of extreme poverty in the midst of plenty and motivated to fight for economic justice. In the early 1980s, as homelessness was first becoming a crisis, I got involved in legal advocacy to address it, first as a volunteer lawyer and then as a full-time advocate. I believe housing is a human right and that no one should be homeless in a country as rich as the US.
This book is by an accomplished advocate I know and have worked with, and tells the story of her own experience with homelessness. It’s a detailed and intimate account of her struggle, and it drew me in with the author’s honesty, specificity, and refusal to give up her sense of self.
I read it as I was working on my own book and struggling with whether and how to use my voice in the narrative. Her book is very different from mine, but it inspired me and helped me see how I could use my own experience while also keeping the stories of unhoused people in the fore.
A few days shy of her 55th birthday, DeBorah finds herself living in a homeless women's shelter. Her education and accomplishments to this point say that she should not be there, however, the reality of her lack of income and inability to maintain housing insists otherwise. Attitudes, myths, and perceptions about poverty provide the backdrop for advocacy towards a bill of rights for people experiencing homelessness and call for the right to counsel for people facing eviction. Justice and equity considerations, systematic and institutional dynamics, and the trauma of homelessness frame this personal journey of loss, enlightenment, and empowerment.
Teaching middle school made me painfully aware of the disparity in our students’ lives. Some kids have every advantage, while others struggle to survive without enough food, clean water, or a safe, dry place to sleep for the night. All these kids, with their diverse backgrounds, sit side-by-side in class and are expected to perform at the same academic and social levels. In my novels, I feature ordinary teens that are strong, smart, and resilient, like so many of the students who taught me as much as I taught them.
Catherine Ryan Hyde does a masterful job of showing us the stark reality of teen homelessness through the eyes of Jordy and Chloe. The content of the first few chapters was hard for me to read because of what young people must do to survive on the street and what traumas lead them there in the first place. As the story unfolded, though, Hyde took me on a warm and loving journey as Jordy set out to show Chloe that there truly is a lot of beauty in the world.
Meet Jordy. He’s on his own in New York City. Nobody to depend on; nobody depending on him. And it’s been working fine. Until this girl comes along. She’s 18 and blond and pretty–her world should be perfect. But she’s seen things no one should ever see in their whole life–the kind of things that break a person. She doesn’t seem broken, though. She seems . . . innocent. Like she doesn’t know a whole lot. Only sometimes she does. The one thing she knows for sure is that the world is an ugly place. Now her life may depend…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve been fascinated by nonfiction since my teens, by the idea of books about things that really happened. Fiction gets all the kudos, all the big prizes, all the respect. But as far as I’m concerned, trying to wrestle the unruly matter of reality onto the page is much more challenging – imaginatively, technically, ethically – than simply making things up! My book The Travel Writing Tribe is all about those challenges – and about the people, the well-known travel writers, who have to confront them every time they put pen to paper.
“Middle-class academic writes nonfiction about homeless substance abuser” – that sounds like a recipe for overweening earnestness at best, or at worst an exploitative catastrophe. But right from the first line of this astonishing book you know that the author isn’t entirely in control, that the subject, his troubled friend Stuart Shorter, has agency in these pages in a way he seldom did elsewhere in life. It’s a gut-crunchingly sad story, but also often very funny – which, you get the feeling, is exactly how Stuart would have wanted it.
A unique biography of a homeless man and a complete portrait of the hidden underclass. 'So here it is, my attempt at the story of Stuart Shorter, thief, hostage taker, psycho and sociopath street raconteur, my spy on how the British chaotic underclass spend their troubled days at the beginning of this century: a man with an important life. I wish I could have presented it to Stuart before he stepped in front of the 11.15 train from London to Kings Lynn.' Stuart Shorter's brief life was one of turmoil and chaos. In this remarkable book, a masterful act of…
