Here are 100 books that Catch a Kiss fans have personally recommended if you like
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Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
Loud noises often cause children to cover their ears but sometimes it scares them into a corner. Buster wants to be the best garbage truck and work with his father. He practiced every skill he would need and mastered them all, except one. He was afraid of loud noises, especially air horns! Buster tried not being afraid, but it just didn’t work. He finally broke his fear when his friend was in danger. One of my favorite parts of this book showcases that sometimes fear isn’trational. It just is. Another is when Buster took his thoughts off his fear to help his friend, he found he could become a great garbage truck.
Buster is a sweet little garbage truck. He can't wait to grow up to be a big truck, just like his father. Buster practices driving and lifting and beeping with his friend, Kitty. There's one small problem. Loud noises frighten Buster. When his father takes him to the truck yard to meet the other vehicles, their air-horn blasts and roaring engines send Buster skidding away to hide. He wants to be big and brave, but how can he work with Daddy and his friends when their loud sounds scare him? Buster feels terrible. When Kitty gets into trouble, little Buster…
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
Embarrassment is a big emotion that can grab a child with hands of steel. In this beautifully rhyming book, an invitation to picnic with the King calls for new clothes. Told through the eyes of a child the very festive occasion takes a turn when Papa’s pants rip. Papa turned red but one can imagine the embarrassment this child had for her family. Fortunately, the King not only saves the day but makes it better. I think this kind of action is a good example of easing an awkward situation.
An invitation to picnic with the King of France sends a young boy, his papa, two big dogs, and three wild aunts dancing their way across the French countryside. When the time comes to dine with the royals, Papa's energetic dance moves catch up with him and his worn pants burst at the seams. The stage is set for a wild party that finds even the stuffiest nobles getting down in their unmentionables.
Sarah Wilson's uproarious text makes for a boisterous read-aloud, but it's Catherine Stock's hilarious portrayals of cavorting courtiers and gallant guests that will have kids begging for…
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
The title explains the way children often feel…much too much! We tend to overdo it when wanting to give our children too much of most things. Children become overwhelmed as Maud did. This book is a wonderful way to show children how this can happen and help them understand more isn’t always better and sometimes a break is best. I especially like the note to caregivers in the back.
Maud the koala can't wait for her birthday party--until everything starts to feel way too overwhelming.
Maud is having a birthday party in her backyard, and she's invited her friends--all fifty-six of them--to celebrate with her. She's not worried, though. After all, you can never have too much birthday! But when the guests arrive and the party gets packed, she isn't so sure. What will happen if Maud can't bear her own birthday?
J. E. Morris's charming illustrations and comic-like panels make this a unique format with a narrative style perfect for storytime.
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
“I wish I was any animal but a giraffe,” said Raffi. Disappointment melts through this little(or not so little) guy like butter in the sun. When children set up hope for something and it doesn’t work out, they are devastated. Raffi realizes that while he is not suited for some things, he is just the right answer for another. Where there is a will there is a way.
All of the savanna animals are excited to audition for the school Christmas Play, except Raffi the giraffe. He's too tall to play baby Jesus, or Joseph, or even a manger animal. He feels discouraged, until he realizes that he's just the right size to play the most important part.
This endearing Christmas story for ages 4 to 8 will resonate with children who are still learning to be comfortable in their own skin.
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
The majority of Sarton’s work is introspective, giving glimpses into a writer’s creative process, a passion for writing, and one’s observations and emotions. This short collection of Sarton’s poems embodies her work as a nature poet without being overwhelmingly so. It’s a great introduction to her work. For a brief time in my life isolated myself for a month in a small cabin in a remote forest to do nothing but write. I read May Sarton and it was as if my experience paralleled her and my struggles validated by her work.
When they do, the must be treasured as gifts from the White Goddess, "sister of the mirage and echo." To May Sarton, poetry was life's deepest creative passion. It reflected the preoccupations of her mind and emotions as she progressed through more than five decades of experiencing the natural world, love and friendship, and the crises of the times. But for a long while she felt the lyric mood was past. Then, abruptly, her life took a new turn, and a marvelously musical flow of short poems came from her pen. They are collected here, in this small volume.
I've been drawn to the experience of women on the home front since, at the age of seven, I witnessed my grandmother’s raw, unprocessed grief at the death of her favourite brother. Later, I read accounts by women and men caught up in that war who all displayed a breathtaking degree of selflessness. This novel is my homage to them. It meant a lot to me to write it, prompting tears several times while I typed. Evocatively written about sensitive issues, I wanted to capture the emotional toll that bravery involves and to write about the characters’ experiences with empathy and love. I hope it is a book you can curl up with.
Although my novel is set mainly on the home front, it starts in no man’s land and the trenches and returns to the front a few more times to demonstrate how close the links were between the home and war fronts. I wanted these passages to be realistic and needed facts, details, and knowledge from which to write.
I read John Lewis-Stempel’s meticulously researched book because it focuses on the experiences of Subalterns—young men who were made officers while they were often still at school. I found it moving, harrowing, and shocking—a book that stayed with me because it showed the impossibility of performing that role and surviving more than a few weeks. It proved invaluable for the first chapter of the book which is entitled The Subaltern.
The extraordinary story of British junior officers in the First World War, who led their men out of the trenches and faced a life expectancy of six weeks.
During the Great War, many boys went straight from the classroom to the most dangerous job in the world - that of junior officer on the Western Front. Although desperately aware of how many of their predecessors had fallen before them, nearly all stepped forward, unflinchingly, to do their duty. The average life expectancy of a subaltern in the trenches was a mere six weeks.
In this remarkable book, John Lewis-Stempel focuses…
I always wanted to be a spy, but as I scare easily and can’t keep a secret, it was never going to happen. My respect and fascination with the intelligence community has never abated however, and I will never pass up an opportunity to engage with spy-related content. From going to spy museums across the globe to attending lectures to watching the latest entertaining (and totally unrealistic) spy flick, I love it all. I channel that love into writing humorous spy novels that feature fun, fearless females and ripped-from-the-headlines scenarios.
Do I judge a book by its cover? Why yes, yes I do! And the moment I saw this gorgeous cover I put it right into my shopping cart, paid full price, and never looked back.
Luckily for me, Women in Intelligence happens to be an excellent book where the content more than matched the expectations I had from the fabulous artwork. Although there are a few familiar faces that appear, most of the women were completely new to me. Not the femme fatales of popular culture; these were patriotic women who often went unseen in the background.
I love that Fry truly delves into uncovering the unsung heroines of WWI and WWII, giving these quiet, determined women a chance to be recognized and to shine.
A groundbreaking history of women in British intelligence, revealing their pivotal role across the first half of the twentieth century
From the twentieth century onward, women took on an extraordinary range of roles in intelligence, defying the conventions of their time. Across both world wars, far from being a small part of covert operations, women ran spy networks and escape lines, parachuted behind enemy lines, and interrogated prisoners. And, back in Bletchley and Whitehall, women's vital administrative work in MI offices kept the British war engine running.
In this major, panoramic history, Helen Fry looks at the rich and varied…
My interest in propaganda and neutrality was sparked by a study I conducted on British-Irish relations during the Second World War. I was fascinated by the role of press attaché John Betjeman and the way he navigated Irish censorship restrictions, making me question what propaganda was and what could be effective. I later expanded my research to consider British propaganda in other neutrals during the Second World War in A Battle for Neutral Europe; recently co-convened an international conference on propaganda and neutrality to bring together experts across the world. I am now working on a new book about British propaganda in neutral Turkey in the Second World War.
I’ve included Ana, Jan, and María’s book on my list not because it is entirely about neutrality and war (although that theme plays a major part in the book) but because it pushed me to appreciate the effects of the First World War at a more global level.
The modern name of the war, of course, includes the word ‘world’ in it, but the fighting was primarily European-focused. This book shows, however, that the war had a much wider reach–influencing China, Japan, South America, Mexico, and Africa, amongst other places. For example, the book shows that there was a clash of Empires in Africa–between neutral Portugal and belligerent Germany; and in neutral Argentina, Mexico, and Spain, societies were split down the middle between the rival camps supporting the Allies and the Germans.
I found the book to be a really important demonstration that we need to think differently about wars–the…
This volume deals with the multiple impacts of the First World War on societies from South Europe, Latin America, Asia and Africa, usually largely overlooked by the historiography on the conflict. Due to the lesser intensity of their military involvement in the war (neutrals or latecomers), these countries or regions were considered "peripheral" as a topic of research. However, in the last two decades, the advances of global history recovered their importance as active wartime actors and that of their experiences.
This book will reconstruct some experiences and representations of the war that these societies built during and after the…
I am a historian of diplomacy, war, and empire. A founding editor ofThe International History Review, I have written books on ‘Imperial Diplomacy’, on the origins of the First World War, and on the July Crisis.I have edited: the 5-volume Encyclopedia of War andthe 4-volumeEncyclopedia of Diplomacy; the journals of A.L. Kennedy for the Royal Historical Society; numerous collections of essays, and the multi-volume Seminar Studies in History series. I am currently working on a two-volume study of Political Intelligence in Great Britain, 1900-1950, which is a group biography of the men who made up the Department of Political Intelligence in Britain, 1917-1919
The First World War broke out in August 1914; by September 1914 articles and essays began to appear that defended – or attacked – the policies of the men responsible for the July Crisis. Books soon followed. And they have never stopped. No crisis in history has received more attention than that of July 1914. The topic, with its vast complexities, missed opportunities, and contradictory explanations, continues to fascinate us.
No book on the subject is more captivating than Thomas Otte’s day-by-day unravelling of the complicated diplomacy pursued by the statesmen of Europe. His mastery of the subject is impressive (he has written dozens of articles and essays on the diplomacy of prewar Europe) and his balanced treatment of the topic serves as a model of dispassionate scholarship.
This is a magisterial new account of Europe's tragic descent into a largely inadvertent war in the summer of 1914. Thomas Otte reveals why a century-old system of Great Power politics collapsed so disastrously in the weeks from the 'shot heard around the world' on June 28th to Germany's declaration of war on Russia on August 1st. He shows definitively that the key to understanding how and why Europe descended into world war is to be found in the near-collective failure of statecraft by the rulers of Europe and not in abstract concepts such as the 'balance of power' or…
My debut novel, Where Ivy Dares to Grow, inherently explores many kinds of grief through the lens of a gothic novel; the grief of losing one’s sense of self to mental illness, of family estrangement, of relationships that have run their course, of illness in loved ones, of beloved places no longer being the beautiful things we remember them as. While this was not something I did consciously while writing, the gothic genre simply seemed to be a natural fit to investigate mourning in so many untraditional senses, using a sentient home and timeslips as metaphors for the way that grief can seem to shift the world and swallow one whole.
This modern gothic follows Ivy Radcliffe as she suddenly inherits an estate house in England, during the tail end of World War I.
Throughout this story grief is explored very intimately through Ivy mourning the loss of her brother to the war, but also the way that the communal grief of the war affects individuals and shapes English society and how it functions.
Without giving away too many spoilers, memory places a huge, multilayered role in the story, and of course we see the way that grief and memory are connected, both through the way Ivy remembers her lost brother and characters mourning the way life once was before the war and, ultimately, will never be again.
"Weaves a spell of darkness that’s mysterious and magical, and binds it with a knot of deathless love." —New York Times bestselling author Susanna Kearsley on A Lullaby for Witches
In post–World War I England, a young woman inherits a mysterious library and must untangle its powerful secrets…
With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War,…
