Books like Case Closed, Vol. 1 — picked by fans

Edogawa Rampo is the father of Japanese detective fiction, and this macabre short story collection is a perfect introduction to his work. While not detective stories per se (he’s written some that are), these stories showcase a series of works that are fascinating, varied, dark, and very fun to read. 

Borrowing from elements from Western Silver Age detective fiction but adding elements of the grotesque and twisted, he is very distinct from all the Western mystery fiction I’ve read from a similar era. Since detective fiction formally started with Edgar Allen Poe and his C. Auguste Dupin in macabre stories, this seems a throwback to that storied history for me.

I like macabre mysteries with compelling hooks and clever resolutions that blow my mind, and this book does exactly that. Japan has a long tradition of writing “fair play” mysteries, which they call honkaku novels. These borrow from the Golden Age of Detective Fiction in the vein of Agatha Christie but certainly are their own category. 

These novels are like puzzles, focusing on the rules of fair play by giving readers all they need to figure out the mystery. This story was my first honkaku story and is only the length of a novella (like many honkaku novels), and it’s also rather dark, which I enjoy since I like horror as much as mystery.

This 90s manga series is one of the first proper murder mystery manga. While it’s aged a bit and not a honkaku that readers can solve, it borrows a bit from some famous Japanese honkaku novels and might be a good introduction to Japanese murder mystery fiction. Despite the homages, this is distinctively its own story.

As is commonly done in Japanese mysteries, most involve a seemingly impossible murder in a remote location with a long list of shady suspects. While teenage detective Kindaichi Hajime tries to solve the case, more murders happen. The stories are creative, and the solutions are, too—this series often has more macabre moments but is often sympathetic to the killers.

This is a fair-play honkaku novel that involves a twist with the supernatural—in this case, zombies. In Japan or otherwise, most detective fiction tends to avoid the supernatural. Still, zombies actually do behave predictably, so they can be used in the way a murder weapon can. 

Again, you can also solve this mystery before the “detective reveal,” which I didn’t manage to do, but the solution also involves some clever tricks. My reason for recommending this is the use of zombies (to besiege a manor where the characters are holed up), giving this detective story a fresh and unique flavor I haven’t seen before.

Most of us probably grew up with the idea that above all Buddhism rejects the body to attain spiritualty. It is actually the reverse. This study looks at the idea of the materiality of Buddhist texts (sutras) and the narratives and sermons that accompany them (setsuwa). Both body and book are corruptible , and hence great efforts are made to protect these ancient texts. Eubanks argues that there is an intimate connection between book and body as matter. The human body (especially the brain) is thus a container of Buddhist teaching. Scroll and stupa are critical for protecting this precious wisdom of the Buddha. Body and book are the witnesses to our suffering and impermanence. The stupa may contain the relics of past buddhas (and ash) just as the scroll contains the wisdom of buddha teaching.

Though potentially incomplete (some scholars argue we're missing one or two chapters, or that the story was never meant to end), The Tale of Genji manages to paint a vivid picture of the life of a lost age, with its own array of traditions, values, and fashions; a world where one's skill with poetry was just as valuable as political acumen and their outlook is so different from a modern perspective. At the same time, it presents the timeless complexity of relationships between men and women, and the social expectations and norms that impact those connections.

A graphic designer by training, Kenya Hara is one of Japan’s most theoretical design thinkers. He steps back and ponders possibility. Especially where the future of Japan is concerned.

Seated in his elegant office in downtown Tokyo, Hara explained to me years ago that Japan once churned out exports but now, as other countries assume that role, Japan must offer something else. In this book he indicates that something else not a physical object. It is the experience of the country’s rich culture, aesthetics, and underlying values.

Living in Tokyo for many years enabled many chances to savor the smell of fresh tatami mats and the toothsomeness of new harvest rice.

Hara’s thoughts resonate with me, but I hope Japan never stops making elegant, user-friendly housewares.

If you know your Pacific War and are familiar with all the major land and sea battles, you may think there’s not much that’s new to discover about the campaign for Okinawa. And maybe there isn’t. But for those who aren’t specialists, this book will prove fascinating. It’s not a page-turner in the accepted sense of the term because most pages appall with the dreadful futility of it all. I couldn’t read more than a dozen pages at a time without feeling a sense of desperation at the almost casual sacrifice of lives on both sides in this war of attrition. No wonder many veterans of Okinawa found it difficult to talk about the horror of it afterward and carried dark memories of their tortured experiences to their graves.

For me book covers are part of the joy of owning books. My choices are all partly connected to the message conveyed by their covers. On this cover there are the objects associated with the ritual of tea drinking. In my view, we (in the West) have lost too many everyday rituals that make life meaningful. Surak shows the historical connections between the rituals that surround Japanese tea making and the making of society itself.

Both the Italians and the Japanese are obsessed with food, and I’m an Italian living in Japan. You do the math. My first shocking encounter with sushi notwithstanding (I mistook wasabi for some kind of green mayonnaise) I love Japanese cuisine, and anime stories are full of people eating all kinds of food. 

If you have found yourself watching an anime and wishing that you could taste a particular dish, with this book you can go one step further: you can make it yourself. Here you will find simple but detailed instructions on how to make lots of Japanese dishes, and their connections with a particular anime title. I wish I owned this book when I first entered Otakudom.