62 Books Like Carnies

This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.

What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny. 

Oh, man, can Paul Kearney write. The language in this book is so beautiful, at first, you think you’re reading a mainstream historical novel. Oh, you’re definitely not.

When this novel starts, you think there’ll never be any violence or horror in this story. Oh, there most certainly will be. Imagine a story where a Chronicles of Narnia child discovers a netherworld where people say “fuck,” change shape, and invite her to join them in doing questionable things.

Wolf in the Attic deals in part with an adolescent finding her place/identity in an unfriendly world. Set in the 1930s, the book features brilliantly-rendered cameos from CS Lewis and Tolkien. Clever and atmospheric, with a kickass payoff.

Okay, so the title already has you frowning. Stay with me here. This indie ebook novelette had me smiling, nodding, and ooo-ing. I loved the brave way the author attempted something new and, well, left field. Because this is a lot of left field…

Our main character is a hitman. Or is he? He’s a werewolf. Or is he? I loved every paragraph of this story’s prose. But it was this “what’s really going on here?” aspect that had me smiling all the way through. It reminded me of Mad Max: Fury Road—because you can watch that entire movie as a psychotic episode on Max’s part. Same with this book. Leaves you guessing until the last page while keeping things fun along the way.

I had to include at least one King book, I’m a big fan of King and this is one of his lesser-known books. 

I love this book because it’s a good and interesting story that hooked me from the first chapter and kept me till the end. 

But also, I am passionate about good representation (particularly disability representation) in the horror genre, I’m writing my PhD thesis on it. King is a mixed bag when it comes to good and bad representation but he does a good job in this one. Marty is a 10-year-old paraplegic boy who suspects a werewolf is in his town.

The story revolves around Marty hunting and defeating the beast. It’s a high stakes, exciting, and utterly plausible (if you suspend belief for the werewolf lol).

Hunt gives us a different type of werewolf. One who is just trying to find his place in the world. His journey gave me all the feels. I loved being a part of Josh’s journey and seeing him find a life instead of just going through the motions of day-to-day life.

Patricia Briggs is a huge name within urban fantasy, and I’m sure many people who recognize her will wonder why I’ve chosen Alpha and Omega and not her Mercy Thompson series. The reason is Alpha and Omega are seriously overlooked! Charles and Anna are a powerful couple within their own right. Essentially forced into a mating by their wolves, Charles and Anna have to quickly figure out their relationship dynamic at the same time as Anna deals with the trauma of her old pack. This book is the short story prequel that introduces the characters, but the series, in general, is full of calming patience that slowly builds their deep love for one another. Heat level: 1/5

Wolf Girl reminded me of a Werewolf Bachelor. One guy. Lots of women. All of them werewolves. This story was unique and unlike anything I’d ever read before. I loved Demi’s sassiness and Sawyer was definitely swoony. I’m warning you beforehand though, it does have a hellacious cliffhanger.

Oliver, a financial analyst befriends a stray cat who begins talking to him one night. And then things start to get really strange.

This is an ‘all the myths are true’ adventure fantasy set in modern-day San Francisco, where absurd things just keep happening while Oliver runs for his life from an inhuman assassin, and finds himself allied with a werewolf with excellent baking skills and a grumpy gunslinger who take orders from an (apparently) immortal child.

I love this story not only for the talking cat (though admittedly it’s what made me start reading), but for the way Oliver is forced to rethink his perceptions of both the world and himself. 

Ordinarily, a werewolf novel with a strong emphasis on the romance angle wouldn’t rate so highly with me, but Kelley Armstrong’s book was the right one at the right time. Elana, our heroine, is the world’s only female werewolf; her job has been killing rogue shapeshifters. She gets tired of that and tries to retire and live as a normal human, but that doesn’t work out.

What I liked about this was that it was my first exposure to a werewolf novel that really dealt with the political and social dynamics of a worldwide werewolf pack. Fortunately, Armstrong is a great storyteller, so there is more here than politics or romance. Her worldbuilding is fantastic, as evidenced by the fact this became the first in a long series of Otherworld novels.

In my opinion, this is one of the most overlooked werewolf classics with its cop heroine, intriguing wolf pack, and a Chinese dragon. I can only guess that a lot of readers give up after books one and two, which are good but not great. By book three, though, the series really starts taking off, with the great worldbuilding and character development engrossing you so much you'll lose track of time and read far too late into the night.