Here are 100 books that Caravans fans have personally recommended if you like
Caravans.
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I grew up devouring old Classics Illustrated comics. By the time I was 12, I’d read all the great adventure stories from H. Rider Haggard to Jules Verne. My childhood obsession became my career. My research has taken me down the Silk Road, into the jungles of Mexico and the mountains of the high Atlas, and following opium caravans through the Golden Triangle. I’ve now written more than twenty novels of historical adventure that have been translated into 25 languages.
This prequel to the Sharpe series covers the eponymous hero’s adventures in India at the siege of Seringapatam before the Peninsular War. For me, Cornwell’s books are a perfect mix of history and breathless action. This one even features a cameo from Wellington. If only they’d let me read this in history at school, I might have stayed awake more often. Cornwell pays great attention to historical detail, and if he messes with it, he does it deliberately. There are sumptuous palaces, epic battle scenes, rockets exploding, and people getting eaten by tigers. There’s also the deliciously nasty Sergeant Obadiah Hakeswill. What’s not to love?
*The brand new novel, SHARPE'S ASSASSIN, is available to pre-order now*
Sharpe's Tiger is the brilliant beginning of Sharpe's adventures
India, 1799
The citadel of Seringapatam is under siege. Navigating this dangerous kingdom of bejewelled palaces and poverty, Private Richard Sharpe embarks on a rescue mission to save a senior officer from the clutches of the Tippoo of Mysore - and oust the Sultan from his throne.
The fortress of Mysore is considered impregnable, but one of the greatest threats comes from betrayal within the British ranks. And the man to outwit enemies from both sides is Sharpe . .…
The Guest From Johannesburg is constructed from colorful threads that form a unique tapestry.
Stories of cruelty, resilience, and hope are crafted from incidents that occurred within the span of forty years—from the brutal days leading to the Second World War, to the chaotic mess of Vietnam. They are woven…
In 1995, I was invited to the People’s Republic of China to direct a play at the Shanghai Theatre Academy. It was the first Canadian play to be produced in China. It’s amazing what you can learn in a foreign city, with time to explore on your own, ready to soak up the energy, atmosphere, sights, and sounds. The impact is even greater when that city is on the cusp of historic change. The experience power-charged my imagination and was the spark for my first novels–a series of mysteries featuring the detective Zong Fong, Head of Special Investigations, Shanghai. City Rising and its three sequels followed after extensive research.
When it comes to historical fiction, especially one set in Asia, James Clavell is the guy to beat (or at least match).
The story of Shogun unfolds in 17th-century, feudal Japan. An undisputedly exotic setting. A British ship is wrecked on its shores, and its stranded navigator must find his way through Japan's complex cultural and political dynamics. Meanwhile there are other Europeans seeking religious influence and commercial advantage.
Perhaps best of all, the characters are monumental and include one of the strongest and most courageous women in literature since Joan of Arc.
'Clavell never puts a foot wrong . . . Get it, read it, you'll enjoy it mightily' Daily Mirror
This is James Clavell's tour-de-force; an epic saga of one Pilot-Major John Blackthorne, and his integration into the struggles and strife of feudal Japan. Both entertaining and incisive, SHOGUN is a stunningly dramatic re-creation of a very different world.
Starting with his shipwreck on this most alien of shores, the novel charts Blackthorne's rise from the status of reviled foreigner up to the hights of trusted advisor and eventually, Samurai. All as civil war looms over the fragile country.
I'm a lot of things. I design games. I study literature and theater. I write novels that are messy fusions of literary and genre fiction. I'm endlessly curious. Each of my books starts with when I hear in my head, the voice of a character asking a question. It's always a silly question, and it's always the one that matters more to them than anything else in the world. "Why does being superintelligent make you evil?" became Soon I Will Be Invincible. "What are people who play video games obsessively really looking for?" became You. Answering the question isn't simple, but of course that's where the fun starts.
Flashman does a thing I love, which is to tell the story of another book's least notable character.
Harry Flashman comes from Thomas Hughes's 1850 novel Tom Brown's School Days (the entire basis for the Harry Potter novels), where he's a sub-Draco Malfo figure, a useless bully.
Flashman tells the story of his later years as the Victorian Empire's most cowardly soldier, rattling around British colonies, stumbling through their various atrocities and debacles. I wish the book were even harsher on the Brits, but it's a deeply fun counter-text and a lovely bit of escapism nonetheless.
For George MacDonald Fraser the bully Flashman was easily the most interesting character in Tom Brown's Schooldays, and imaginative speculation as to what might have happened to him after his expulsion from Rugby School for drunkenness ended in 12 volumes of memoirs in which Sir Harry Paget Flashman - self-confessed scoundrel, liar, cheat, thief, coward -'and, oh yes, a toady' - romps his way through decades of nineteenth-century history in a swashbuckling and often hilarious series of military and amorous adventures. In Flashman the youthful hero, armed with a commission in the 11th Dragoons, is shipped to India, woos and…
I grew up devouring old Classics Illustrated comics. By the time I was 12, I’d read all the great adventure stories from H. Rider Haggard to Jules Verne. My childhood obsession became my career. My research has taken me down the Silk Road, into the jungles of Mexico and the mountains of the high Atlas, and following opium caravans through the Golden Triangle. I’ve now written more than twenty novels of historical adventure that have been translated into 25 languages.
This is loosely based on the 1915 sinking of the SMS Königsberg, in the Rufiji delta of East Africa. I love this not only for the fast-paced plotting, but for the characters, who are far less wooden and predictable than in some of Smith’s later work. The amoral and irascible Flynn O’ Flynn is impossible not to love, as is the utterly gormless hero, Sebastian Oldsmith—brave, loyal and handsome, if not actually the full quid. I like the sheer unpredictability of this one. Smith was not constrained by the formula he followed later in his career. It is by turns thrilling, funny, and shocking. I imagine his publishers eventually persuaded him not to write any more like this. He died with more than a hundred million pounds in the bank, so perhaps they were right. But for me, this outlier remains an absolute gem.
In German East Africa on the eve of the First World War, two freebooting adventurers pit their wits against the gross German Commissioner from whose territory they are making their living as game hunters and ivory poachers.
I got interested in American guns and gun culture through the backdoor. I’d never owned a gun, participated in gun control politics, or thought too much about guns at all. Guns might not have interested me—but ghosts did. I was beguiled by the haunting legend of the Winchester rifle heiress Sarah Winchester, who believed in the late 1800s that she was being tormented by the ghosts of all those killed by Winchester rifles. As I scoured the archives for rare glimpses of Sarah, however, it dawned on me that I was surrounded by boxes and boxes of largely unexplored sources about a much larger story, and secretive mystery: that of the gun industry itself.
Busse offers the new perspective of an insider—an erstwhile gun executive. I’ve always held that the gun industry has gotten far too little attention historically, and that commercial forces substantially helped to create and then maintain the American gun mystique and culture long after the “frontier” closed. Busse’s work shows just how explicitly the gun industry today, since 9/11 and the Iraq and Afghanistan wars, relies on “manufactured fear” to push products. The book teems with examples of fear marketing, including endorsements from social media celebrities that created a new breed of “couch commandos,” steeped in the “glorification of violence, the utter rejection of political correctness, and the freewheeling masculinity and objectification of women.” And in Busse’s view it’s not just that gun marketing has changed, but that the gun industry has transformed American culture itself, radicalizing it and shifting it toward authoritarianism.
A former firearms executive pulls back the curtain on America's multibillion-dollar gun industry, exposing how it fostered extremism and racism, radicalizing the nation and bringing cultural division to a boiling point.
As an avid hunter, outdoorsman, and conservationist–all things that the firearms industry was built on–Ryan Busse chased a childhood dream and built a successful career selling millions of firearms for one of America’s most popular gun companies.
But blinded by the promise of massive profits, the gun industry abandoned its self-imposed decency in favor of hardline conservatism and McCarthyesque internal policing, sowing irreparable division in our politics and society.…
I am a historian of the Cold War and early post-Cold War period, focusing on Soviet/ Russian foreign policy in Afghanistan and in the Middle East in the 1970s and the 1980s. These are exciting topics on which an increasing number of new documents are released each year. I have a research project and lecture about these issues at the University of Zurich in Switzerland. But academia is my second career. Before my Ph.D., I worked as an aid worker, including for two years in the Middle East. I was in the region during the height of the Syrian crisis, notably running humanitarian multi-sector needs assessments.
I liked Samuel Helfont’s book for the solidity of his research on the instrumentalization of Islam by the Saddam Hussein regime.
I personally feel that the 1980s is a key period in understanding how some of the problems that emerged during the late Cold War are still relevant today. This is certainly true for the Middle East, a region that is prone to conflicts and where the United States has been involved militarily over the past forty years.
Beyond that, I enjoyed Helfont’s writing which is strikingly dynamic.
Samuel Helfont draws on extensive research with Ba'thist archives to investigate the roots of the religious insurgencies that erupted in Iraq following the American-led invasion in 2003. In looking at Saddam Hussein's policies in the 1990s, many have interpreted his support for state-sponsored religion as evidence of a dramatic shift away from Arab nationalism toward political Islam. While Islam did play a greater role in the regime's symbols and Saddam's statements in the 1990s than it had in earlier decades, the regime's internal documents challenge this theory.
The "Faith Campaign" Saddam launched during this period was the culmination of a…
My interest in politics and conflict has always come from the margins. I have developed an interest in the periphery, minorities, liberation movements, other actors outside the center, official governance institutions, and national political elites. My work has mainly concentrated on how such actors have sought to influence politics at the national and international level and how questions of identity, perceptions of self and other, and sense of belonging come into play. Geographically, my interest has lied primarily in the Middle East, broadly defined, particularly Iraq, Turkey, Syria, and Kurdistan. In recent years, however, I have also developed an interest in East Africa, especially Sudan and South Sudan.
Mukhopadhyay’s book joined an emerging cohort of books that sought to demonstrate that the collapse of the state does not necessarily lead to a vacuum. This is because any vacuum left by the decline of the state is bound to be filled by other forces, be they local or external to the region.
In the case of Afghanistan, Mukhopadhyay shows through the case of Afghanistan, and based on a fieldwork in the country, how the state that was born out of the ousting of the Taliban in 2001 was capable of co-opting local warlords in the remote periphery and integrate them into the emerging order in the country.
Through a close examination and detailed accounts of several case studies from across Afghanistan, Mukhopadhyay offers persuading arguments about what makes warlords and other peripheral actors useful allies to a weak central government.
Warlords have come to represent enemies of peace, security, and 'good governance' in the collective intellectual imagination. This book asserts that not all warlords are created equal. Under certain conditions, some become effective governors on behalf of the state. This provocative argument is based on extensive fieldwork in Afghanistan, where Mukhopadhyay examined warlord-governors who have served as valuable exponents of the Karzai regime in its struggle to assert control over key segments of the countryside. She explores the complex ecosystems that came to constitute provincial political life after 2001 and exposes the rise of 'strongman' governance in two provinces. While…
I’ve always been fascinated by different cultures. I started to learn Russian in 1998, and intrigued by the language, I began to study Russia more—delving into history and politics and then doing a PhD in Russian foreign policy. Ever since, trying to learn about and understand Russia has been my professional focus. Alongside books in Russian, these books are all to hand on my reference shelf, well-thumbed and marked up, as I try to write my own work. I hope you enjoy them as much as I have!
I found this book to be full of insights into Russian thinking and culture. I never met Hingley, but would have loved to—his work has had a real influence on my own approach to studying and thinking about Russia. I find him a fluent writer who can take complex and controversial subjects and make them accessible. This is such a rich book. Hingley tries to explain problems of perspective in thinking about a different culture, before moving on to address a wide range of themes from Russian literature to history, geography, and politics. Times and attitudes change, but I find that it helps to frame some persistent questions about Russian life, and this book is such a good way to understand how things do—and don’t—happen in Russia.
I am an author who believes stories must first entertain and thrill if they are ever to instill something powerful and unforgettable. While I would love to sit here and compile books that laud the values I believe in, that’s just not how it works. Action is the best way to convey theme – and these examples celebrate the storytelling techniques I stand by. I love ass-kickers, in literature and in life. And I hope one day to be remembered as one of them.
I love how Road Trip hooks you right away with its concept: a road for sale? What kind of road? How much? And what could be on that road? You might not be ready for it. I can assure you there is ample action on this highway, however, that could give new meaning to "road rage." Like all of Keener’s work, this book is original and well-written. You could even say it’s ass-kicking.
Rocco Fitch had a grand plan for his life…but it went up in smoke the day he was disabled in Afghanistan. Now he’s unemployed, his wife has left him, and the bank is about to take his house. But he can still spare some change when he encounters a fellow vet begging in the street. Except the strange man won’t accept the money unless Rocco agrees he’s buying a road.
The next morning, the beggar is AWOL, there’s a magic highway crossing Rocco’s backyard that nobody else can see, and demonic-looking riders are traveling his…
I have no expertise in the military – I wish I did. But I have incredible respect for their work. I remember reading about the death of Oz Schmid, a bomb disposal officer who was killed in Afghanistan. It was the bravery of his widow, Christina, discussing the appalling lack of equipment and her quiet dignity that touched me profoundly. I asked myself, what can I do to help? Being a writer, I decided to write about it. I quickly realised that I needed an insider’s insight, and found Troll through Felix Fund, the bomb disposal charity. Troll and I wrote the play Later, After, seeing it performed was the proudest moment of my career.
Troll told me that he read this book in preparation for his own deployment to Afghanistan. Winston Churchill said about campaigns in Afghanistan, “Financially it is ruinous. Morally it is wicked. Militarily it is an open question, and politically it is a blunder.”
This rare 10th anniversary edition (published in 2007) contains a new introduction by expert Soviet historian David M. Glantz. In addition all maps and graphics have been enhanced from the 1996 edition. "When the Soviet Union decided to invade Afghanistan, they evaluated their chances for success upon their experiences in East Germany, Hungary and Czechoslovakia. Unfortunately for their soldiers, as well as the people of Afghanistan, they ignored not only the experiences of the British in the same region, but also their own experience with the Basmachi resistance fighters in Central Asia from 1918-1933. Consequently, in Afghanistan the Soviet army…