Here are 78 books that Capture or Kill fans have personally recommended if you like
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I am a longtime Los Angeles trial lawyer, as well as a writer and librettist. I graduated with honors from the University of California at Santa Cruz and from the Santa Clara University School of Law where I was a member of the Law Review. Me and my wife, Susan, are the parents of six children and live in Santa Monica, California. My previous novel, The Logic Bomb, a legal thriller, was published in 2015.
It was hard to choose one among this prolific author’s many wonderful historical thrillers.
Triplemakes my list because of the intricate and enthralling plot about the race among Middle East enemies Israel and Egypt to develop nuclear weapons. It has compelling characters, a riveting love story, and takes place in part in the pivotal year of 1947.
It is 1968. Israeli Intelligence has learned that Egypt, with Soviet help, will develop atomic bombs within months -- an untimely end for the young nation unless a source of uranium for Israeli bombs can be found. Impossible, of course, unless someone as improbable as the plan can be found to steal it. Working alone, Israeli agent Nat Dickstein concocts an ingenious scenario for the biggest, and quietest, hijacking in history. Against him are the Russian KGB, Egyptian Intelligence and the Arab extremists Fedayeen. With him is a half-English, half-Arab young woman of uncertain allegiance, who discovers Dickstein's Achilles' heel.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
William L. McGee is an award-winning World War II Pacific war historian. His writing career has spanned six decades and his writing style has been described as journalistic and spare. Bill currently has nine titles in print; six with his co-author and wife, Sandra V. McGee.
The author of this book was also a Crossroads participant and today is regarded as one of the foremost experts on the effects of ionizing radiation. His book is a collection of interviews with atomic veterans of tests in the Pacific and Nevada. I am grateful to Dr. Grahlfs for agreeing to write the Foreword to my Crossroads memoir.
From the first test firing of an atomic bomb on July 16, 1945 until the adoption of the Limited Test Ban Treaty in 1963, there were 235 acknowledged atmospheric detonations of nuclear devices by the United States government. Having been eye witnesses to the awesome nature of these weapons, these quarter million American military personnel constitute a unique population. Many of these men have experienced illnesses which they attribute to radiation exposure; a number have offspring with congenital defects; others are sterile. Most seem to recognize that military service is a hazardous occupation that entails risks. Still, the feeling prevails…
Nuclear weapons pose an existential threat to human society. Their huge cost robs people in poverty of essential services and support. Since 1981 when I joined a 6700-mile walk across the U.S. and nine other countries to Bethlehem, I have campaigned for disarmament, uncovered extensive deception about their production, and advocated for the millions of people harmed by the radiation released from the production and testing of nuclear weapons. I long for the day when we will not have to live in fear of a nuclear Armageddon.
Jacobsen’s terrifying account of how rapidly global nuclear destruction can happen is why I’ve already recommended it to many colleagues and friends. It reminded me of Jonathon Schell’s The Fate of the Earth that was one of the factors in my decision to join the Bethlehem Peace Pilgrimage.
By describing the interlocking U.S. launch detection, command and control, and delivery systems, Nuclear War provides readers with a realistic series of events that demonstrate the dangers of maintaining nuclear arsenals. Even though I have read scores of books regarding nuclear weapons over the last 45 years, this book gave me new insights and renewed my sense of urgency to achieve a world without these destructive weapons.
Zoe Lorel, an elite operative in an international spy agency, is sent to abduct a nine-year-old girl. The girl is the only one who knows the riddle that holds the code to unleash the most lethal weapon on earth—the first ever “invisibility” nano weapon, a cloaking spider bot. But when…
I currently spend my time researching (and worrying about) nuclear war and how to stop it from ever happening. I live about 25 miles away from where the UK’s nuclear weapons are based, so I have a very personal interest in making sure that nuclear war never becomes a reality! As a lecturer at the University of Glasgow I’m also embarking on a four-year research fellowship with over £1 million in funding where I will be leading a team of experts to research how to improve nuclear arms control and disarmament. So keep in touch if you want to reduce the risk of nuclear war and ban the bomb!
One of my favourite things about this book is the clarity with which the authors—a former US Secretary of Defense and a leading nuclear policy advisor—diagnose what’s wrong with American nuclear weapons policy and propose solutions that would make us all safer.
I loved how the book is both a great public education resource (here’s what’s wrong with US nuclear policy) and a call to arms (here’s what you can do to make it better!). I also loved how the book makes it clear that the US approach to achieving national security through increasing reliance on nuclear weapons, in fact, makes the US less secure.
The President has the power to end the world in minutes. Right now, no one can stop him.
Since the Truman administration, America has been one "push of a button" away from nuclear war-a decision that rests solely in the hands of the President. Without waiting for approval from Congress or even the Secretary of Defense, the President can unleash America's entire nuclear arsenal.
Almost every governmental process is subject to institutional checks and balances. Why is potential nuclear annihilation the exception to the rule? For decades, glitches and slip-ups have threatened to trigger nuclear winter: misinformation, false alarms, hacked…
I am an artist-filmmaker, writer, and Professor of Experimental Film at the University for the Creative Arts in Canterbury, Kent, UK. I have worked at the London Filmmakers’ Co-op and BBC TV. I have been making films since 1974 and teaching since 1988. I have published extensively on Artists’ Film / Experimental Cinema. I have edited and contributed chapters to numerous other books and journals, including Millennium Film Journal, MIRAJ, Film Quarterly, Sequence, and others. I have completed over 70 single screen works in 16mm and video, gallery film and video installations, and multi-projector film performances. These have been screened worldwide.
Connolly’s book traces recent historical shifts in artists’ cinema via a number of overlapping trends; multi-screen video projections in galleries, work that ‘references an earlier event through documentation, re-enactment or remaking’ and that which explores the relationship between cinema, screen architecture, and the museum or gallery space. The implications of these trends; the mobile as opposed to seated spectator or the making of work designed to run as continuous short loops, is considered via detailed discussion of works by a small number of key artists. Connolly, unusually and refreshingly, is not afraid to criticise, as in her discussion of Douglas Gordon and Philippe Parreno’s film Zidane.
In The Place of Artists' Cinema, Maeve Connolly identifies a recurrent concern with site, space and cinema architecture in film and video works by artists, extending from the late 1960s to the present day. Focusing on developments over the past decade, Connolly provides in-depth readings of selected recent works by twenty-four different artists, ranging from multi-screen projections to site-specific installations and feature-length films. She also explores changing structures of exhibition and curation, tracing the circulation of film and video works within public art contexts, galleries, museums, biennial exhibitions and art fairs. Providing a chapter on the role of public funding…
Denise Kiernan is a multiple New York Times bestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. While writing The Girls Of Atomic City, Kiernan not only tracked down and interviewed countless individuals who worked directly on the Manhattan Project, she also consumed virtually every book ever written on the subject and spent endless days in the bowels of the National Archives deep-diving into the institution’s Atomic Energy Commission holdings. She served as a member of the Manhattan Project National Historic Park Scholars Forum in Washington, D.C., helping shape the topics and interpretive planning for this new national park. She has spoken at institutions across the country on topics covered in her book.
Zak is an award-winning reporter for the Washington Post, where his gift for prose is on regular display.
When he turned his skillful journalist’s eye toward nuclear weaponry and present-day anti-nuclear activism, the result was a book that takes readers through the night and aftermath of a break-in at one of the most secure facilities in the country and a look at the moments and forces in history that shaped the people involved.
On July 28, 2012, three senior citizens broke into one of the most secure nuclear-weapons facilities in the world. An 82 Catholic nun, a Vietnam veteran, and a house smeared the walls with human blood and spray-painted quotes from the Bible. Then they waited to be arrested. This simple act spawned a complex discussion. In Almighty, Washington Post writer Dan Zak examines how events over the past 70 years led to this act, one of the most successful and high-profile demonstrations of anti-nuclear activism.
Shirley Streshinsky was 11 years old when the atom bomb was dropped on Hiroshima. Many scientists were responsible, but only Robert Oppenheimer was labeled “Father of the Atomic Bomb”. At twenty-nine while living in San Francisco she crowded into an auditorium at U.C. Berkeley to hear him speak. She left knowing she would write about him.
Patricia Klaus
has been a Modern British historian for years, the story of Robert Oppenheimer and the women he loved opened new worlds for her: the history of science and the discovery of fission in 1938. Her father was a pilot in the 509th Bomb Wing that had dropped the Hiroshima and Nagasaki bombs.
This is a collection of Oppenheimer’s essays and speeches, a good thing to read to get a sense of the man himself, how he thinks, how he handles language.
How he struggles to suggest how civilization might begin to cope with the reality that new weapons now exist capable of annihilating civilization... “unless we show,” he says, ”urged by our own example and conviction, that we regard nuclear armament as a transitory, dangerous and degrading phase of the world’s history.”
J. Robert Oppenheimer, a leading physicist in the Manhattan Project, recognized that scientific inquiry and discovery could no longer be separated from their effect on political decision-making, social responsibility, and human endeavor in general. He openly addressed issues of common concern and as a scientist accepted the responsibility brought about by nuclear physics and the atom bomb. In this collection of essays and speeches, Oppenheimer discusses the shift in scientific awareness and its impact on education, the question of openness in a society forced to keep secrets, the conflict between individual concerns and public and political necessity, the future of…
Nuclear weapons pose an existential threat to human society. Their huge cost robs people in poverty of essential services and support. Since 1981 when I joined a 6700-mile walk across the U.S. and nine other countries to Bethlehem, I have campaigned for disarmament, uncovered extensive deception about their production, and advocated for the millions of people harmed by the radiation released from the production and testing of nuclear weapons. I long for the day when we will not have to live in fear of a nuclear Armageddon.
Many people find books on the dangers of nuclear weapons to be technical and boring. Schlosser’s Command and Control avoids these off-putting aspects by immersing readers in a thriller about an accident that came close to wiping Arkansas off the map while Bill Clinton was governor.
By interweaving this gripping account with frightening details of other nuclear weapons accidents, Schlosser keeps readers turning page after page.
The Oscar-shortlisted documentary Command and Control, directed by Robert Kenner, finds its origins in Eric Schlosser's book and continues to explore the little-known history of the management and safety concerns of America's nuclear aresenal.
"A devastatingly lucid and detailed new history of nuclear weapons in the U.S. Fascinating." -Lev Grossman, TIME Magazine
"Perilous and gripping . . . Schlosser skillfully weaves together an engrossing account of both the science and the politics of nuclear weapons safety." -San Francisco Chronicle
A myth-shattering expose of America's nuclear weapons
Famed investigative journalist Eric Schlosser digs deep to uncover secrets about the management of…
It’s common to talk about why you love the subject you research. I have no love for nuclear weapons. They are, however, central to understanding international politics since 1945. The nuclear age is one of inconsistencies. Nuclear weapons drive many crises but may make major wars between nuclear states less likely. They generate reassurance and anxiety among allies in almost equal measure. The books in this list all grapple with the nuclear shadow’s shape and scale. Most combine an analytical framework with historical study, but all are attuned to theory and strategy. As for me, I’m an associate professor at Virginia Tech, where I research and teach on international relations.
It’s hard to overstate just how influential Marc Trachtenberg’s A Constructed Peace, and really all of his writing, has been on my thinking. I constantly return to its pages and find fresh insights each time. I’m drawn in by the writing style, but the substance is even more impressive. The book—examining British, French, Soviet, West German, and U.S. policy—was what first opened my eyes to the centrality of Germany and debates on nuclear control in the origins and evolution of the Cold War. U.S. efforts to offset the Soviet challenge and reduce the U.S. continental commitment by reviving West Germany and then essentially providing it with nuclear weapons contributed to some of the Cold War’s most dangerous crises.
Aiming to unravel events leading to the Cold War, this book argues against the theory that it was a simple two-sided conflict between America and Russia. The author contends that the German question, especially in the nuclear field, was largely responsible, and a relatively stable peace took shape only when these issues were resolved. The book should be of interest to students of the Cold War, those concerned with the problem of war and peace, and in particular with the question of how a stable international order can be constructed.
Two small-time journalists take on an international cartel who try a hostile takeover of a Canadian mining company.
Lucas, a veteran journalist, sees a big story brewing within a strike at a local mining company when explosions rip through the plant, but he gets bumped by Jamie, a junior reporter.…
I started my career as a historian of gender and sexuality, but in what I sometimes describe as a mid-career crisis I became a historian of the US Army. I love doing research in archives, piecing together the scraps of stories and conversations into a broader whole, figuring out how people made sense of the world they lived in. The books I write make arguments that I hope will be useful to other historians and to military leaders, but I also want people to enjoy reading them.
This is the army that drafted the King of Rock and Roll.
But it is also an army that feared it was becoming irrelevant and tried to reinvent itself for the atomic age. It’s fascinating to watch a historian as knowledgeable as Brian Linn weave a story that connects the army’s move to incorporate men across the lines of race and class, region and religion, education, and ability, with its efforts to develop doctrine for sophisticated technological warfare.
When the U.S. Army drafted Elvis Presley in 1958, it quickly set about transforming the King of Rock and Roll from a rebellious teen idol into a clean-cut GI. Trading in his gold-trimmed jacket for standard-issue fatigues, Elvis became a model soldier in an army facing the unprecedented challenge of building a fighting force for the Atomic Age.
In an era that threatened Soviet-American thermonuclear annihilation, the army declared it could limit atomic warfare to the battlefield. It not only adopted a radically new way of fighting but also revamped its equipment, organization, concepts, and training practices. From massive garrisons…
