Here are 86 books that Can't Spell Treason Without Tea fans have personally recommended if you like
Can't Spell Treason Without Tea.
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I’ve never been a fan of polemics or schmaltz. But that doesn’t mean I don’t want to learn or see new perspectives or feel deep feelings; I just think humor is the best way to get past people’s defenses. (All the better to sucker punch them in the feels.) I also think the world can be a pretty dark and scary place. I love books that give us hope, enough hope to have the courage to change what we can to make the world a little brighter.
I loved this book because it combines three of my favorite things—humor, fantasy, and baking. What’s not to like about a wizard whose familiar is a sourdough starter?
There’s a small army of hilarious gingerbread men, to boot. T. Kingfisher manages a weird balance between humor, horror, and heart. Her world, like ours, has some really dark stuff in it, but she has such a deft touch that I felt cozy even during murder, political scapegoating, and siege.
Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance.
But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
What’s unique about Klune’s psychopomp, is that he is human.
Hugo Freeman is able to interact with the dead but unlike the usual eternal beings, he is alive, has a backstory, and the ability to empathize with the fears and regrets of his reluctant clients, most recently, the jerk-lawyer, Wallace Price.
The action is circumscribed, taking place entirely within Charon’s Crossing, which serves as a teahouse for the living and a waystation for the dead. And as any fan of Klune’s work will anticipate, the hearth that gathers a found family.
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead. Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over. But Wallace isn't ready to abandon the life he barely lived. With Hugo's help, he finally starts to learn about all the things he…
A wise (and wily) Jedi once said that “many of the truths we cling to depend greatly on our own point of view,” and I’m fascinated by storytelling that gives you more than one point of view or voice to ponder. Even as a kid, I searched for books that delved into the minds of more than one character. I’ve explored this in my own writing but also as a teacher working with undergraduate students who were finding their own voices while exploring the literary voices of others. I also love so-called genre fiction—the fantasy, sci-fi, and romance of it all—which is definitely reflected in this list, well!
The Graceling series of books is one of my favorite reads ever, and this one is no exception. Part of the reason is that I love this fantasy world so very much. And part of it is that the story revisits the point of view of a much-beloved character, Bitterblue, along with that of multiple other characters (old and new) as the novel unfolds.
Plus, the mystery and intrigue cannot be beat, and a couple’s longstanding love for each other finally blossoms into everything it should be. This book felt like eating a rich, multiple-layered cake to me.
A new land has been discovered to the east. Winterkeep is a land of miracles, a democratic republic run by people who like each other, where people speak to telepathic sea creatures, adopt telepathic foxes as pets, and fly across the sky in ships attached to balloons. But when Bitterblue's envoys to Winterkeep drown under suspicious circumstances, she and Giddon and her half-sister, Hava, set off to discover the truth--putting both Bitterblue's life and Giddon's heart to the test when Bitterblue is kidnapped. Giddon believes she has drowned, leaving him and Hava to solve the mystery of what's wrong in…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I’m a voracious reader, and I’ve come across way too many books where the female MC was an airheaded TSTL (too stupid to live) ninny. I don’t want to read about women who have to be saved by big, strong men. I want to see women who can pull themselves up by their bootstraps and save themselves, maybe with a little help from the big, strong man if she needs or wants it, AND who can turn around and do some saving of said man of her own, should HE need it. I think the healthiest relationships, even fictional ones, are those based on mutual strength, trust, and respect.
I’m all in for the romantasy of this series, even though it takes until book 2 for the HFN payoff.
Evie has had a lifetime of being treated as lesser-than, even by her family. But when she gets the chance to remake herself from the ground up, away from expectations of who she was or who she’s been told to be, she blossoms and comes into her own. Amazing what you can do when not weighed down by the preconceptions of others or yourself. This new Evie attracts the interest of a powerful magic wielder, but ironically, it’s her old identity that causes trouble for them.
Having read the other 2 books, I love the way her entire journey plays out and the strong, determined, kick-ass woman she becomes.
Gladiator meets Game of Thrones: a royal woman becomes a skilled warrior to destroy her murderous cousin, avenge her family, and save her kingdom in this first entry in a dazzling fantasy epic from the New York Times and USA Today bestselling author of the Elemental Assassin series-an enthralling tale that combines magic, murder, intrigue, adventure, and a hint of romance.
In a realm where one's magical power determines one's worth, Lady Everleigh's lack of obvious ability relegates her to the shadows of the royal court of Bellona, a kingdom steeped in gladiator tradition. Seventeenth in line for the throne,…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.
In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.
The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.
At sixteen, Mina's mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone-has never beat at all, in fact, but she'd always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother.
I love stories where characters become more than what was expected of them, and where I can feel the human emotions they endure in their rise or fall. I write stories for the fearful, the voiceless, the broken, and the brave—reminders that pain can shape purpose, that hope can rise from heartbreak, and that no one endures alone. Ancient queens typically embody those truths. Dismissed as pawns, they carried dynasties on their shoulders, often at great personal cost. Their humanity—their love, fear, sacrifice, and imperfections—reminds me that beneath the crowns, we all bleed, we all long, and we all need each other to survive.
I loved how Hatshepsut, as a girl, came alive on the page.
Thornton’s writing made me feel the desert heat, hear the chants of the gods, and sense Hatshepsut's ambition as she became more than a pawn and seized control of Egypt when she was destined to be overlooked by history as a royal daughter.
It reminded me that courage often begins where fairness ends.
Egypt, 1400s BC. The pharaoh's pampered second daughter, lively, intelligent Hatshepsut, delights in racing her chariot through the marketplace and testing her archery skills in the Nile's marshlands. But the death of her elder sister, Neferubity, in a gruesome accident arising from Hatshepsut's games forces her to confront her guilt...and sets her on a profoundly changed course.
Hatshepsut enters a loveless marriage with her half brother, Thut, to secure his claim to the Isis Throne and produce a male heir. But it is another of Thut's wives, the commoner Aset, who bears him a son, while Hatshepsut develops a searing…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Writing this biography was an extraordinary experience for me. I have been writing about the arts for more than forty years. Over the decades I was Associate Editor of Ballet Review and dance critic for The New York Sun. Talking to Alla Osipenko provided singular insight into the culture and politics of the Soviet Union, as well as the individual artistry and psychology of this great ballerina. I left every interview with her feeling elated. By the time my biography was published in 2015, I also knew/met/had interviewed many of the people she described and could write from some degree of first-hand knowledge.
I think it was the first biography I ever purchased. At age ten or eleven, I read in it, but now I’m reading it all the way through, and I’m pleased to say that even at that tender age, I gravitated to the best!
Fraser stops the narrative when she wants to discourse upon a particular issue or attribute and always considers her own take on events and characters worthy of elegant interjection.
She’s not afraid to discuss relevant but not strictly solemn issues, such as whether Mary was considered beautiful and the tragic queen’s love of dancing and cross-dressing.
“A book that will leave few readers unmoved.”–San Francisco Chronicle
She was the quintessential queen: statuesque, regal, dazzlingly beautiful. Her royal birth gave her claim to the thrones of two nations; her marriage to the young French dauphin promised to place a third glorious crown on her noble head.
Instead, Mary Stuart became the victim of her own impulsive heart, scandalizing her world with a foolish passion that would lead to abduction, rape and even murder. Betrayed by those she most trusted, she would be lured into a deadly game of power, only to lose to her envious and unforgiving…
I’m a spiritual mutt. Raised with a variegated Christian background (Mom Charismatic, Dad Quaker, Grandparents Wesleyan), so I rejected all things biblical and turned to Jack Daniels for Southern Comfort. In college, I reconnected with a high school friend who demonstrated God was real by his changed life and showed the Bible’s concrete historical connections in a way I could understand. The words that had so confounded me as a child became one story that made sense. I dumped Jack Daniels, married that friend, and no longer needed Southern Comfort. Now, through research, study, and a little imagination, I write biblical novels, chug Living Water, and tell Bible stories to eight grandkids.
This book was published in 2009. For many years before its release, I could only find three Christian authors writing biblical fiction. All other novels about biblical characters were published in the mainstream market without regard for biblical truth. Jill’s well-researched and biblically accurate account tells the story of King Saul’s daughter, who was given as a wife to the warrior David.
The story was raw, yet softened by the nuanced portrayal of both main characters. It showed what may have been the true motives behind the choices made in the biblical text. The depictions of the surrounding culture, living conditions, and daily life—masterfully woven into the story—felt like gulping cold water after years of drought.
As the daughter of King Saul, Michal lives a life of privilege--but one that is haunted by her father's unpredictable moods and by competition from her beautiful older sister. When Michal falls for young David, the harpist who plays to calm her father, she has no idea what romance, adventures, and heartache await her.
As readers enter the colorful and unpredictable worlds of King Saul and King David, they will be swept up in this exciting and romantic story. Against the backdrop of opulent palace life, raging war, and desert escapes, Jill Eileen Smith takes her readers on an emotional…
I’ve been fascinated by the early modern period–the Tudors and the Stuarts–since falling in love with Mary Queen of Scots, Elizabeth, Henry VIII, and his wives when I was a child. I graduated from Horrible Histories as a child to lengthier nonfiction and fiction books about the era as a teenager before gaining a BA Honours, a Masters, and a PhD focussing on Elizabethan language and literature. I now teach English Literature at Strathclyde University. Because I never lost the urge to read everything I could about the Tudors and Stuarts, I began writing about them, too, and because I devour both fiction and nonfiction, I write both!
Elizabeth I is one of the most popular Tudors and her story has been told and retold in countless biographies and Anne Somerset’s weighty nonfiction study is my favourite. It details the big-picture moments of the queen’s life–her rivalries, successes, and failures–without losing sight of the human at the heart of the story. We can thus enjoy learning about Elizabeth the woman as well as Elizabeth the queen.
This is a book I occasionally dip into for a reference and invariably end up rereading in its entirety.
Elizabeth 1 ruled England in defiance of convention, exercising supreme authority in a man's world. With courage, brilliance and style, she reigned for nearly forty-five years. Anne Somerset's penetrating biography of this complex and uniquely gifted woman is unrivalled in its analysis of both Elizabeth's personal life and her career as leader. "By applying herself industriously to the evidence, Anne Somerset presents a convincing as well as complex character at the centre of her long, but ever lucid narrative" Antonia Fraser "I strongly recommend this book...the writing is a delight" Daily Telegraph "The fullest and best biography of the queen…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve always been interested in royal history and genealogy. It fascinates me to see how families are linked together, and this is very easy to do by reading books about royalty. Although my favourite subject is Imperial Russia, for over twenty years I have been writing magazine articles on both current and historical British and European royalty. Who would have thought that the accession of Charles III would have brought the blood of the Romanovs into the direct line of succession to the British throne, something that will continue down through the years. I was fascinated when I discovered this, and just had to write a book about it
I always find reading other people’s letters and diaries fascinating, mainly because they were not meant to be seen by outside eyes.
Having already read Shawcross’s official biography of the Queen Mother, I loved reading her letters, which go from her childhood at St Paul’s Waldenbury, through her courtship and marriage, the years as Queen, and then her widowhood. We actually get to hear her own voice and her own views on people and events.
The war years were especially interesting and sometimes poignant. Her wit and sense of humour (even at her own expense) come over, and I think we are especially fortunate that she lived in a time when people wrote letters, which were then preserved. It puts a whole new perspective on her long life.
One of the revelations of William Shawcross's official biography of the Queen Mother was her private correspondence. Indeed the Sunday Times described her letters as 'wonderful ... brimful of liveliness and irreverence, steeliness and sweetness.'
Queen Elizabeth was a prolific correspondent from her earliest childhood and her letters offer readers a vivid insight into the person behind the public face. They reveal - in her own words - the little girl writing to her family; the young woman who, eventually, accepted Prince Albert's proposal; the Duchess of York, embracing the public role demanded of her, on royal tours both at…
