Here are 100 books that Cancer Wars fans have personally recommended if you like
Cancer Wars.
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I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
In my various professional roles, I help people prepare for a world that does not yet exist. I often talk with students, scholars, politicians, industry leaders, community advocates, and others about how emerging, digital technology changes the world. And yet, technology doesn’t come from nowhere—we make it! And use it! And misuse it! We also sometimes forget that something as simple as fire can be understood as technology or that our imaginations and care for others are the most important technology. The books on this list encourage us to explore building a world that serves all of us—not just some of us.
This book is unlike anything I’d ever read, but I desperately needed it. As the title suggests, the book flows with deep wisdom from within oceans. As a long-time resident of a landlocked state, I’ve always approached large bodies of water with a sense of awe (and, quite honestly, fear).
This creative nonfiction tells the story of possibility, kinship, and collective kindness available in the depths. The book itself is a technology for living well with others and ourselves.
Undrowned is a book-length meditation for social movements and our whole species based on the subversive and transformative guidance of marine mammals. Our aquatic cousins are queer, fierce, protective of each other, complex, shaped by conflict, and struggling to survive the extractive and militarized conditions our species has imposed on the ocean. Gumbs employs a brilliant mix of poetic sensibility and naturalist observation to show what they might teach us, producing not a specific agenda but an unfolding space for wondering and questioning. From the relationship between the endangered North Atlantic Right Whale and Gumbs’s Shinnecock and enslaved ancestors to…
I am a professor of visual studies from Canada who has always been interested in dream life—although I’ll admit, it took me a long time to treat this domain as a serious research topic (sometimes the somberness of the academy can impede more adventurous pursuits). I created the Museum of Dreams as a place to explore the social and political significance of these visions, which has led to amazing collaborations with institutions, communities, and individuals around the world. I hope this list has inspired you to attend more closely to your own dreams!
This book was my survival guide for facing a serious illness.
I learned so much from the way this self- described “Black lesbian feminist mother lover poet” remade herself in the process of recovering from cancer. Lorde is a prophet of radical transformation. And one of her key tools was her dreams.
She taught us that change comes from looking inward and by giving voice to what one finds there. And the book contains one of the most amazing dreams I’ve ever read: near the end of her life, Lorde dreamt she wanted to take a course in “language crazure”: the study of “the formation and crack and composure of words.”
Moving between journal entry, memoir, and exposition, Audre Lorde fuses the personal and political as she reflects on her experience coping with breast cancer and a radical mastectomy.
A Penguin Classic
First published over forty years ago, The Cancer Journals is a startling, powerful account of Audre Lorde's experience with breast cancer and mastectomy. Long before narratives explored the silences around illness and women's pain, Lorde questioned the rules of conformity for women's body images and supported the need to confront physical loss not hidden by prosthesis. Living as a "black, lesbian, mother, warrior, poet," Lorde heals and re-envisions herself…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been passionate about animals, the environment, and social justice since I was a child. As an adult I have been frustrated—even enraged—that so many products and practices are considered safe and “normal” even though they harm wildlife, pets, and people. I think it's bizarre that people imagine themselves as separate from the chemicals they spray in their homes and their yards, even as they breathe in the toxins. I hope that the concept of “transcorporeality,” which urges us to see our own bodies as literally part of the environment, will convince people that environmentalism isn’t optional but is a vital part of human health and social justice.
Suzanne Antonetta’s Body Toxic epitomizes what I call the “material memoir,” a mode of writing autobiography that seeks to understand the self through connections to places and substances. Antonetta bravely examines her own physical and mental health, grappling with scientific data: “I choked facts and they choked me back, they stuck like Legos—clingy but hard to build into anything real.” Recalling the nuclear warhead that caught fire nearby her childhood home, spraying radioactive particles, she notes that her entire family, bizarrely, has somehow forgotten this incident. Body Toxic is fascinating, chilling, and unnerving, but also beautifully written in unflinching yet poetic prose. Body Toxic convinced me that our life stories are incomplete if they ignore how places and substances have affected us.
A thought-provoking and dramatic account two families who hope to start a new life in the boglands of New Jersey only to discover, much too late, that their new living environment was riddled with radiation and toxic waste.
Two immigrant families drawn together from wildly different parts of the world, Italy on one side and Barbados on the other, pursued their vision of the American dream by building a summer escape in the boglands of New Jersey, where the rural and industrial collide. They picked gooseberries on hot afternoons and spent lazy days rowing dinghies down creeks. But the gooseberry…
Loren Mayshark is the author of three non-fiction books. His first book Death: An Exploration won the 2016 Beverly Hills Book Award in the category of Death & Dying and was selected as the honorable mention recipient for the book of the year in the 2016 Foreword INDIES Awards in the category of Grief/Grieving (Adult Nonfiction). Mayshark has a BA in World History with a minor in World Religion from Manhattanville College.
Hitchens was a man on a mission with a razor sharp intellect. These precious words written while Hitchens was losing a fatal battle with cancer are fascinating and he touches on some profound ideas. I was especially struck by the conviction of a man who was a staunch atheist unflinchingly prepared for a godless death. Hitchens was not only witty, but inspirational and courageous.
The starting point of this book was when Christopher Hitchens found he was being deported 'from the country of the well across the stark frontier that marks off the land of malady'. Over the next year he underwent the brutal gamut of cancer treatment, enduring huge levels of suffering and eventually losing the power of speech.
Mortality is at once an unsparingly honest account of the ravages of his disease and the climax of a lifetime's work of fierce debate and peerless prose. In this confrontation with mortality Hitchens writes eloquently of his fear of losing the ability to write,…
The ethnobotanist Richard Evans Schultes noted that botanists should write history because so much history involves plants. Coincidentally, I am a botanist with a deep interest in history. I began as a child botanizing abandoned farmers’ fields, and now I am always on the lookout for topics at the intersection of plants and human affairs. The books on my list are among many I read while researching for my book. In exploring the role of plants in warfare, I have synthesized vast information about human and military needs, from rationed foods to camouflage and battlefront medicine. Germany provided many unexpected findings.
I have been intrigued by the coexistence of crackpot notions and prescient science in the Third Reich, and the medical science of oncology provides some remarkable examples of the latter. German doctors realized that the high incidence of stomach cancers correlated with diet, leading to suspicion of smoked meats, aflatoxins, coal tar dyes, and various adulterants as possible causes of various cancers.
As cheap alternatives to modern medicine and processed flour, herbal teas and whole grain foods became part of the Third Reich social doctrine for reasons of both health and economy. Meat was eyed with suspicion (and growing crops as fodder wasted energy), and so vegetable cookery was encouraged.
Beyond cancer concerns, I found awareness of fetal alcohol syndrome to be quite surprising; Third Reich doctors admired the U.S. temperance policy and encouraged expectant mothers to drink unfermented cider to avoid alcohol effects on fetal development.
Collaboration in the Holocaust. Murderous and torturous medical experiments. The "euthanasia" of hundreds of thousands of people with mental or physical disabilities. Widespread sterilization of "the unfit." Nazi doctors committed these and countless other atrocities as part of Hitler's warped quest to create a German master race. Robert Proctor recently made the explosive discovery, however, that Nazi Germany was also decades ahead of other countries in promoting health reforms that we today regard as progressive and socially responsible. Most startling, Nazi scientists were the first to definitively link lung cancer and cigarette smoking. Proctor explores the controversial and troubling questions…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I started this book because I liked the drawing style. Within the first 3 pages, I couldn’t put the book down. It’s not just Jennifer Hayden’s illustration skills or the freshness of her lines and patterns and mark-making and the way each panel is a masterpiece in itself, it’s the story that pulled me in. This is a book about life and love and family, told with humor, insight, and intelligence. In Jennifer Hayden’s words, the book is “a dramatic comedy sewn together from real events and real emotions,” but that doesn’t begin to convey the richness and depth of this narrative journey and the quirky sarcastic honest way it tells it like it is. The story still resonates long after I finished reading it.
When Jennifer Hayden was diagnosed with breast cancer at the age of 43, she realized that her tits told a story. Across a lifetime, they'd held so many meanings: hope and fear, pride and embarrassment, life and death. And then they were gone. Now, their story has become a way of understanding her story. Growing up flat-chested and highly aware of her inadequacies... heading off to college, where she "bloomed" in more ways than one... navigating adulthood between her mother's mastectomy, her father's mistress, and her musician boyfriend's problems of his ownnot to mention his sprawling family. Then the kids…
I am a former hospital chaplain. My job was to accompany people through the earliest stages of dealing with crisis, trauma, and grief. In four years, I responded to more than 750 deaths, along with countless car accidents, gunshots, stabbings, miscarriages, stillbirths, violence, and unimaginable abuse. With a front-row seat for the worst of this world, faith became much more complicated. I wrestle every day but still cling to faith amid the spiritual and mental scars.
I loved this book because it met me in the tension between faith and suffering with raw honesty and unexpected humor. Kate Bowler doesn’t offer simple answers—she dismantles the tidy clichés I’ve heard too often, exposing how little control we actually have.
This book has helped me wrestle with the mystery of God’s love that sticks with me even when nothing makes sense.
NEW YORK TIMES BESTSELLER - 'A meditation on sense-making when there's no sense to be made, on letting go when we can't hold on, and on being unafraid even when we're terrified.' LUCY KALANITHI
'Belongs on the shelf alongside other terrific books about this difficult subject, like Paul Kalanithi's When Breath Becomes Air and Atul Gawande's Being Mortal.' BILL GATES
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE
London-born Kate Bowler, a thirty-five year-old professor at the school of divinity at Duke, had finally had a baby with her childhood sweetheart when she began to feel…
I’ve always been drawn to comics. I started out as a humorous card writer, and later I became a syndicated cartoonist and author. I collect graphic novels of all kinds and I appreciate the unique talent that goes into the collaborative marriage of writing and art. I especially love stories told with humor, and these types of books lend themselves so well to that. And, boy, do kids appreciate it, too (guess I’m still a kid at heart). As someone who’s read many, many middle grade graphic and illustrated novels—for blurbs, reference, as well as for pleasure—I feel like an expert by now. I hope you enjoy these books as much as I have!
One of my favorites, Wink is so funny, moving, and deeply personal. The main character, Ross, is diagnosed with a rare eye cancer (based on the author’s own experiences) and deals with that as well as a myriad of other issues (bullying, a crush, a best friend that’s moving away). What I love most is the character development. I swear I’ve met the same quirky people you’ll find in this book. There’s so much feeling poured into the story. There are also funny comics and rock music. What could be better?
3
authors picked
Wink
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10,
11, and
12.
What is this book about?
Ross Molloy just wants to be normal. He doesn't want to lose his hair, or wear a weird hat, or deal with the disappearing friends who don't know what to say to 'the cancer kid'. But with his recent diagnosis of a rare eye cancer, simply blending in is no longer an option. Ross - and his friends and his family - all need to work out how to deal with this devastating challenge that Life has thrown down. Maybe Batpig can come to the rescue?
Based on Rob Harrell's own real life experience of eye cancer, and including amazing…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
One of the most profound attempts to capture grief in prose is due to the British experimental novelist B. S. Johnson. Published in 1969, The Unfortunatesis a book in a box: twenty-seven booklets to be read in any order, except for “First” and “Last.”Its narrator is a journalist returning to a city he last knew seven years ago, visiting an old friend, Tony, who later died of metastatic cancer. The visit triggers memories that arrive in random order, scattered through the day’s events as chance dictates. Grief has no narrative order, the book in a box seems to warn; and any closure is temporary. Grief can be opened and reshuffled again and again.
B.S. Johnson's lost classic has been showered with praise: New York Magazine named The Unfortunates one of their Ten Best Books of 2008, listed in The New York Times 100 Notable Books of 2008, and The Los Angeles Times declared it to be "his most daring work."
A legendary 1960s experiment in form, The Unfortunates is B. S. Johnson's famous "book in a box," in which the chapters are presented unbound, to be read in any order the reader chooses. A sportswriter, sent to a Midlands town on a weekly assignment, finds himself confronted by ghosts from the past when…
