Books like Calico — picked by fans

I discovered Kirschman through her non-fiction—a book called I Love a Cop: What Police Families Need to Know—when I was working on my first mystery.

Later I discovered she also writes a darned good story herself. Like this one, featuring Dot Meyerhoff, newly hired police psychologist. Dot’s job? Help the police cope better with their stress—those daily dangers, risks, uglinesses.

First client—Ben Gomez, a rookie who just encountered his first corpse. He strikes Dot as a little too sensitive. When Ben becomes a corpse himself, it looks like another cop suicide. Shouldn’t Dot have seen this coming? But she didn’t.

The secondary theme is significant and well handled: the prevalence of police suicide. I learned a lot. Hint: it’s a cozy, not a police procedural.

Graham Masterton grew to fame with his horror novels, including the best-selling novel The Manitou. It was only decades later that he began his Katie Maguire series of police procedurals, which have been equally successful. Having read Masterton over the years, I was fascinated by his shift from horror to crime fiction, often incorporating horror elements into his work. I started primarily as a horror writer, but have now shifted toward crime fiction. Masterton’s novels have been great “guides” in this respect.

I bought this book in Hatchard’s bookshop because I liked the cover, and because I like stories about Hell. A great choice on my part—this wonderful crime/fantasy novel features a detective called Thomas Fool in the most lawless land there can be. Thomas has to investigate a series of grisly murders which threaten the Devil’s domain; and to make his police procedural story work Unsworth has to invent a whole new mythology of Hell in which murder is even possible. The writing is stunningly evocative and the logic of the world building is remarkable even if it is, ultimately, bonkers. This book and its sequel, The Devil’s Evidence, are the noirest of noirs and are completely unputdownable. 

When a local drug dealer goes missing in the small town of Wortley, West Leeds, no one cares. No one except Detective Sergeant Joe Romano, back on home turf in ‘God’s Own County’ of Yorkshire. And even when the drug dealer turns up dead some believe it poetic justice. Romano believes every life counts though, and with the killer about to strike again he puts everything on the line, including his career, to prove that no one has the right to kill. This is a very modern take on the classic police procedural novel, a world-weary cop fighting against the world-weary system in order to do the right thing. 

Brian McGilloway’s novel is told in the first person from the perspective of a grieving mother who tries to pick through the lies and secrets to uncover what happened to her only child. On her journey she uncovers the brutal truth; everybody lies. The book takes a realistic look at Dora Condron’s emotional descent into a bleak world where she comes to believe that no one will tell the truth. I like most of all that it is crime novel, a mystery, and a family drama that is told from the single perspective. The mother’s introspection about her failings as a parent really hits home when we consider what our own last words might have been to a loved one who walks out the door and never walks back in. 

A man found hanging sparks suspicion so, just to check all is okay, the cops hang him again. Well, not him. A stand-in. But it’s a fine little detail that sums up this shrewd book – cold, hard, well-researched, loaded with bold ideas. This is Northern Ireland crime fiction as it should be, the procedural narrative we once struggled to host. Policing took place when cops were pretty much soldiers. Nowadays it’s different. And Dempsey’s crime fiction is second to none. The aftermath of the Troubles – and its socio-political complexity – is sewn in here, used to both enhance tension and amplify relationships. So, a forensic shrink and a cop explore the creepy case of a missing girl after the aforementioned hanging. Get your seat belt on – this thing twists.

I was thrilled to stumble upon another brilliant female detective series, and I zipped through this twisty little number in two days! When a woman is found hanging in her Dublin home, all signs point to suicide. Enter DCS Frankie Sheehan, a detective with a sharp eye, a potty mouth, and an innate ability to climb inside the heads of the victims. She’s brilliant!

Suffering from PTSD driven by a vicious attack during a previous investigation, Frankie soon learns that the lines between killer and victim are becoming increasingly blurred. This atmospheric and immersive police procedural just blew me away. Olivia's writing style is compelling and absorbing, with a strong sense of setting and characters I will never forget.

I really enjoyed the entire 87th Precinct series, wherein Ed McBain creates the American police procedural genre.

Cop Hater, the first in the series, is hard-hitting, fast-paced, filled with complex characters, and captures the essence of a cop’s soul while giving the reader a wonderful glimpse into the world of criminal investigations.

This was the first book I’ve read from the point of view of an investigative journalist, and I really enjoyed this angle. And I really loved the character of Ingrid, a very strong female lead who will stop at nothing to get to the truth. Ingrid delves deeper into the story of 8-year-old Kelly Doherty’s murder, believing that there's a chance the man convicted is innocent. But she's soon warned off by someone who’ll do anything to keep the past buried.   

Claire's writing style is entertaining and engaging. This atmospheric story is told from multiple viewpoints, which keeps the pages turning quickly. It's dark and chilling with a plot that builds and builds and kept me guessing until the climactic ending that I totally didn’t see coming. 

I first read Wambaugh long before I was a police detective and, truth to be told, linking policing to crime writing left my mind for many years.

What drew me to Wambaugh and to this book in particular is the way in which the characters are gritty and flawed. Unlike the Larger-Than-Life characters that were the norm back in the day, Spermwhale Wallen, Calvin Potts, and the rest of the night watch platoon are damaged souls.

The Choirboys is an excellent (fictionalized) account of how the daily trauma of police work can impact a person.