100 Books Like Britain in Iraq

As a teenager in 1991, I watched a coalition of Western powers bombard Iraq into submission. Twelve years later, “regime change” was the agenda. Iraq descended into sectarianism, civil war, and Islamist insurgency. Western depictions had reduced Iraq to an authoritarian state with a megalomaniac leader and no history of its own. These events and the accompanying vilification of Iraq and its people convinced me to study the country’s history. I try to bring nuance and depth to a story so often told superficially. I think history is about giving life to the voices and perspectives of the past. The result, I hope, is an authentic and unbiased portrayal of Iraqi history.

As a teenager in 1991, I watched a coalition of Western powers bombard Iraq into submission. Twelve years later, “regime change” was the agenda. Iraq descended into sectarianism, civil war, and Islamist insurgency. Western depictions had reduced Iraq to an authoritarian state with a megalomaniac leader and no history of its own. These events and the accompanying vilification of Iraq and its people convinced me to study the country’s history. I try to bring nuance and depth to a story so often told superficially. I think history is about giving life to the voices and perspectives of the past. The result, I hope, is an authentic and unbiased portrayal of Iraqi history.

As a teenager in 1991, I watched a coalition of Western powers bombard Iraq into submission. Twelve years later, “regime change” was the agenda. Iraq descended into sectarianism, civil war, and Islamist insurgency. Western depictions had reduced Iraq to an authoritarian state with a megalomaniac leader and no history of its own. These events and the accompanying vilification of Iraq and its people convinced me to study the country’s history. I try to bring nuance and depth to a story so often told superficially. I think history is about giving life to the voices and perspectives of the past. The result, I hope, is an authentic and unbiased portrayal of Iraqi history.

As a teenager in 1991, I watched a coalition of Western powers bombard Iraq into submission. Twelve years later, “regime change” was the agenda. Iraq descended into sectarianism, civil war, and Islamist insurgency. Western depictions had reduced Iraq to an authoritarian state with a megalomaniac leader and no history of its own. These events and the accompanying vilification of Iraq and its people convinced me to study the country’s history. I try to bring nuance and depth to a story so often told superficially. I think history is about giving life to the voices and perspectives of the past. The result, I hope, is an authentic and unbiased portrayal of Iraqi history.

From over three decades of work on development projects in countries of the Middle East, Afghanistan, Pakistan, and Africa, I am convinced that when efforts fail, it is invariably because we lack the cultural understanding of what people want or how we provide it. These books all reinforce my point by either underlining the way culture shapes the way people see the world or by showing how when we neglect culture, we do so at our own peril. Culture can be discovered through multiple entry points with these books offering a good start. Even something as mundane as advice columns in newspapers offer political insights when plumbed for the meanings below the surface.

I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.

Like the main character in my book, I went to Kurdish Iraq as a well-meaning (but admittedly naive) teacher, and fell in love with the Kurdish people and their culture. To be more specific, it was village women I really bonded with. Listening to their stories, and watching them try to cope with so many practical restrictions, tore at my heart. Part of me wanted to “liberate” them from the seemingly outdated traditions that held them back. Simultaneously, I couldn’t help but envy them for the solaces their tight community offered them -- and which Western society denied me. Rather than claiming to be an expert on Kurds, I am now someone who studies them with the greatest respect. The humble Kurdish villagers gave me moral examples that I wish every Westerner could be fortunate enough to have.

I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.

I served in Iraq as Governorate Co-ordinator of Kirkuk for the Coalition Provisional Authority, 2003-2004; and as advisor to the Commanding General of US Forces in Iraq from 2007-2010. I retain a deep love of the country and am a regular visitor. I teach about the Middle East and Global Affairs at Yale University. 

I'm an award-winning and bestselling author who teaches creative writing to veterans as part of a collaboration between the Department of Defense and the National Endowment for the Arts. I’m also an Air Force brat who grew up around military folk. After traumatic events gave me personal experience with post-traumatic stress disorder, I better understood why veterans don’t talk about their time in war. The books on this list are some of my favorites for capturing the terror of battle and the difficulty of reintegrating into a society that gives little thought to the human cost of war.