Books like Bright Dead Things — picked by fans

This book combines compressed prose with nonfiction truth-telling but it isn’t linear or a complete story as much as a snapshot of Fennelly’s childhood, home life, and keen observations.

This book showed me that the quality of writing trumps the quantity of words. Short and sparse, when well written, can find a place on a bookshelf and shine.  

I like poetry that teaches me something, and I like how Harjo can teach me about Native American myth and culture (as a member of the Muscogee Nation)in a poem set within the context of something as mundane as an airport.

She expertly threads together the modern with the historical, and the sacred within the ordinary. “Once a woman fell from the sky. The woman who fell from the sky was neither murderer nor saint. She was rather ordinary…”

I am also struck with how Harjo unifies her own unique culture with the shared experiences of all of us, as in: “Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last/ sweet bite”.

This collection teaches me as well, by taking me into the experience of growing up in the Black, rural Appalachian South.

The poems are part memoir, as in writing about the experience of her mother visiting her where she lived with her grandparents, “(We) held hands like we thought/mothers & daughters should/but neither of us knew for sure.” 

They are also part love song to home-cooking, “Every morning of my childhood, my grandmother, who stood a little/ under five feet tall, donned an apron and cooked breakfast. Slow. Precise./ Deliberate. She equated food with love, and she cooked with both a fury/ and a quiet joy.” 

And finally, they are part Black feminist manifesto, “My black body is a boulder, a stop sign. Sometimes i think my body is/ graceful, a song of freedom. Sometimes i think it is something that every/ eye casts away. I must concentrate if i… show more.

This book embraces both the conventional and the campy. Odes is unafraid to take an unflinching look at an aging female body, and when I say “unflinching”, I mean poems like, "Ode to the Hymen" or "Blow Job Ode".

She also addresses conventional subjects in her poems, such as her sister, buttermilk, and the wind. Odes definitely pushes boundaries, but does so with consummate skill, so that you feel both highly literary and a little dirty at the same time.

She doesn’t just talk about obvious body parts, either. In "Ode to Wattles", she writes, “…I love to be a little/disgusting, to go as far as I can/into the thrilling unloveliness/of an elder woman’s aging.” 

I absolutely love it when poetry and food get down together at the table. In discussions of food writing, poetry is almost always left out of the conversation; this collection of poems spanning from Rumi to Joy Harjo seeks to correct that unfortunate omission.

Young’s organization for the book works almost like a carefully composed tasting menu: arranged by season, the poems begin by whetting the appetite, then gradually progress into meatier fare. Keep this cornucopia of foodie verses handy in the kitchen; it’s the secret seasoning you never knew you needed.    

I knew I would love this book and I waited years to read it. I was waiting to savor it at the right time. I finally read it while moving through the painful realization of my mother’s schizoaffective disorder. She is still alive, though our relationship has had many deaths. When I need to remember that the little moments of beautiful mundanity can be as poignant as the big joys and pains of life, I go back to this book.

When I need to remember that queerness is a gift only a few of us are lucky enough to have, I go back to this book. When I need to remember that our greatest griefs come from our greatest loves, I go back to this book—over and over again.

This book is so darn cute! I love the fresh takes on familiar nursery rhymes. I always chuckle when I read the clever new twists (which are only a little spooky). The illustrations are a teeny bit scary, but mostly super cute. When you read this book, you can go all the way through, or just pick one nursery rhyme at a time to chant with the kids. 

Bukowski had a unique perspective on the world, and anyone who has read his work would most definitely agree. This book, which is a collection of some of Bukowski’s greatest pieces in my opinion, has a way of resonating with you on a personal level. Whether it be gaining a newfound perspective on the animals that scurry around our yards, or of a gambler wasting away in a casino on a Monday afternoon, Bukowski has a knack for bringing up the world’s problems in a way that is both depressing and humorous at the same time, while also giving peeks at his wit and charm as well.

Czesław Miłosz was awarded the Nobel Prize for Literature in 1980. But that isn’t the reason to seek out this book. In fact, the book contains none of his poems; it’s an anthology of poems he selected from across the ages and across the globe. The poems are idiosyncratic to Miłosz’s taste—and he has excellent taste, offering us brief personal header notes to guide our reading. Most of the poems are less than half a page long, none more than a page and a half—and some just a handful of lines. These are delicate, thoughtful poems that never become syrupy or stringent. Even after decades of reading poems, I’ve returned again and again to this book when I want to remind myself of why I turned to poetry in the first place.

Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.