44 Books Like Breakup from Hell

I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.

I am and have always been fascinated with supernatural creatures, particularly if they have horns and dwell in the dark swamps of wooded hinterlands. I spent a greater part of my childhood in the African bush. A formative experience was the day an isangoma (witchdoctor) cast knuckle bones at me in a particularly energetic frenzy. Rather than being scared, I was fascinated by the power these little bones had to command spirits and creatures I had only seen in my nightmares. An obsession was born.

I’ve always had a soft spot for history—in particular, mysteries, myths, and legends. If it’s strange, unexplained, obscure, supernatural, or downright weird, I’m all in. And Celtic folklore, it turns out, excels at exploiting the dark intrigue of human antiquity. Backdropped by a landscape that makes literally anything seem impossible, these stories tell us as much about fairies, merfolk, and other mystical creatures as they do about ourselves. Like so many legends around the world, Celtic mythology is a mirror. One that exposes our deepest fantasies. Reflecting the dark, dangerous side of humanity’s desires back onto itself, and making us question who the real monsters really are. 

I am and have always been fascinated with supernatural creatures, particularly if they have horns and dwell in the dark swamps of wooded hinterlands. I spent a greater part of my childhood in the African bush. A formative experience was the day an isangoma (witchdoctor) cast knuckle bones at me in a particularly energetic frenzy. Rather than being scared, I was fascinated by the power these little bones had to command spirits and creatures I had only seen in my nightmares. An obsession was born.

I come from a large family, both immediate and extended. As a result, my writing often includes a spectrum of family relationships, from the functional to the toxic. Nurturing or gaslighting? Supportive or undermining? Fantasy is my genre of choice for playing with these dynamics because its otherworldliness creates a safe space to consider true-to-life patterns, including the default trust we grant to those closest to us, how quickly that crumbles when expectations fall short, and the echo effect our earliest interactions have upon the rest of our lives.

I read Lolita as a college freshman and laughed out loud as Nabokov made me love the goofy, intelligent, and clearly sociopathic Humbert Humbert. Nabokov’s fun was palpable; it made me want to write. And knee-jerk criticisms of Lolita drove me crazy – how can people take themselves so seriously as to be offended by fictional characters? To me, an author’s ability to inspire genuine empathy for characters with distorted, irreverent, or socially unacceptable perspectives is both genius and riotously fun (something that people too busy looking for a reason to be offended will unfortunately never appreciate). Hope you enjoy this book list for people who don’t take themselves too seriously!

So much of our culture and our fiction comes from taking older stories and ideas and reworking, blending, and adapting them into new forms. This cultural mixture has gifted us with some of the greatest works of English literature, and I’ve always been surprised and delighted to discover what people can pull out of older works and make. It’s why my first novels have followed the theme, and why I will always have time to check out a new story that builds on older ideas to create something new. 

My fields at the University of Notre Dame, where I teach and do research, are philosophy and literature, and I have often been attracted to broader questions. I found ugliness to be a topic of considerable fascination, also for students, and yet it has almost never been addressed. I wrote the book to discover for myself what ugliness is and what it has to do with beauty.

I became a science journalist because I’ve been fascinated by the natural world around me for as long as I can remember. I also always loved imagining another world or realm, ever since I first read The Lion, the Witch, and the Wardrobe and The Wizard of Oz series as a child. So when I was writing my blog, Gory Details, at National Geographic, I naturally started to get curious about places around the world that are linked to legends of otherworldly realms. Now, as an author, I’ve had the chance to explore these places for myself, and I hope readers will enjoy going on the journey with me!

I am, by training, a philosopher, scientist, and clergyman who has spent 47 years speaking on issues pertaining to God, philosophy, science, and culture at many universities. Since childhood I’ve been fascinated both by nature, as well as by why people do the things they do. As for life experience, I’ve worked in several countries, have been married for more than 44 years, and raised 6 children … all of which have been an enormously valuable arena of learning. All of this has given me a deep conviction that I need to spend my life helping people to think about the things that are most important in life.