100 Books Like Bloodshot

I chose my favorite books, and through careful psyche analysis, I see a theme in them: stubborn characters who persevere through miserable elements. I cave, hike, kayak, motorcycle, etc. A lot of it is not comfortable. It starts with having an explorer’s heart. It isn’t glamorous. It is 90% talking yourself into the fact that you can do something you at first don’t believe you can do. The similar-minded friends that one finds along the way are lifelong, and there’s a bond that forms from crazy people like this. That comes through in my writing – companionship against a backdrop of stubborn exploration in an indifferent environment.

When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.

I first started reading vampire stories when I worked at Kitt Peak National Observatory in the 1990s. One of my co-workers suggested that we were the vampires of the mountain because we were only seen between sunset and sunrise. She encouraged me to read Anne Rice, whose work gave me a taste for heroic vampires. A while later, I moved to Las Cruces, New Mexico, known as the City of Crosses. Another friend suggested I write a story asking what a vampire would make of such a thing. That became an early chapter in Vampires of the Scarlet Order.

I first started reading vampire stories when I worked at Kitt Peak National Observatory in the 1990s. One of my co-workers suggested that we were the vampires of the mountain because we were only seen between sunset and sunrise. She encouraged me to read Anne Rice, whose work gave me a taste for heroic vampires. A while later, I moved to Las Cruces, New Mexico, known as the City of Crosses. Another friend suggested I write a story asking what a vampire would make of such a thing. That became an early chapter in Vampires of the Scarlet Order.

Most of my mysteries fall somewhere on a humor continuum from laugh-out-loud to edgy. Because of the tone and lack of graphic sex or violence, they are often labeled as “cozies.” But all humorous mysteries are not cozies. To explain the different types of humor, I developed a matrix of five categories—kooky, comic, amusing, edgy, and dark. I’ve done numerous guest posts on my matrix, identifying authors from each category and discussing why readers are drawn to different types of humor based on brain dominance profiles and personality types. I also refer to my matrix and the nature of branding when discussing the function of humor in mysteries. 

I’ve loved books about vampires ever since reading Dracula at much too young an age, but I was always looking for stories in which the women were more than virtuous heroines, objects of desire, or hissing brides. Or wearing negligees. I was also drawn to tales that explored the practical and ethical challenges of being a vampire. Fortunately, the vampire fiction boom beginning in 1980 opened the way for new stories, many by women, that depicted the nuances of vampirism through a female gaze. Travel from 6th century Byzantium to Mexico City to futuristic Mars with these novels that put new spins on the old conventions and introduce some fascinating female vampires.

I’m Sarah J. Sover, and I adore smashing genres together, especially when there’s magic involved. My first book, Double-Crossing the Bridge, is a comedic fantasy about drunk trolls pulling a suicidal heist, and my new release, Fairy Godmurder is like Jessica Jones with sparkle. The novels are wildly different from each other, but they both exist in the crime-fantasy sphere, where I can delve deep into character motivations, explore wrongs in the world through a fantastical lens, and play with well-loved tropes, inverting and subverting in unexpected ways. I love that this is a growing genre, and I hope I get an influx of suggestions added to my own TBR tower because of this list!

Have you ever pretended to be a superhero? What was your special ability? Mine was always the ability to talk to animals. What an amazing world that would be if I could chat with the squirrel nesting in my shed or the stray cat trotting through my yard! Animals of all kinds have always been part of my world, from my own pets to animals that came through rescue ranches where I volunteered. So it’s no wonder that I seek them out in fiction. For my own books, my love for cats and dogs was easy to translate into a love for dragons and hellhounds. 

I worked as a paralegal for many years and know how little justice there is in this world. Passion is a requirement if you toil in that legal arena of wit and woe. Even if you lose your case, you must go on. That’s when I had the epiphany that there are other forms of justice. I also realized that the occult does not necessarily mean bad or evil. If I’m losing faith, I pick up a novel about the delicious and refreshing possibilities of justice with a twist. This is a kind of justice where there is not necessarily a courtroom; there are no judges, no lawyers, and no jury.

I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.