Here are 100 books that Black is Beautiful fans have personally recommended if you like
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As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.
Before Instagram, we read about fashion. Well, we still do. At least, I do.
Francesca Granata has selected a series of fashion articles that are not only fun to read but are lynchpins to an understanding of the history of fashion, its quirks, and why we care so much about it.
You’ll find articles on military fashions, minis for men, and all the designers you should be curious about.
This is the first anthology of fashion criticism, a growing field that has been too long overlooked. Fashion Criticism aims to redress the balance, claiming a place for writing on fashion alongside other more well-established areas of criticism. Exploring the history of fashion criticism in the English language, this essential work takes readers from the writing published in avant-garde modernist magazines at the beginning of the twentieth century to the fashion criticism of Robin Givhan-the first fashion critic to win a Pulitzer Prize-and of Judith Thurman, a National Book Award winner. It covers the shift in newspapers from the so-called…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.
I love Dorothy Arzner’s films. And if you think you can’t deal with movies from the 1930s, think twice. Arzner was the only woman director in Hollywood; she was insanely popular and outrageously cool. Mayne’s book is about her coolness.
It’s an overture into an archive of pictures, tabloids, Hollywood gossip, and some of the best costumes around. Catherine Hepburn looked great in a silver moth costume (Christopher Strong, 1933), and Joan Crawford stunned in red (The Bride Wore Red, 1937). Mayne knows a thing or two about why we need more women directors.
Dorothy Arzner was the exception in Hollywood film history-the one woman who succeeded as a director, in a career that spanned three decades. In Part One, Dorothy Arzner's film career-her work as a film editor to her directorial debut, to her departure from Hollywood in 1943-is documented, with particular attention to Arzner's roles as "star-maker" and "woman's director." In Part Two, Mayne analyzes a number of Arzner's films and discusses how feminist preoccupations shape them, from the women's communities central to Dance, Girl, Dance and The Wild Party to critiques of the heterosexual couple in Christopher Strong and Craig's Wife.…
As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.
In 2015, Shantrelle P. Lewis curated Dandy Lion at the Museum of Contemporary Photography in Chicago. This book is about that exhibition, the photographs displayed, and the stories of the people photographed.
It is, for me, a gorgeous example of fashion’s relation to our individual and social identities. It is a way of touring the intimate as well as the political through images of the Black Dandy. Colors, cuts, sartorial details, and poses all come together in a book that is as informative to read as it is a pleasure to look at.
Suits that pop with loud colors and dazzling patterns, complete with a nearly ubiquitous bowtie, define the style of the new "dandy." Described as "high-styled rebels" by author Shantrelle P. Lewis, black men with a penchant for color and refined fashion, both new and vintage, have gained popular attention in recent years, influencing mainstream fashion. But black dandyism itself is not new; originating in Enlightenment England's slave culture, it has continued for generations in black cultures around the world. Now, set against the backdrop of hip-hop culture, this iteration of dandies is redefining what it means to be black, masculine,…
As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.
I have a weakness for shoes, and I am happy to admit it. Shoes is a tiny but mighty book you’ll want to gift to everyone. Bretaña traces the history of shoes from chopines to Balenciaga’s platform Crocs. It’s just impossible not to flip through the pages–and you are sure to find yourself browsing the web in search of yet another coveted pair. An aside: your toddler might ask you for a pair of Katharina Denziger’s Racing Shoes (1965)–mine did.
Christian Dior famously noted that "the real proof of an elegant woman is what is on her feet." From the surprisingly sexy boots hiding under Victorian crinolines to the glittering T-strap heels worn by flappers dancing the Charleston, a woman's shoe choice has long been far more than a mundane practicality. Indeed, a beautifully shaped shoe can be a statement of wealth, style, or sexuality - and often all at once.
This petite volume presents 250 eye-catching examples from the 17th century to the present, including many of today's top designers such as Manolo Blahnik, Christian Louboutin, Roger…
I am a professor of philosophy, specializing in the philosophy of art at the Graduate Center of the City University of New York. When I was a practicing critic, notably of cinema, I backed into philosophy insofar as being a practitioner forced me to ask abstract questions about what I was doing. I have written over fifteen books as well as five documentaries. I am also a former Guggenheim fellow.
This book was instrumental in introducing the English-speaking world to Modern Art. As criticism, it taught readers how to appreciate Neo-Impressionism. But it was also a seminal contribution to Anglo-American philosophy. By demanding an answer to the question “What is Art?” Bell set the agenda for subsequent philosophers who sought to develop a definition of art in response. Bell’s own answer is that something is art if and only if it possesses significant form which itself is the cause of aesthetic emotions. Bell’s emphasis on significant form earned him a reputation as one of the foremost Philosophical Formalists.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I discovered philosophy while still in high school and was lucky to study with some of the most exciting philosophers of the twentieth century in college and graduate school. I then taught philosophy in several of America’s great universities for fifty years myself. I have been fascinated by the philosophy of Kant since my first year of college and I gradually came to see Kant’s theory of the value of freedom as the core of his philosophy and a reason to devote a lifetime to studying it. I hope you will find these books as illuminating and rewarding as I have.
Nehamas’s lucid prose and lovely illustrations take us away from politics to a very different topic, our individual experience of art in all its many forms, from popular media to highfalutin forms, as an arena for the freedom of our imagination and taste.
I love Nehamas’s personal and personable voice, which cuts through centuries of theory to speak to the reader, one person to another. Few philosophy books are so accessible or have such beautiful pictures!
Neither art nor philosophy was kind to beauty during the twentieth century. Much modern art disdains beauty, and many philosophers deeply suspect that beauty merely paints over or distracts us from horrors. Intellectuals consigned the passions of beauty to the margins, replacing them with the anemic and rarefied alternative, "aesthetic pleasure." In Only a Promise of Happiness, Alexander Nehamas reclaims beauty from its critics. He seeks to restore its place in art, to reestablish the connections among art, beauty, and desire, and to show that the values of art, independently of their moral worth, are equally crucial to the rest…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I am a professor of philosophy, specializing in the philosophy of art at the Graduate Center of the City University of New York. When I was a practicing critic, notably of cinema, I backed into philosophy insofar as being a practitioner forced me to ask abstract questions about what I was doing. I have written over fifteen books as well as five documentaries. I am also a former Guggenheim fellow.
Originally published in 1958 as a textbook, when Aesthetics was updated, it was recognized as the “summa” of the aesthetic theory of art. This is the view that something is art just in case it is made with the intention to afford a certain magnitude of aesthetic experience. Because of his emphasis on aesthetic experience, Beardsley defended the notion of the autonomy of art – the idea that art is essentially independent of all other social practices. Using this lens, Beardsley explores an impressive range of topics including literature, fiction, pictorial representation, criticism, and interpretation.
I’m lucky to have grown up as all these new genres and kinds of games were being invented and gaining in popularity: euro-boardgames, role-playing games, videogames, collectible card games, gamebooks, ALL the games. What a time to be alive since I’ve always been curious about, interested in, and passionate about them. Again, I was fortunate to learn about the nascent academic study of games just as I was entering my college years. So, I’ve been playing games and studying games for over a quarter century! But you can teach an old dog new tricks (and to play new games), and the books on this list have helped me do just that!
Frank Lantz’s book opened my eyes to a different and deeper way of appreciating, loving, and talking about games.
All kinds of games, board games, card games, sports, and, yes, video games too. Oh, and best of all, Lantz does so without sounding like a fanboy or a pretentious ivory tower snob. He loves games, just as I do, but is so much more eloquent than I.
How games create beauty and meaning, and how we can use them to explore the aesthetics of thought.
Are games art? This question is a dominant mode of thinking about games and play in the twenty-first century, but it is fundamentally the wrong question. Instead, Frank Lantz proposes in his provocative new book, The Beauty of Games, that we think about games and how they create meaning through the lens of the aesthetic. We should think of games, he writes, the same way we think about literature, theater, or music-as a form that ranges from deep and profound to easy…
I am a professor of philosophy, specializing in the philosophy of art at the Graduate Center of the City University of New York. When I was a practicing critic, notably of cinema, I backed into philosophy insofar as being a practitioner forced me to ask abstract questions about what I was doing. I have written over fifteen books as well as five documentaries. I am also a former Guggenheim fellow.
Because of his prior reputation as a metaphysician and epistemologist, when Nelson Goodman turned his attention to the philosophy of art, he lent unprecedented prestige to aesthetics. In his book, Goodman treats art as a matter of symbol systems whose major structures include representation, exemplification, and expression. Given his emphasis on symbolism, Goodman regarded artistic projects, like picturing, as conventional and he maintained that our conviction of the realism of pictorial representations was merely an affair of our habituation to various styles. Languages of Art is a book noteworthy for its bold and bracing literary style.
"Like Dewey, he has revolted against the empiricist dogma and the Kantian dualisms which have compartmentalized philosophical thought. . . . Unlike Dewey, he has provided detailed incisive argumentation, and has shown just where the dogmas and dualisms break down." --Richard Rorty, The Yale Review
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.
This book is essential to anyone who wants to come into the meaning of art, design, and architecture.
Give it time and it will undoubtedly change your life. Dewey’s central argument is that experience itself is aesthetic, that we need to pay deep attention to the quality inherent in every experience.
Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
