100 Books Like Bitter Choices

This highly readable and concise book underscores the role of the Terek Cossacks in pushing southward the boundaries of Russia into the North Caucasus from the eighteenth century. We get a sense of the economic, geographic, and socio-political factors that shaped life on a frontier where the line between “us” and “them” was not always clear.

I love the fascinating tidbits Barrett sprinkles around important analytical discussions, such as the fact that most Cossacks in the North Caucasus were armed by silversmiths and metalworkers from the very mountain communities they were supposed to be guarding against.

This is the go-to book to understand how the Chechens, Dagestanis, and their neighbors held off the mighty Russian armies for several decades in the 1800s.

Gammer’s military history isn’t always a page-turner, but it is chock-full of clear explanations for the long success of Shamil, the warlord who defied successive Romanovs and united the fragmented peoples of the North Caucasus into a resilient resistance movement that tarnished far and wide the image of tsarist Russia as an imperial juggernaut.

The Golden Age of Russian literature—think Pushkin, Lermontov, and other famous novelists and poets—was at the vanguard of the Russian elite’s meeting with the Caucasus. In what has become a “classic,” Susan Layton brilliantly shows how Russian writers imagined the Caucasus as an ambiguous place—both dangerous and welcoming—populated by “noble savages,” sympathetic freedom fighters, and brutal marauders.

To many Russian aristocrats ensconced in St. Petersburg and Moscow, this was a canvas on which to implement Russia’s own “civilizing mission” to prove to a skeptical Europe that the tsarist realm belonged in the pantheon of European civilization.

This compelling book applies Edward Said’s well-known framework of Orientalism to explain the contradictions of Russia’s imperial project among diverse North Caucasians as well as Georgians. Jersild gives one of the clearest examples of the elasticity of the concept of Orientalism when applied to a Russia that wasn’t confident in its own European identity.

Just as fascinating is his explanation of how and why Georgian intellectuals, in their turn, used Orientalist discourse to contrast themselves against Muslims in Russian eyes and thus secure their own position within the empire.

In late 1800s Lithuania, young Audra gets caught up in an underground network of book smugglers while fleeing from Russian Cossack soldiers and attempting to save her family. Many of Nielsen’s novels would fit well on this list, but I particularly adore the message in this book about the power of words and storytelling when fighting oppression. 

Rutherford's Russka was the first novel about Russia that I read nearly thirty years ago, and its descriptions and plotting still resonates. Through the lens of four families divided by ethnicity, the book sweeps the reader from Russia's Slavic origins to the Bolshevik Revolution. The chapter in which Tsar Ivan the Terrible plays a major role is especially riveting. What impressed me the most was how the author crafted a story of Russian rule and culture spanning 1,800 years and its impact on the characters. 

I found it hard to choose between several of Edward Crankshaw’s books explaining Russia. Each, in its own way, uncovers a particular aspect of history or society that makes the country what it is. In the end, I settled on this, his first: published in 1947, not long after Crankshaw had been posted to Moscow during WWII, and while he was still reeling from the vast gulf between what he experienced there and the image of the USSR that was being sold abroad. 

Crankshaw was sometimes accused of being too sympathetic to Russia, but while he does his best to explain why the country behaves as it does, he doesn’t seek to excuse it. For that reason I find this one of the most clear-headed appraisals of Russia. And given the continuities that run through all of Russian history, his rationalising of how Russia works and what it does is… show more.

This group of interconnected stories—set mostly in Russia and Chechnya—take place before, during, and after the Cold War. In the opening story, “The Leopard,” Anthony Marra perfectly captures the suffocating terror of life under Stalin. 

The narrator is a disillusioned Soviet censor whose job is editing images of disgraced victims of Stalinist show trials out of official photographs and despoiling many other works of art for propaganda purposes.

Lines between work and life start to blur. The censor finds it increasingly hard to discern fact from fiction.

Things turn deadly when he himself becomes a victim and the truth (as he knows it) becomes irrelevant in the struggle against counter-revolutionaries.

From these troubled origins the Cold War began. The ability to discern truth from falsehood seems in our present times more pressing than ever.

Russia in the 1990s was a strange place in a strange time, and Andrew Miller does a great job of capturing some of that strangeness in some of its more revolting extremes.

It’s fiction – supposedly - but the parallel world it describes will be instantly recognisable to anyone who was there or even brushed its edges. And if you weren’t, I think this is a better explanation of what happened than plenty of serious history books. And that, in turn, is essential for understanding where Russia is today – thirty years later, but with the echo of the mad years still shaping the country now. 

In this book, literary theorist Gary Saul Morson describes the competing ways in which Russian ideologues and novelists answered the “timeless questions” about human nature, fate, and politics. Morson’s analysis clearly shows that novelists and poets allow for much more complexity and nuance in their worldviews than ideologues. The famous Russian writers, in other words, appear to excel in the type of open-minded thinking that I argue is conducive to liberal democratic values.

By reading Morson’s book, one sees clearly the importance of Russia’s literary traditions and how their works inform an open-minded outlook on the timeless questions of human existence.