Books like Beneath the Roses — picked by fans

After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.

After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.

After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.

After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.

I'm currently an Honorary Fellow in Social Theory at the University of York, U.K. For more than five decades I've been working to promote more reflexive perspectives in philosophy, sociology, social theory, and sociological research. I've written and edited many books in the field of social theory with particular emphasis upon questions of culture and critical research in the expanding field of visual culture. Recent projects include Interpreting Visual Culture (with Ian Heywood), The Handbook of Visual Culture, and an edited multi-volume textbook to be published by Bloomsbury, The Bloomsbury Encyclopedia of Visual Culture. The passion to understand the thought and visual culture of both the ancient and modern world continues to inform my work. 

My interest in photography began as a student at Pratt Institute, a preeminent art school, and I have worked in the field my entire adult life, not as a photographer but as a picture editor and photography critic. I was the Page One Picture Editor of The New York Times and wrote regularly about photography for the paper. I have published two biographies: one on Richard Avedon, among the more significant artists of the 20th century, and another on Sam Wagstaff, one of the earliest collectors who established the art market for photography; a book of collected reviews and essays called Photography After Frank; and essays on individual photographers for museum catalogues and artist’s monographs. I produced the 2011 documentary, Bill Cunningham New York.

When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.

I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.

Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography – be it travel, documentary, street or reportage – is my passion. The following are but five of five hundred books I’d love to recommend.

I am a hopeless photographer. But I have a passion for looking at photographs, for trying to understand how good ones work. They are not just momentary slices of life but structured artefacts, sometimes technically interesting, that in myriad ways reflect the society that produced them. I studied aspects of US cultural history at three universities. After devoting the first part of my academic career to American literature, in the second half – during which, supported by wonderful fellowships, I spent much time rooting in archives – I gave myself up to American photography. I have learnt much from each of the books I commend here.