100 Books Like Beloved Emma

No artist exists in a vacuum. Certainly, Vigée Le Brun had little interest in politics, but political events shaped her life and the world she inhabited. It is, therefore, essential to understand the times in which Vigée Le Brun lived.  

History and art history professor, documentarian, and cultural essayist, award-winning author Simon Schama’s Citizens: A Chronicle of the French Revolution presents Louis XVI’s France as vibrant, dynamic, and innovative, its people fascinated by novelty and technology. Schama’s gripping style combines entertainment and scholarship to make this book a convincing social, cultural, and narrative account of the French Revolution.

Vigée Le Brun’s patron and friend, Queen Marie-Antoinette, had a major influence on the painter’s career. Zweig’s concise, compelling story, largely based on correspondence between Marie-Antoinette and her mother, Austrian Empress Maria-Theresa, later with the love of her life, Swedish diplomat Count Axel von Fersen, clarifies the queen’s character development with grace and understanding. 

Beautifully told by one of pre-World War II Europe’s finest writers, Zweig’s account paints a well-rounded, nuanced picture of Marie-Antoinette, from her personal pleasures as a mother and lover to her suffering and courage during the Revolution, thereby helping us to better understand the queen and Vigée Le Brun’s unique relationship and how it affected the painter.

I loved this book first and foremost for the completeness of the research done including supplemental materials such as sketches, artwork, etc.

How he was able to gather so much information about the roamings, seemingly on a daily basis, of a man that lived 500 years ago is beyond me. I also thought the choice of Alfred Molina to narrate was brilliant as his Italian phrasing and enunciation made all the difference in the world.

In the end, I felt I knew da Vinci on a personal level, which surprised me.

I don't know about Emma being England's mistress (that sounds tiring), but (and this is the subject of my list) she was certainly Nelson's. Kate Williams thinks Emma was infamous and it should come as no surprise that this book is built around the scandals that made Emma and unmade her. As such it is written in a rather breathless tone, just short of salacious. This makes it rather fun but also quite in keeping with Emma’s life and times. After all, Emma’s story can never really be separated from the scandals. I like it because it packs a lot in (especially on the relationship with Nelson) and it moves at a hectic pace reminiscent of old Covent Garden on a Saturday night.

And, as you can also tell from the title, we have now moved into more academic circles. Here we have some primary sources on Nelson’s intense relationship with Emma, thus allowing the two key participants in that drama to speak for themselves. They do, and it is all quite eye-opening. There’s much on the stresses of the war, and the trials of separation, but touching moments, too, and real concern for their daughter. Despite the editor being a little too sympathetic to Nelson, who was, after all, having his hardtack and eating it, and there being gaps in the correspondence at key times, such as Naples in June 1799, when the couple was together, this is a great book to understand the couple’s dynamic and the context of their relationship. 

The biography by Hugh Tours is also rather scholarly (I suspect the author is of a legalistic bent) and he sets out with the intention of being scrupulously fair. That is rewarding as is the fact that when the author doesn’t know something, or is supposing something happened, he generally says so. This is nice and balanced and makes the book a great entry point into Emma’s world. It is also reasonably short, which helps the book in its role as a useful primer as does the old-school structure of beginning in the beginning and moving on from there. Don’t expect great wit or sharp prose, though, there are better books for that.

Walter Sichel’s biography, for all its flaws, and the fact that more is available on Emma and Nelson now than was the case 120 years ago, is still a solid piece of work from a capable biographer and decent historian. There’s an elegance in the language that can be looked up to, and an understanding of the period that has few rivals. I view it like a pair of comfortable slippers. They aren’t perfect, perhaps with a hole in the toe, but you don’t want them to make an impression. You do, however, look forward to slipping them on. The other reason I like this book is that it means you don’t have to read any of the other Victorian biographies of Emma or Nelson, many of which are drivel.

There has been a dearth of prominent women in the art world; those who, like Vigée Le Brun, have succeeded in it, deserve our attention.  

This book offers us a vivid and insightful look into the personality of a remarkable woman, a pioneering art collector and creator of one of America’s iconic museums. The Isabella Stewart Gardner Museum’s treasures include masterwork paintings, tapestries, rare books, prints, porcelains, and fine furniture, all displayed exactly as Isabella wished.

Born into a privileged New York family, Isabella Stewart married Boston Brahmin Jack Gardner at a young age. Friendships – in the cream of society and in fascinating bohemia, world travel, collecting beautiful things, and her husband’s loyalty helped Isabella in her sometimes unconventional drive to create her museum, her living memoir. 

During the Napoleonic Wars, the Royal Navy was the largest employer in the world. It maintained a fleet of close on 1,000 ships, including over 100 line-of-battle ships, and was responsible for the entire organisation of maintaining them at sea. Through his evocative selection of 100 objects Glover takes you back in time to share his admiration for a golden age when Britain ruled the seas.

A lot of the fiction and non-fiction around the Age of Sail and the Georgian navy focuses on the officers and the larger battles, so this book, discussing the lives of ordinary sailors, is very refreshing.

I read it for research for my own writing and really enjoyed the excerpts from the letters and other documents of the diverse groups of men (and women) who sailed on the ships of the line.

There is an intimacy there of seeing how these various stories and lives played out against the backdrop of wider events and political issues. It is something I always bear in mind while writing my own (fictional) narratives.