Here are 100 books that Beethoven In Love; Opus 139 fans have personally recommended if you like
Beethoven In Love; Opus 139.
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My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Of course, the entire notion of a ferocious enmity between Mozart and Salieri is fiction. They were actually friends and once even collaborated on a short cantata, Per la ricuperata salute di Ofelia [On the Recovery of the Health of Ofelia].
However, the story is a marvelous conception, seasoned by the central idea that the envious Salieri somehow ruined Mozart and drove him to his death (from overwork — also quite fictitious!). It truly “works” literarily. The play goes even further, accentuating the overbearing political influence of Italian musicians in the court.
I recommend the script of the play (from which the movie derived) so that the reader can get an even deeper appreciation for Salieri’s villainous character—and I can also recommend the award-winning movie!
0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.
Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
I cannot reasonably recommend Part Two without Part One. If we look at all the ghastly sins with which the eponymous hero has been involved by the end of that first drama, it seems inconceivable that he can possibly be redeemed.
Nevertheless, we have Goethe’s Part Two, completed twenty-four years after the earlier play, and by its conclusion, Faust has (somehow) been saved.
In fact, I sense some echo of Part One when Angelica’s unborn baby strangles on its cord: a far milder outcome for Paganini (who sired the child) than for Faust (whose Gretchen drowns their infant and is condemned to death). However, as the readers will see, Paganini truly loves the son he begets some years later.
"Greenberg has accomplished a magnificent literary feat. He has taken a great German work, until now all but inaccessible to English readers, and made it into a sparkling English poem, full of verve and wit. Greenberg's translation lives; it is done in a modern idiom but with respect for the original text; I found it a joy to read."-Irving Howe (on the earlier edition)
A classic of world literature, Goethe's Faust is a philosophical and poetic drama full of satire, irony, humor, and tragedy. Martin Greenberg re-creates not only the text's varied meter and rhyme but also its diverse tones…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Paganini is not one of the composers the author discusses. However, I consider Secret Lives an important book, simply because it “spills the beans” about a number of these giants.
Gioachino Rossini is portrayed with some of his numerous shortcomings (though Paganini’s dalliances achieved far more notoriety). I shall mention a few significant historical facts: (1) he and Paganini were very close friends, (2) Paganini wrote a set of brilliant variations, I Palpiti,based on an aria from Rossini’s opera, Tancredi, and (3) Paganini did indeed conduct the debut of another Rossini opera, Matilde di Shobran.
Secret Lives was also a source I tapped for some of the information I presented about composers (including, most notably, Richard Wagner) in one of my own novels.
In the fine tradition of "Secret Lives of Great Authors" and "Secret Lives of Great Artists" comes the latest entry in Quirk's successful series: "Secret Lives of Great Composers". You've heard their scores in countless movies, from "Fantasia" to "Apocalypse Now" - now get the skinny on their tumultuous lives, loves, and lunacy. You'll learn that Frederic Chopin had his heart removed before burial, due to his grave fear of being buried alive. Sergei Rachmaninoff hated the sound of his own music and despised performing it. Gustav Mahler was rarely invited to dinner parties because he would eat nothing but…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
I suspect I’ll raise a few eyebrows with this recommendation, notwithstanding the Amazon series it spawned (which ran for four seasons).
The book was not uniformly applauded, and it is difficult to know how accurate certain details are, given Tindall’s use of more than thirty pseudonyms and numerous denials from people she named. However, the prevalence of sex, drugs, and power politics in classical music is a harsh, ugly fact.
Classical musicians often misbehave, and if even those struggling for orchestral positions are guilty, how much worse might it be with the superstars? Obviously, I am thinking about Niccolò Paganini, but readers should also consider recent scandalous allegations against Placido Domingo and the late James Levine.
In the tradition of Anthony Bourdain’s Kitchen Confidential and Gelsey Kirkland’s Dancing on My Grave, Mozart in the Jungle delves into the lives of the musicians and conductors who inhabit the insular world of classical music. In a book that inspired the Amazon Original series starring Gael García Bernal and Malcolm McDowell, oboist Blair Tindall recounts her decades-long professional career as a classical musician—from the recitals and Broadway orchestra performances to the secret life of musicians who survive hand to mouth in the backbiting New York classical music scene, where musicians trade sexual favors for plum jobs and assignments in…
I’m a children’s book author with a Master of Education in Language and Literacy who loves the musicality of words. Growing up in a musical family, I started piano lessons in second grade, clarinet lessons in fourth, and dabbled a bit in saxophone in high school. Clarinet was the instrument that really stuck for me – I played in bands, pit bands, and orchestras all through school and beyond. My picture book Clarinet and Trumpet blasted forth from my own band experiences.
I included this picture book because it was one of my daughter’s favorites. Through Beethoven’s Symphony No. 5, the book introduces orchestral concepts such as “concertmaster,” “pitch,” and “dynamics” and teaches readers about the various sections that make up an orchestra. Newer books like How to Build an Orchestra by Mary Auld and illustrated by Elisa Paganelli, also do a wonderful and comprehensive job introducing all things orchestra-related, but what my daughter loved about Welcome to the Symphony was the button panel on the side of the book. With a push of a button, she could listen to the sound of different instruments playing snippets from Beethoven’s Fifth. Pair Welcome to the Symphony with classical music pieces like Benjamin Britten’s The Young Person’s Guide to the Orchestra or Prokofiev’s Peter and the Wolf for additional fun identifying musical instruments!
This charming and interactive picture book with sound panel is like a ticket to a concert hall. Narrated by three mice, Welcome to the Symphony takes readers on a journey that begins with the musicians tuning up. Readers learn the basics: What is a conductor? What is a symphony? Who was Beethoven? The elements of music: melody, harmony, tempo. The families of instruments - strings, woodwinds, brass, and percussion. But the best part is that every idea is illustrated in sound. Nineteen sound buttons allow readers to actually hear the different parts and voices of the music. The famous beginning…
I’m a Korean American author who believes life is too short to read books that bore you, classics or otherwise. I’ve always had eclectic tastes and like to pick out books the way customers choose bonbons at my chocolate shop (which I’ve co-owned since 1984). And while I do read and often write longer works, I’ve always preferred to fall into a world from the opening line and bow out soon thereafter. By nature, I’m a minimalist – and maybe don’t have the greatest attention span – so I’m in awe of short works that stand on their own. They’re just more dramatic and memorable to me.
Years ago, someone gave this book to me for Valentine’s Day; and I literally drowned in the pages, the naked emotion. The next Valentine’s Day I bought copies for several friends. I would call this collection more beautiful than romantic; with each love letter, you hear love from various perspectives and time periods.
If a picture speaks a thousand words, a love letter speaks a thousand more . . .
Even in this age of e-mail, faxes, and instant messaging, nothing has ever replaced the power of a love letter. Much the way light displays every color when passed through a prism, love letters express the spectrum of our emotions, offering a colorful glimpse into the soul of the writer, and of the writer’s beloved. For passionate readers and lovers of words, a letter is irresistible.
Internationally renowned collector David Lowenherz sifted through hundreds and hundreds of historical and contemporary epistles and selected…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a man who has led two lives. The first was as a junk dealer’s son from Buffalo, New York, who worked his tail off in school, won a full scholarship to Columbia University in 1958, and began dreaming of entering politics and someday becoming governor of New York State. The second life arrived suddenly during the third semester of my junior year when blindness seemed to rob me of my dreams. It didn’t, and along with dear friends and a loving family, these biographies have played a central role in keeping my dreams alive.
Like Da Vinci, Thomas Edison was possessed of great genius, but the point Edmund Morris drives home so well is that Edison was also indefatigable. The Wizard of Menlo Park worked untold hours on end, often sleeping on a mat on the floor, hard by whatever his current project was. It’s such a simple concept—enormous work can lead to enormous accomplishments—and Morris gives us a living example of one man whose work ethic changed civilization.
NEW YORK TIMES BESTSELLER • From Pulitzer Prize-winning author Edmund Morris comes a revelatory new biography of Thomas Alva Edison, the most prolific genius in American history.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • Publishers Weekly • Kirkus Reviews
Although Thomas Alva Edison was the most famous American of his time, and remains an international name today, he is mostly remembered only for the gift of universal electric light. His invention of the first practical incandescent lamp 140 years ago so dazzled the world—already reeling from his invention of the phonograph and dozens of other…
When you get a PhD in music, you end up with a lot of music books. Like, hundreds of them. At the end of every semester I could never bring myself to sell my textbooks because I just love books. Over the years I’ve continued to collect books about music, and books about everything. I’m happy that now a few have my name on the spine.
This book is essentially a book of quotes from famous musicians, composers, and conductors. I find this book especially inspiring because of the trivial nature of some of the quotes. Sometimes it is just refreshing to read Beethoven complaining about his taxes, or Mozart trying to get paid after a gig. I use this book in my university classes constantly.
A snakeful of critical venom aimed at the composers and the classics of nineteenth- and twentieth-century music. Who wrote advanced cat music? What commonplace theme is very much like Yankee Doodle? Which composer is a scoundrel and a giftless bastard? What opera would His Satanic Majesty turn out? Whose name suggests fierce whiskers stained with vodka? And finally, what third movement begins with a dog howling at midnight, then imitates the regurgitations of the less-refined or lower-middle-class type of water-closet cistern, and ends with the cello reproducing the screech of an ungreased wheelbarrow? For the answers to these and other…
I’ve lived most of my life with invisible disabilities that affect my daily activities, and I hope to encourage nuanced, empowering, and inclusive conversations about disabilities with my book, So Much More to Helen! All of my nonfiction picture books—Miep and the Most Famous Diary, Winged Wonders, Cougar Crossing, Ocean Soup, Make Way for Animals!, and more—are about “solutionaries” who help people, animals, and the planet. They’ve won Golden Kite and Eureka! Nonfiction Honor Awards, starred reviews, and spots on best book and state reading lists. Mostly, I hope they inspire compassion, curiosity, and action.
I chose this illustrated collected biography because it highlights a wonderfully diverse array of real people living with visible and invisible disabilities. Featuring both famous and non-famous people of various races, genders, and sexualities, with both physical and mental health conditions, it’s incredibly inclusive. The people’s stories, at one page or less, are short enough to keep kids’ attention and the back matter includes an important glossary of terms for talking about disabilities. This book celebrates many different ways people live and work with disabilities and encourages openness and inclusion.
"Intelligent, politically bold, and beautiful to browse [...] Every bookshelf needs a copy." - Disability Arts Online
In this stylishly illustrated biography anthology, meet 34 artists, thinkers, athletes and activists with disabilities, from past and present. From Frida Kahlo to Stephen Hawking, find out how these iconic figures have overcome obstacles, owned their differences and paved the way for others by making their bodies and minds work for them.
These short biographies tell the stories of people who have faced unique challenges which have not stopped them from becoming trailblazers, innovators, advocates and makers. Each person is a leading figure…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
When you get a PhD in music, you end up with a lot of music books. Like, hundreds of them. At the end of every semester I could never bring myself to sell my textbooks because I just love books. Over the years I’ve continued to collect books about music, and books about everything. I’m happy that now a few have my name on the spine.
This book is a nonfiction history of the concept of Spherics – the idea that music and astronomy are intimately connected. It starts by talking about Pathagorous and works our way chronologically up to Einstein. There are a lot of books on the topic of Music of the Spheres (and a Coldplay album), but this is the best book I’ve found to fully understand the concept.
For centuries, scientists and philosophers believed that the universe was a stately, ordered mechanism, both mathematical and musical. The perceived distances between objects in the sky mirrored (and were mirrored by) the spaces between notes forming chords and scales. The smooth operation of the cosmos created a divine harmony that composers sought to capture and express. Jamie James allows readers to see how this scientific philosophy emerged, how it was shattered by changing views of the universe and the rise of Romanticism, and to what extent it survives today - if at all. From Pythagoras to Newton, Bach to Beethoven,…
