20 Books Like Beachmaster

Technically, Brooke Bolander's The Only Harmless Great Thing is a novella and not a novel.

But this story, set in an alternate universe in which hyperintelligent elephants are forced into toxic factory work, packs so much pathos, vivid description, and (especially!) the world-building around elephant culture—I swoon over the voice in which the elephants tell their stories and myths to the reader—it may as well be three times as long.

This is the most modern book on my list, and it did get some excellent critical attention, including the 2018 Nebula Award for Best Novelette. But Bolander's voice of the elephants alone (to say nothing of the other voices, each masterfully different) is so danged magnificent, the more people know of this work, the better.

I don’t read very much fiction (although I want to read more!) but I thought it would be interesting to check out some novels where animals are main characters.

I read several, and this is the one I still think about all the time. The main character is a crow and although the book is a fantastical mytho-poetic adventure through time and space, it is also a wonderful exercise in cross-species empathy.

While you are reading, you really feel like you understand what it means to be a crow. It really stuck with me; I found it really rich and wondrous. 

Zucchini the ferret, born in the Bronx Zoo, leads a bleak life.

When he learns about the outside world, he yearns to escape—but when he does, it's straight into chaos.

I read Zucchini many times as a child and last read it in my 30s, and it's wonderfully more grimdark than I remember. Published in 1982, the book is 1980's-New-York gritty, and so are the hard adult lessons: fighting for your needs is full of risk; betrayal is common; love, compassion, and understanding are scarce; and idealism has an unsustainable cost.

But this makes the bits of joy that Zucchini wrests from the world all the more vivid. The story, like the world, is hard; but the story, like the world, has hope.

In Paul Galico's The Abandoned (copyright 1950), 8-year-old Peter is transformed into a kitten after a mysterious accident, befriends an older stray, and learns how to behave as a cat as he teaches his new friend about the occasional goodness in people.

I grew up with cats and was obsessed with all things feline, and I couldn't resist this story, in its charmingly British voice, that explained to the reader how to properly behave as one; nor, I imagine, could many other younger cat lovers if they knew about this book.

(Because it if happened to Peter, maybe it could happen to us, and we ought to read this how-to, to be prepared. You know… just in case.) 

First and foremost we are sensual critters. At birth, our brains still have significant development to accomplish and focuses initially on the Sensory Control area since it’s vital for growth that we fully realize the messages and signals that the physical world is constantly sending. Here’s a poetic and philosophical exploration of how we emerged from and continue to be part of the physical sensual world. It makes sense it’s last. I’ve been reading it for two years without finishing; after a couple of pages of Abram’s beautiful wisdom about how, for instance, the first spoken languages were composed of natural sounds I need to put the book down and ruminate for a few days on the creative implications of my speaking and the sounds I make. 

This book, the start of a series of seven books, I think, made a difference in my life starting in my 20s. The main character, with her sentience and mind-powers that made her long red hair writhe when the power was rising, gave me a new sense of myself as a woman. She held 9 others’ souls within her, carried by the diadem that was sealed to her head. This gave me a new sense of how full spirits might be carried in others, expanding my perception of existence. I loved the dynamic quality of the story, the worlds she built, and the Thief who was her friend and sometimes lover. Through it all, the planet of her people and origin is missing, adding a compelling mystery. 

The animals in Bennett’s graphic novel do not gain sentience gradually, nor is their experience hidden from the rest of the world. Instead, animals all over the globe one day “wake up” and begin to wage war on humanity, and each other, creating a state of upheaval that few can comprehend. It’s that boldness and sheer shock value that I found most appealing. Like all good stories about animals gaining sentience, this one toys with the idea that non-human intelligence is some sort of affront to the natural order. At the same time, the story is grounded in the love between 11-year-old Jesse and her dog Sandor, who has sworn to protect her on a perilous journey. I enjoyed bouncing back and forth between affection and horror. Maintaining that balance is no easy feat!

The other novels I’ve listed here are optimistic, hopeful stories.

This one takes us on a dark and bloody path.

In The Mirror Empire, two nearly identical worlds populated by violent people and sentient (also violent!) plants are at war with each other.

The only doorway between them is powered by blood.

The limitations of this concept are fascinating. Since the worlds are duplicates of each other, each person who lives in one world has a copy of themselves living in the other.

The twist? A person can only cross to the other side if their imposter is dead.

Talk about consequences!

This novel is incredibly bloody and full of betrayal. It’s violent, but the intense action had my eyes pinned open late into the night. 

The Mirror Empire is often gory and frequently shocking, but two things are for sure: You won’t be able to predict what’s… show more.

Captain Bristol and his ship Blue 87 are taken prisoner by scientists who want to take Blue’s cognizant brain and use Bristol in regeneration experiments along with the others they have plucked from history. Outgunned, outnumbered, and definitely outdated, this unlikely gaggle of prisoners must find a way to save not only themselves, but the British Galactic Empire. I’ve read this book twice this year and it kept me laughing every time with its crazy antics. I’m dying for the sequel. (Hope they can resurrect me!)

If it’s hard to make readers side with spiders, what about plants?

The planet on which an unlucky group of humans are stranded in Semiosis is indeed home to sentient plants that see humans as just another resource. But this isn’t some Day of The Triffids monster tale. The plants can’t move anything like humans can, which, in the hands of a lesser author, might make for quite a static, boring story.

Burke demonstrates her boundless imagination by taking the reader into the "mind" of the plant, seeing the world, its threats, and resources in a completely different and plant-like way and bringing a sense of urgency as the survival of plant and humans alike become bound together.

It’s a fascinating read, and the follow-up, Interference, is just as good.