100 Books Like Battle Story

Since childhood, I have been fascinated by accounts of the Second World War, particularly the war in the Pacific Theater. Perhaps because I had an uncle and a step-father (Bronze Star awarded for bravery) who fought in that theater. I joined the U.S. Navy in 1958 and traveled in the USS Bennington, CVS 20, too many of the islands captured by the Japanese in blood-soaked battles–Pearl Harbor, Guam, Okinawa, Midway, and the Philippines. Further, I was stationed at Atsugi Naval Air Station in Japan for twenty months, which allowed me to look into World War II history from the other side. 

Since childhood, I have been fascinated by accounts of the Second World War, particularly the war in the Pacific Theater. Perhaps because I had an uncle and a step-father (Bronze Star awarded for bravery) who fought in that theater. I joined the U.S. Navy in 1958 and traveled in the USS Bennington, CVS 20, too many of the islands captured by the Japanese in blood-soaked battles–Pearl Harbor, Guam, Okinawa, Midway, and the Philippines. Further, I was stationed at Atsugi Naval Air Station in Japan for twenty months, which allowed me to look into World War II history from the other side. 

Since childhood, I have been fascinated by accounts of the Second World War, particularly the war in the Pacific Theater. Perhaps because I had an uncle and a step-father (Bronze Star awarded for bravery) who fought in that theater. I joined the U.S. Navy in 1958 and traveled in the USS Bennington, CVS 20, too many of the islands captured by the Japanese in blood-soaked battles–Pearl Harbor, Guam, Okinawa, Midway, and the Philippines. Further, I was stationed at Atsugi Naval Air Station in Japan for twenty months, which allowed me to look into World War II history from the other side. 

Since childhood, I have been fascinated by accounts of the Second World War, particularly the war in the Pacific Theater. Perhaps because I had an uncle and a step-father (Bronze Star awarded for bravery) who fought in that theater. I joined the U.S. Navy in 1958 and traveled in the USS Bennington, CVS 20, too many of the islands captured by the Japanese in blood-soaked battles–Pearl Harbor, Guam, Okinawa, Midway, and the Philippines. Further, I was stationed at Atsugi Naval Air Station in Japan for twenty months, which allowed me to look into World War II history from the other side. 

Having been born two months before Pearl Harbor, as I grew older, I vaguely remember hearing my parents talking about the war. When I was able, I used to pull my little red wagon around the neighborhood to collect bacon grease I donated to the local butcher shop to support the war. After retiring from the technology industry, I tried my hand at writing books. After a few futile attempts, I finally started writing novels about WWII. I first wrote Return to La Roche-en-Ardenne, then Innocence Lost - A Childhood Stolen, and finally Thou Shall Do No Harm – Diary of an Auschwitz Physician which will be re-released in early 2023.

I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genji had vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past. 

I first came to Japan knowing nothing about the place I was going to live. With hindsight, that was perhaps foolish, but it started my adventure in Japanese history. At first, I stumbled through blindly, reading the odd book and watching dramas and movies for fun. But then I discovered Yasuke, an African who became samurai in 1581. He focused me, and I started reading to discover his world. History means nothing without knowing what came before and after, so I read more, and more, until suddenly, I was publishing books and articles, and appearing on Japanese TV. It has gone well beyond the African Samurai now, but I am eternally grateful to him for his guidance.

I have been fascinated with history in general, and the history of Japan, since I was in junior high when I read a book on the samurai. After attending summer school at Harvard in 1985, I resolved to devote myself to the study of Japan. Since then, I have studied at Michigan, Stanford, and Kyoto before teaching Japanese history at first Bowdoin College and now, Princeton University. Although I primarily research Japanese history, I find scholarship pertaining to medieval and early modern Europe to be fascinating as well. 

I've found the creep of authoritarianism to be very disquieting. One would have to be willfully blind to not see its manifestations both here and abroad. I wanted to better understand how this phenomenon cast its shadow over the world and I found the '33 Chicago World's Fair an ideal lens to view this through. I've been fascinated by world's fairs since I was a child and the '33 Fair was the first to consciously feature the future. I'm also strangely drawn to this period – if I believed in reincarnation it might provide answers, but I don't. The Zeitgeist just before the full, brutal ugliness of fascism broke over the world, fascinates me.

I am a journalist and a novelist. I was both Forbes Magazine’s longest serving foreign correspondent – having served 18 years in London as their European Bureau Chief – and wrote the feel-good international best-seller The Hundred-Foot Journey, a novel that Steven Spielberg and Oprah Winfrey made into a much-loved 2014 film starring Helen Mirren. These twin careers have shaped my approach to writing in that I believe a good micro-story (fiction) should also make astute macro points (journalism). So, the journeys my characters undertake in my novels are also trying to address points about the world or life or humanity at large.