100 Books Like Audition

I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.

It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.

Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.

I love love love an unreliable narrator! Especially when that narrator is a beautiful, elegant woman who turns out to have the ugliest soul imaginable. I think as a whole, our society tends to be extra afraid when they see conniving evil existing in a female’s mind, especially when she’s physically beautiful and well spoken.

At certain points in this book, I found myself weirdly rooting for Amy and chomping at the bit to see how far her “crazy” would take her. The twists and turns kept me racing through this book and left me wondering at the end, “What happens to them now?!”

Hannibal Lecter’s silky smooth menace still chills me like no other villain on my shelf.

Silence of the Lambs taught me how to write a terrifying villain with more than enough charisma to start a devoted cult. Every reread of this book hooks me with that hypnotic voice. Hannibal’s character is so persuasive and razor-sharp, I catch myself sympathizing before the dread slams back in.

I love how Thomas Harris forces me to straddle the line between fascination and horror, then shoves me into Clarice Starling’s head for that heart-hammering showdown with Buffalo Bill.

Decades later, for me, no thriller matches its psychological intrigue. It’s a timeless classic that keeps my lights blazing and my imagination deliciously unsettled.

This novel has so many reasons to recommend it. It incorporates radical experimentation and horrifying surgeries being done in a bizarre hospital. To make it even more mysterious, there is a hurricane threatening the island which complicates the investigation of US Marshall Teddy Daniels searching for a patient who has disappeared.

I loved the creepy island hospital and the use of weather as a character.

What do you get when you cross paths with an unhinged truck driver on a lonely stretch of isolated highway? You get the book Duel, by Richard Matheson. Based on a true event of unprovoked road rage the author himself was put through, Duel is the story of a businessman heading to San Francisco who is confronted and pursued by an unseen psycho behind the wheel of a gasoline tanker and trailer. Subjected to a life-and-death game of cat and mouse, Man, as the protagonist in the book is called, has to out-maneuver this menace, or die trying. If you are into isolation terror, with get-up-and-go pacing, Duel is a must-read.

Being a huge fan of the Tobe Hooper film The Funhouse, I was interested to hear there had been a book released by Dean Koontz based on the movie. Figuring it was your run-of-the-mill paperback tie-in, I bought a cheap copy on eBay to see if there was any bonus material added to give further depth to the plot and characters. What I didn't expect to find, was a novella-sized prequel to be attached. Without giving any spoilers, the reader learns the history behind Amy Harper's psychic link to the monster Gunther and his carney father, Conrad.

It explores the effect Amy's unhinged mother Ellen has on her children, as well as Liz's loose attitude towards men and how that influences Amy to date Buzz. Add in a graphic account of how the kids were murdered in Fairfield county last year, and the book has a lot of hidden… show more.

Masterpieces of Terror and the Supernatural is, hands down, the best collection of over fifty short stories, novellas, and poems I've ever read in one, skin-prickling book. With authors like Bram Stoker, Sheridan Lefanu, Edgar Allan Poe, Richard Matheson, Isaac Asimov, A.M. Burrage, Robert Bloch, and H.P. Lovecraft, you're in for many sleepless nights. My personal favorites include; "Last Respects" by Dick Baldwin, a story of two morticians preparing a body for a wake, only the body doesn't seem to be quite at rest; "The Quest for Blank Claveringi" by Patricia Highsmith, a story that proves snails can be terrifying. This one had me short on breath halfway through; and most disturbing of all, "His Unconquerable Enemy" by W.C. Morrow. It's about a rajah that has a surgeon amputate his servant Neranya's limbs off, then keeps the poor man in a small pen of open ironwork above his bed for… show more.

Between 1931-1938, a radio program went on the air called, The Witch's Tale. Old Nancy, the Witch of Salem, would introduce stories of the eerie, weird, and blood-chilling sort, with her wise, black cat Satan. Putting to print thirteen of these hair-raising scripts, we can now take a step back in time and read from the point of view of the actors from the golden age of radio in The Witch's Tale by Alonzo Deen Cole.

Old Nancy: “Turn out them lights, and make it nice and dark. That's it. Now draw up to the fire, and gaze into the embers, gaze into them deep, and soon you will be amongst vampires, werewolves, ghosts and devil worshipers. He he he... isn't that right, Satan?" (CAT meows.)

A sci-fi space opera that’s told like a documentary film.

This was the first book (but certainly not the last) that ever made me jealous I didn’t write, and inspired countless hours of me trying to duplicate.

Set in an alternate 1986 where silent films still reign and using various forms (reality tv, movie, celebrity rags, audio transcripts) this is a genre-bending collective gorgeously told and seriously underread. 

Renowned cultural historian Thomas Doherty provides a granular, blow-by-blow retelling of the events that led to the Hollywood blacklist. He places particular emphasis on the hearings as a ‘media-political spectacle,’ seeing it as the first such media event of the postwar era. He reexamines the events through a close and careful reading of press and media responses of the time. Less cinema-centric than other accounts, and less mesmerized by key individuals, Doherty gives us a cool, skeptical perspective on what is often an emotive or partisan discourse. There is much detail on how filmmakers, activists, politicians, newspaper and radio figures acted, and for what reasons, and how and why the post-war hearings played out as they did. The result is a sophisticated cultural history of the blacklist era.