97 Books Like Asian Odyssey

I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.

After writing and editing fifty books and being the recipient of a dozen national and international literary awards, it’s obvious that I’m not so much a travel writer as a writer who travels a lot and is sometimes compelled to share what he discovers, or fails to discover, along the way. I’m not one of those “lonely tourists with their empty eyes / Longing to be filled with monuments,” that poet P.K. Page describes. I constantly ask myself: “What compels you to abandon the safety and comforts of home for the three Ds of travel: Danger, Discomfort, and Disease?” Itchy feet, insatiable curiosity, or the desire to step outside the ego and the routines of daily life? All of the above. I avoid the Cook’s Tour, travel light, and live on the cheap. 

I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.

I’ve always been an avid reader. At school, during recess, I would find places to hide so the teachers wouldn’t find me and insist on sending me out to play. Exploring other countries also fascinated me but, growing up, we did not have the money to travel the world. Books became my means of travel. I especially love books written by authors who have lived or grown up in that setting. It’s why I find writing stories in an Indian setting easy and satisfying. The highest compliment from my readers is when they feel immersed in my stories and come away feeling like they’ve been to India and now want to eat an Indian meal. 

Outdoors has always been a nourishing place for me, even when I edged into risky or dangerous places, especially solo. When I got rid of my car (for financial reasons), I found my options to reach outdoor adventures limited. Soon after, I began working in transportation, tourism, and recreation and sought ways for everyone to access outdoor recreational opportunities, regardless of their abilities or any limiting barriers. Slow travel is broadly inclusive, enabling anyone to benefit from outdoor experiences and their transformative potential. Slow travel helped me feel less alone, more connected, more balanced emotionally, healthier physically, and more creative; it revealed the path to Love.

Robin Cherry is a Cleveland-raised, Hudson Valley-based author of Garlic: An Edible Biography and Catalog: An Illustrated History of Mail Order Shopping. When not zeroing in on the microhistory of unusual things, she writes about food, wine, and travel. Her father’s family hails from Moldova which may explain why two of the five books on this list are about, or include, chapters on, Moldova. The fact that two concern Mongolia is inexplicable as she’s never been there. Her story on visiting Moldova was included in Lonely Planet’s 2016 Travel Anthology. 

I’ve been traveling since age seventeen when I boarded a plane and headed to Europe on my own. Over the next three years I lived in London, took weekend jaunts across the continent, and became completely bitten by the travel bug. Since then, I’ve traveled to more than 95 countries. I’ve lost and gained friends and lovers and made a radical career change so that I could afford my travel addiction. Like my readers, I am an ordinary person. Through travel I’ve learned courage and risk-taking and succeeded at things I didn’t know I could do. My goal in writing is to inspire others to take off and explore the world.

I've been writing about and teaching military history for many years (I'm a professor at the University of North Carolina), mostly focused on the pre-industrial world, and mostly about the maelstrom of the North Atlantic colonial experience (including warfare in Ireland, England, and in North America). I quickly decided that I needed to do more to understand the Native American perspective, and that also meant understanding the very nature of their societies: Not just how they fought, but how they imagined the function of war. This book is the product of constantly returning to that problem, while also putting it into a world comparative context of other non-state experiences of war. 

I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!

I traveled to Xinjiang Uyghur Autonomous Region in the summer of 2019, where I saw for myself many of the tools of surveillance and control that the Chinese Communist Party has used to turn the region into an open-air prison. Since returning to the United States, I have tried to draw attention to the Uyghur genocide through my published articles and through my book, Middle Country, where I tell the story of the Uyghur genocide by weaving facts, history, and analysis into a narrative account of the week I spent in Xinjiang. I hope that my book can make this profoundly complex and multifaceted issue more accessible to the average person.