Here are 100 books that Art of the Korean Renaissance, 1400-1600 fans have personally recommended if you like
Art of the Korean Renaissance, 1400-1600.
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My kids tease me that I’m the family member (Nordic-European ancestry all the way) who first became fascinated with Korean culture despite their dad having been born in Busan. (Like me, my husband was raised on bologna and French’s mustard sandwiches, not bibimbap and kimchi). My research journey led me to travel to Korea multiple times. There, I discovered the remote island of Jindo, famous for delectable seaweed, the Jindo dog, a decisive battle in which Admiral Yi Sun-shin outwitted the Japanese, as well as a mysterious land bridge that parts the sea every year. I photographed the magnificent sunset overlooking Jindo and pictured my characters there.
I adore this Newbery Medal book and read it with my students often. I especially love this edition because it includes the author’s Newbery Medal acceptance speech. A Single Shardfeatures a plucky homeless orphan and the incorrigible master potter he yearns to emulate despite limitations placed on orphans by the remnants of Confucian philosophy and hierarchy. In addition to absorbing social customs of the Joseon era, readers will learn about the creation of celadon pottery that renowned Korean artisans have produced for centuries. A Single Shardis a beautiful novel I recommend for all ages.
Tree-ear is fascinated by the celedon ware created in the village of Ch’ulp’o. He is determined to prove himself to the master potter, Min—even if it means making a solitary journey to present Min’s work in the hope of a royal commission . . . or arriving at the royal court with nothing but a single celadon shard.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My kids tease me that I’m the family member (Nordic-European ancestry all the way) who first became fascinated with Korean culture despite their dad having been born in Busan. (Like me, my husband was raised on bologna and French’s mustard sandwiches, not bibimbap and kimchi). My research journey led me to travel to Korea multiple times. There, I discovered the remote island of Jindo, famous for delectable seaweed, the Jindo dog, a decisive battle in which Admiral Yi Sun-shin outwitted the Japanese, as well as a mysterious land bridge that parts the sea every year. I photographed the magnificent sunset overlooking Jindo and pictured my characters there.
If you want to learn about a time or a culture, I think an excellent way to start is to consult a primary source. Since I was setting my novel in the 16th century during the Japanese invasion of Korea, I wanted to learn as much as I could firsthand. This diary, written by Korea’s most famous admiral, is rich with cultural information and personal anecdotes. Admiral Yi Sun-Shin is a legendary war hero—brilliant, brave, and scrappy—whom Koreans compare to Admiral Nelson of the British Royal Navy. As I wrote my novel, I was inspired by the words of a man who accomplished greatness despite political intrigue and palace traitors, and who defeated a Japanese fleet that outnumbered his forces by 333 ships to 13.
This book is the English version of the Nanjung Ilgi, which recorded in detail the Japanese Invasion of Korea in 1592 from May of the year when the war started to the day before the official died in the battle of Noryang.
My kids tease me that I’m the family member (Nordic-European ancestry all the way) who first became fascinated with Korean culture despite their dad having been born in Busan. (Like me, my husband was raised on bologna and French’s mustard sandwiches, not bibimbap and kimchi). My research journey led me to travel to Korea multiple times. There, I discovered the remote island of Jindo, famous for delectable seaweed, the Jindo dog, a decisive battle in which Admiral Yi Sun-shin outwitted the Japanese, as well as a mysterious land bridge that parts the sea every year. I photographed the magnificent sunset overlooking Jindo and pictured my characters there.
Just as art offers invaluable insight into traditional culture, so does writing. Maybe I’m biased, but I think literature provides a more exact view than any other art form. I enjoy indulging myself in the mythology and poetry of this book, especially the poetry of the Joseon era.Early Korean Literature introduced me to the traditional poetic form called Sijo, which is both beautifully simple and incredibly complex. Some of my favorite examples of sijo McCann includes are from the famous kisaeng courtier Hwang Jin Yi. Her soulful poems so inspired me that I tried my hand at writing my own sijo—so much harder than it looks!—and included one in my novel.
Preeminent scholar and translator David R. McCann presents an anthology of his own translations of works ranging across the major genres and authors of Korean writing-stories, legends, poems, historical vignettes, and other works-and a set of critical essays on major themes. A brief history of traditional Korean literature orients the reader to the historical context of the writings, thus bringing into focus this rich literary tradition. The anthology of translations begins with the Samguk sagi, or History of the Three Kingdoms, written in 1145, and ends with "The Story of Master Ho," written in the late 1700s. Three exploratory essays…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
My kids tease me that I’m the family member (Nordic-European ancestry all the way) who first became fascinated with Korean culture despite their dad having been born in Busan. (Like me, my husband was raised on bologna and French’s mustard sandwiches, not bibimbap and kimchi). My research journey led me to travel to Korea multiple times. There, I discovered the remote island of Jindo, famous for delectable seaweed, the Jindo dog, a decisive battle in which Admiral Yi Sun-shin outwitted the Japanese, as well as a mysterious land bridge that parts the sea every year. I photographed the magnificent sunset overlooking Jindo and pictured my characters there.
Because I have a mudang(Korean shaman) in my novel, I wanted to research everything I could about the shamanic tradition. Among the many sources I read, this one stands out as both informative and approachable. Shamanism in Korea is an ancient religious form, yet the custom is still honored in modern Korea, and people consult mudangs for business or personal advice even today. Laurel Kendall, a cultural anthropologist, takes readers on a journey into the lives of these remarkable women as they consult with ghosts, dispatch malign spirits, and offer advice and comfort to families. I am a believer in the power of women, especially women who navigate a patriarchal society,
This exceptionally well-written book is good reading, not only for specialists but also for beginning students interested in women, Korean culture, and shamanism.
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
I didn’t even know that indentured servitude to the police could be a thing for young women. Sure, sure, we’re talking about another place, another era—1800s Korea—but the immediacy with which Hur tells this story puts it right there for me.
She weaves exacting detail and information throughout this gripping mystery: If the premise didn’t already hook me, I’d be pulled in by the way this mystery rapidly turns personal for Seol, our heroine.
I have a mouth, but I mustn't speak; Ears, but I mustn't hear; Eyes, but I mustn't see.
1800, Joseon (Korea). Homesick and orphaned sixteen-year-old Seol is living out the ancient curse: "May you live in interesting times." Indentured to the police bureau, she's been tasked with assisting a well-respected young inspector with the investigation into the politically-charged murder of a noblewoman.
As they delve deeper into the dead woman's secrets, Seol forms an unlikely bond of friendship with the inspector. But her loyalty is tested when he becomes the prime suspect, and Seol may be the only one capable…
I never wanted to have anything to do with money. I wanted to live a life of meaning in nature, of poetry, of spirit, and of relationship. The problem was that I couldn’t get anyone to pay me for it. My relationship with money from the very beginning was how can I accumulate it and manage it so I could deliver this life of freedom to myself in the shortest amount of time possible. In short, how could I “life plan” myself. I am the founder and thought leader of the life planning movement in financial advice now active in 30 cultures around the world with thousands of life planning practitioners.
Translated many times under different titles, this is my favorite edition, influencing my life planning journey. The text is an intermingling of Buddhist, Taoist, and Confucian thought.
Huanchu Daoren (who goes by various names) was a retired civil servant, as were many great philosophers and mystics in China. His book is written in brief paragraphs, each paragraph is a teaching of ethics or of spirit.
I carried a tiny version of the book that fit in the palm of my hand wherever I went for about ten years when I was going through the toughest time in my life just to give myself encouragement. Whenever I dipped into it, reading three or four sentences, I would feel as if there was something more profound than what I was going through.
The secrets of serenity and wisdom in a changing world can be found in these Taoist teachings, written during the late 16th century in the Ming dynasty. The author's reflections are an outgrowth of his upbringing in the science of neo-Confucianism, a lifelong career in public service, and his retirement at age 62 into Taoist apprenticeship.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I’ve long been interested in what different traditions have to say about how to live our best lives. While a graduate student, I naturally drifted towards studying both Stoicism and Buddhism and wrote my MA dissertation on a comparison of both (which ultimately, much later, became the basis for my book). During my time as a Ph.D. student, I was actively involved in the Modern Stoicism project. As well as running the blog for the project, I was also involved, along with a team of academics and psychotherapists, in creating adaptations of that ancient philosophy for the modern world. I also draw on both philosophies in coping with chronic illness.
This, the biography of a 14th-century Tibetan Buddhist master, might seem out of place for a list that is about modern-day adaptations of ancient philosophies. However, I wanted to include it as a reminder that while philosophical reform can be all well and good, sometimes the masters of yesteryear are those from whom we still have the most to learn.
I find this book magical: its lucid descriptions of the rich intellectual and spiritual tradition of 14th-century Tibetan culture, its monastic curriculum and debates, and the evident commitment to enlightenment among its many protagonists, all of these things have much to teach us moderns who might just have a tendency to get a little cute when we think that we know best.
The new standard work and definitive biography of Tsongkhapa, one of the principle founders of the Gelug school of Tibetan Buddhism--the school of the Dalai Lamas.
In this groundbreaking addition to the Lives of the Masters series, Thupten Jinpa, a scholar-practitioner and long-time translator for His Holiness the Dalai Lama, offers the most comprehensive portrait available of Jé Tsongkhapa (1357–1419), one of the greatest Buddhist teachers in history. A devout monastic, Tsongkhapa took on the difficult task of locating and studying all of the Indian Buddhist classics available in Tibet in his day. He went on to synthesize this knowledge…
I’ve been a street musician, set up kindergartens, worked in special needs education, and run wood-fired showers in a field for meditation retreats. I’m also associate professor of sociology at the National University of Ireland Maynooth. I became a Buddhist partly out of interest in a very different culture and started wondering how Buddhism got from Asia to the West. I think about this through my own experience of teaching meditation, being an activist for 35 years, living in five countries, and learning ten languages: what do you have to do to make an idea come alive in a different culture?
One of the first places I heard about Buddhism was through Allen Ginsberg, Jack Kerouac, and Gary Snyder. The joy of reading Kerouac has worn off a bit, but Snyder and Ginsberg have become lifetime companions and real sources of inspiration for me, not least in their engagement with Buddhism. This collection of poems, essays, letters, and other writings brings them together with a much wider range of writers – Diane di Prima and Philip Whalen, Anne Waldman and Kenneth Rexroth, William Burroughs and Lawrence Ferlinghetti – showing how the best minds of two generations heard, felt and responded to Buddhism in their many different ways. It’s a real treasure-house of words.
Essays, poems, photographs, and letters explore the link between Buddhism and the Beats--with previously unpublished material from several beat writers, including Jack Kerouac, Allen Ginsberg, Lawrence Ferlinghetti, Gary Snyder, and Diane diPrima.
I’ve been a street musician, set up kindergartens, worked in special needs education, and run wood-fired showers in a field for meditation retreats. I’m also associate professor of sociology at the National University of Ireland Maynooth. I became a Buddhist partly out of interest in a very different culture and started wondering how Buddhism got from Asia to the West. I think about this through my own experience of teaching meditation, being an activist for 35 years, living in five countries, and learning ten languages: what do you have to do to make an idea come alive in a different culture?
I read this book just before I started writing my own book on Buddhism and Ireland. It’s almost an adventure story: there’s Alexander the Great and Aesop’s Fables, Marco Polo and Theosophist fantasies, Christian missionaries to Asia and Buddhist missionaries to the West, Asian immigrants in America, and British spies in Tibet, the Dalai Lama, and today’s western Buddhists. Sutin tells this whole complicated, rambling yarn in an easy-going and enjoyable way, making the book a real pleasure to read.
The modern-day creation of a distinctly Western Buddhism is arguably the most significant spiritual development of our time. Few realize, however, that the complicated dance between Western and Eastern religions has gone on for more than two millennia. ALL IS CHANGE is the definitive account of the two-thousand year transmission of Buddhism to the West. From the early exchanges between the Classical Greeks and the Buddhists of India to the encounters between Buddhist and Christian traders and missionaries in China to the influence of Buddhism on Western philosophers and the current fascination with the Dalai Lama, this is a riveting…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve been a street musician, set up kindergartens, worked in special needs education, and run wood-fired showers in a field for meditation retreats. I’m also associate professor of sociology at the National University of Ireland Maynooth. I became a Buddhist partly out of interest in a very different culture and started wondering how Buddhism got from Asia to the West. I think about this through my own experience of teaching meditation, being an activist for 35 years, living in five countries, and learning ten languages: what do you have to do to make an idea come alive in a different culture?
I love this warm-hearted and rich account of the first Americans to become Buddhist: the romantics who fell in love with Asian cultures, the rationalists who thought of Buddhism as a science or philosophy of human existence, and the esotericists who sought magical powers and powerful initiations. From Lafcadio Hearn’s celebration of “old Japan” to Countess Canavarro who set up a nun’s order in Sri Lanka, via Theosophists, vegetarians, and atheists, this book is a fantastic collection of people’s lives which were both transformed by meeting Buddhism and yet remained distinctively American even in their new form.
This work examines 19th-century America's encounter with one of the world's major religions. Exploring the debates about Buddhism that followed upon its introduction to the USA, the author shows what happened when the transplanted religious movement came into contact with America's established culture and fundamentally different Protestant tradition. The text, first published in 1992, traces the efforts of various American interpreters to make sense of Buddhism in Western terms. Tweed demonstrates that while many of those interested in Buddhism considered themselves dissenters from American culture, they did not abandon some of the basic values they shared with their fellow Victorians.…
