31 Books Like Art Deco Complete

I can’t help myself—I’m an author: I love an elegantly structured novel.

Ariel Lawhon’s novel is so entertaining and so well-paced that it was easy to lose myself in it. It all starts with the 1930 disappearance of Justice Joseph Crater.

Then we get chapters told from the points of view of his wife, maid, and mistress, with the chapters alternating and dovetailing in such a way as to provide a fascinating peek into the lives of the characters who revolve around the judge.

When I reached the final chapter, I felt like a big Rubik’s cube had clicked into place. 

I just love how this book looks, first of all. It has an elegant, art deco, classy vibe that really sets the mood, and your mood is an important part of enjoying a good cocktail, or any drink for that matter.

There are some cocktails in here I know I'll never make, I'm not going to mix up my own bone tincture, but that doesn't matter. This isn't so much a recipe book for the home mixologist as it is a coffee-table collection of inspiring drinks.

When I leaf through the pages and look at all the gorgeous photographs, it sets me dreaming of which bars I want to visit next. That being said, it still features plenty of cocktails I'll want to whip up the next time I have guests over.

While most of my professional drinking involves bourbon, my favorite change-of-pace cocktail is the martini. Lavishly illustrated, the book caught my eye when it was first published more than a quarter-century ago. Also, I had to own a book whose author had the splendidly Wodehousian name, Barnaby Conrad, III. Herein you’ll find photos and quotations of famous martini drinkers, both real and fictional, from Franklin Roosevelt and Dorothy Parker to James Bond and Nick and Nora Charles. Alas, it was published too soon to cite the wonderful scene in the film “Carol” when Cate Blanchett orders “a dry martini with an olive” at lunch. An illustration of two 1930s screen beauties pouring martinis from an Art Deco shaker inspired me to track down an identical specimen at an antiques mall. 

In 1929, Bernardine Szold Fritz, age 33, accepted a proposal of marriage that brought her to Shanghai. From the very beginning, I was intrigued. Why would a single Jewish woman hop a train to China to be with a fourth husband, a man she met briefly in Paris? While the marriage is a disappointment, Art Deco Shanghai is not. 

Like other Jewish women before her, she started a salon in her home and an International Arts Theater that saw the likes of Hollywood luminaries and famous names in the arts and politics. I was mesmerized by how Bernardine’s commitment to intellectual pursuits defied the fragile political situation that existed in Shanghai through the civil wars and the time period leading up to World War II. She brought creativity and joy to a city that would soon change forever.

Dover (one of my favourite publishers) has the knack of knowing good art when they see it. This is one of my favourite books, slimline though it happens to be - showing the genius imagination, and fashion illustration, of “RT (his real initials)” at its most luscious. 

We’re treated to: the alphabet; numbers; playing cards; gems; and The Seasons - albeit, not in the forms you might think - but in the glorious, arresting, Art-Nouveau style that was Erte’s trademark. A feast for the eyes, and above all - just the sort of fun we need, to motivate us, in this day and age!

I repost art that catches my eye. I click when I see a piece of Egon Schiele on social media. It’s impossible to look away, which is saying something, considering the variety and audacity of modern art. Born in Tulln, Austria, in 1890, Schiele died of the Spanish Flu in 1918 at only 27.

A student of Gustav Klimt, Schiele’s art is expressionistic, graphic, and transformative. His imagination is a slap in the face, a Munch “Scream” of a crime scene photograph. Steiner has done a great service in producing this art book, in which all of Schiele’s work is reproduced in color. His commentary is, at the same time, chronological and thematic. Schiele survived derisive criticism and prison, and although his life was short, his imaginative punches still landed.

Mario Praz’s Illustrated History of Interior Decoration is a wonderful chatty collection of case studies that explores the history of the subject in a well-informed and erudite manner. Interiors are generally lost to the mists of time, remembered only as the backdrop to other activities in paintings and prints, Praz has searched out the best of these to generously illustrate the book.

This bejeweled guide to Fin de Siècle art and aesthetics is like a moonlit walk in one of King Ludwig II fairytale castles, populated by androgynous chimeras, drowned princes, and erotic vampires carrying John the Baptist’s head on a platter designed by Moreau. As fabulous and tragic as the author, whose drag mode was that of a convincing English Spinster, Philipe Jullian was born to write this book which has influenced my work since I bought it aged 18, with not a clue about life. For over 40 years I have endeavored to keep a torch burning for the extraordinary decorative aesthetics of the author. Few books are as complete as Dreamers of Decadence for not only does Jullian explore the artists of that curious oeuvre, he also introduces the best of the literature as well as the movement’s strange obsessions and themes, each chapter revealing new facets of the… show more.

Hazan knows every nook and cranny of his city. He exults in the buildings and architecture, but his main subject is the people who wove the fabric of its diverse communities and their histories. He takes us on a historical journey that passes from the salons of the old aristocracy to the artisanal districts where popular, revolutionary activism was born. Hazan makes no attempt to conceal his left-wing sympathies, but he is equally at home admiring the Art Nouveau gems of the well-heeled 16th arrondissement as he is enjoying the vibrant, ethnically diverse northern districts of the city. Hazan’s love of the human life of Paris shines through.

The Romantic painters of the early 19th century were intrigued with notions of the sublime, the Absolute, and the unity and divinity of all nature. After the mid-1880s the focus of the avant-garde painters became energized by the quest to escape the bounds of “materialism” (an umbrella term by which they meant positivism, the mechanistic worldview of Newtonian physics, as well as the destructive effects of industrialism). Lynn Gamwell illuminates the fascination many of the modern artists felt for various scientific discoveries in various decades. For instance, the first exhibition of x-rays by the Berlin Physical Society in 1896 was hailed by the artists as proof that an invisible structure underlies every surface, just as Theosophy asserts! Exploring the Invisible is subtle, thorough, and insightful engagement with this rich interplay.