100 Books Like Archipelago

In the ’70s through the early ’90s, Hawaiʻi went through massive social change.

There was a growing consciousness of the manipulation and exploitation that had accompanied Hawaiʻi’s colonization. With that came a collective desire to right the wrongs of history.

Trask describes the institutional racism, discrimination, and closed doors she faced as she attempted to forge a path for Native Hawaiian studies at the University of Hawaiʻi while participating in a growing movement against continued occupation. 

While working on my book, some suggested I soften the political thread woven within the story. It was Trask’s essay “Lovely Hula Hands” (a chapter of From a Native Daughter) that encouraged me to stay true to the portrayal of Hawaiʻi that countered the unflawed, pristine playground image sold to tourists.

Written at a time when Hawai’i’s history was still being glossed over, Trask’s interviews and essays provide an unapologetic perspective and… show more.

This is a spectacular and detailed book—think city as island—that can engross you over and over again. Simone, development activist and scholar, carries us into four African cities and shares the grassroots efforts of people coming together to create systems of trust for economic exchange and meeting social needs—without or outside the state and capital. It is the potential for alternatives that makes this book so attractive to me and inspired my own work on convivial economics. Simone helps us to see that new ways of being and acting collaboratively can spring up and offer a blueprint for how we can move forward in solidarity.

This novel is both sexy and chilling. It is the journey of a young woman, about her lovers, the intimacy of friendship, and her alluring social life in Havana, Cuba. With each page you sip the intensity of youth and political drama on the island. After traveling to Cuba to protest the US embargo in the 1990s and living for so many years in Miami with friends in the Cuban diaspora, Cuban's transnational socio-cultural complex frames how I think about islands. I relish how Portela writes, she is the friend who coaxes you out, keeps you up all night, with the promises of thrill, excitement, and a bit of danger. 

Hinds' mesmerizing paintings set the scene for a beautiful graphic rendition of The Odyssey. Anyone who has moved or travelled a lot, or seems to not be able to find a way home, can appreciate the story of Odysseus. I read this book many times with my two (once) young children, hopefully preparing them for a life of travel and living in Greece with their wanderer, researcher mom. For us Greek mythology is not for learning a "western" canon, which was never defined by ethnic Greeks anyway. We read the Odyssey to appreciate our roots in Greek island cultures and the hospitality they offer, which this lovely version makes palpable.

Rita knew her marriage was struggling, but was shocked and hurt when her husband asked for a two-month break to see other people. But she agreed, and saw as many people as she could. She saw shoppers bustling through outdoor markets, past vendors hawking tropical fruits and mountains of spices. She saw children playing in hillside villages. She saw kindred spirits, traveling with no plan other than to experience the world.

Rita became a nomad with few possessions, but countless experiences. As I read Rita’s memoir, I found myself nodding in understanding as she described her infinite curiosity, and her fascination with beautiful places, and myriad ways of life. As Rita’s marriage ended, she discovered there’s more than one way to have passion in your life.

I can barely remember when, as a child in the mid-1960s, I met a young couple of biologists who had just spent a year living in a tiny camp among the seabirds of Galapagos, devoid of contact with the outside world. Part diary, part behavioral field notes, Bryan’s enduring book, Galapagos, Islands of Birds has just been rewritten and expanded into a brand-new edition by his widow, over 50 years later — a charming and timeless volume.

Many people don't realise that the Galápagos Islands are inhabited. Settlers began to arrive in the middle of the 20th century. Before that, there were pirates, convicts, and oddballs, then pioneers from Europe.

In the 1930s five brothers, the Angermeyers, arrived, fleeing Hitler's Germany. I met Johanna Angermeyer, whose father was one of those brothers. Little did I know the amazing story behind how she got there. Johanna grew up in California, her mother once married to an Ecuadorian pilot. He died in a plane crash, then she had a romance with one of the brothers in Quito, but he died too.

She decided to visit the Galápagos Islands with her mother. They stayed, living a Robinson Crusoe life. Her story tells how hard it was. Later, Johanna met a British sailor and decided to settle. He was crew on the first sailing boats that took tourists around the enchanted… show more.

I’m fairly certain that in this book, Vonnegut incites an apocalypse on humanity in order to prove that human beings are worth saving—and I’m so here for it. He didn’t hold back on who would live and who would die, on what would happen to humanity. And yet, I was enthralled with the interiority and struggles of each and every character—even those that were doomed.

I particularly love non-linear storytelling because it gives us glimpses into the future, only to make us ask questions about ourselves in the present. Getting to the end only made me want to start back at the beginning so I could linger a bit longer with humanity on the brink.

Almost one hundred years ago an extraordinary naturalist explored Galapagos for a few short weeks. The big surprise for me was that both his candid writing style and his boundless enthusiasm made me feel as though I was seamlessly transported into a Galapagos of yesteryear, when hardly anybody lived here. His exceptional eye for detailed observation may have surpassed even Darwin’s. His ability to convey his constant sense of wonder and discovery makes this book as fresh today as ever, except that some of the scenes he so vividly described are no more — succumbed to modern human activity in Galapagos — like being intimidated during his pioneering dives not by the masses of sharks, but by the toothy giant groupers that shadowed him at close range.

We have focused our recommendations on Melville’s (and other people’s) takes on Polynesian islands, but Melville also wrote about another crucial Pacific archipelago, the Galápagos Islands. His collection of sketches, “The Encantadas,” explores a very different world from Nukuhiva, Maui, or Tahiti, one nearly empty of human inhabitants, given over to birds, tortoises, iguanas, and insects. Yet here as elsewhere, Melville finds plenty to satisfy his “itch for things remote.” And here as elsewhere he meditates on human nature: the misfits, petty tyrants, and exiles who might find a home in such a forbidding place. If you think of Melville as an entertaining chronicler of the Pacific world, you will find much in that vein here—but also philosophy, history, and a sort of melancholy romance.