Here are 100 books that Any Old Way You Choose It fans have personally recommended if you like
Any Old Way You Choose It.
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I was born in 1970. From my earliest memory there was music. But it’s never been just about the music, I have a natural curiosity for the people who make that music. The artist on the album cover, but also the side musicians, the producers, engineers, and promoters. I’m also fascinated by the roadmap from blues to rock to Laurel Canyon to disco to punk and on and on. Real music infuses and informs the fiction I write — by reading real-life accounts and listening to the songs, I’m put in the world from which it was all born.
I love the idea of taking a very specific time period, in this case one year, and parsing out what happened within an art form. The evolution of pop music in 1971 was changing both the industry and the world. Throughout 12 months, we see the same characters weaving in and out — Carol King, Van Morrison, Marc Bolan, David Bowie, Joni Mitchell, Mick Jagger — and the way they came together and pushed apart is its own year-long miniseries. To get at how art and industry cohabitate, and how we got to the pop culture machine we know today, there is no better crash course than 1971.
The basis for the new hit documentary 1971: The Year That Music Changed Everything, now streaming on Apple TV+.
A rollicking look at 1971, rock’s golden year, the year that saw the release of the indelible recordings of Led Zeppelin, David Bowie, the Who, Rod Stewart, Carole King, the Rolling Stones, and others and produced more classics than any other year in rock history
The Sixties ended a year late. On New Year’s Eve 1970 Paul McCartney instructed his lawyers to issue the writ at the High Court in London that effectively ended the Beatles. You might say this was…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Popular music in all its shapes and forms has permeated my life since my pre-teen years and has remained both an intimate and professional preoccupation of mine throughout my life, even when I was doing other things professionally. Books dealing with all aspects of music, from artist biographies to its cultural and social examinations have been and remain that essential element that both fuel and satisfy that interest and give it that expanded feature it needs. As somebody who has a degree in journalism and had careers as a journalist, diplomat, and a translator, and now as a freelance writer, music and books on music remain that thread that connects them all.
Late Lester Bangs is probably the first name that comes to my mind when piercing, observant rock criticism is concerned, but it seems his books are currently collecting dust somewhere, even though they have not lost any of their relevance.
He is also one of the authors that not only shaped my personal views on music, but also the style of writing I’m trying to pursue.
Before his untimely death in 1982, Lester Bangs was inarguably the most influential critic of rock and roll. Writing in hyper-intelligent Benzedrine prose that calls to mind Jack Kerouac and Hunter S. Thompson, he eschewed all conventional thinking as he discussed everything from Black Sabbath being the first truly Catholic band to Anne Murray’s smoldering sexuality. In Mainlines, Blood Feasts, Bad Taste fellow rock critic John Morthland has compiled a companion volume to Psychotic Reactions and Carburetor Dung, the first, now classic collection of Bangs’s work. Here are excerpts from an autobiographical piece Bangs wrote as a teenager, travel essays,…
Popular music in all its shapes and forms has permeated my life since my pre-teen years and has remained both an intimate and professional preoccupation of mine throughout my life, even when I was doing other things professionally. Books dealing with all aspects of music, from artist biographies to its cultural and social examinations have been and remain that essential element that both fuel and satisfy that interest and give it that expanded feature it needs. As somebody who has a degree in journalism and had careers as a journalist, diplomat, and a translator, and now as a freelance writer, music and books on music remain that thread that connects them all.
Greil Marcus is one of those authors that does not only look at music as an isolated phenomenon, but also details its cultural, social as well as political background. In Invisible Republic he covers the phenomenon of Bob Dylan’s Basement Tapes, both from their musical but also cultural aspects.
Focuses on the production of the Basement Tapes, the suppressed recordings made by Bob Dylan and The Band in 1967 in Big Pink, Woodstock. This book returns to the folk/mythological preoccupations of Greil Marcus's "Mystery Train: Images of America in Rock 'n' Roll Music".
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Popular music in all its shapes and forms has permeated my life since my pre-teen years and has remained both an intimate and professional preoccupation of mine throughout my life, even when I was doing other things professionally. Books dealing with all aspects of music, from artist biographies to its cultural and social examinations have been and remain that essential element that both fuel and satisfy that interest and give it that expanded feature it needs. As somebody who has a degree in journalism and had careers as a journalist, diplomat, and a translator, and now as a freelance writer, music and books on music remain that thread that connects them all.
Scottish author Cosgrove wrote probably the ultimate trilogy of books covering the 1967-69 period of soul music, of which the ‘68’ tome dealing with the Memphis sound and southern soul is one. Cosgrove is another author that looks at all the cultural and social aspects of music with an easy and understandable writing style that keeps you turning the pages with ease.
In the 1950s and 1960s, Memphis, Tennessee, was the launch pad of musical pioneers such as Aretha Franklin, Elvis Presley, Johnny Cash, Al Green and Isaac Hayes, and by 1968 was a city synonymous with soul music. It was a deeply segregated city, ill at ease with the modern world and yet to adjust to the era of civil rights and racial integration. Stax Records offered an escape from the turmoil of the real world for many soul and blues musicians, with much of the music created there becoming the soundtrack to…
I am an author, film composer, guitarist, multimedia artist, and perfumer. As a music journalist, I’ve written extensively for many major U.S. and international guitar publications before launching the website, The Guitar. My music has been featured on National Public Radio and worldwide at major U.S. and international art and design museum festivals. Part of being a writer is about expressing one’s curiosity through constant delving and engaging in the ongoing process of discovery. What compels me is the attempt to understand the inspiration that drives an artist to create a distinctively beautiful melody, fragrance, or artwork—one that grabs your attention with a mesmerizing, transfixing, and soulful quality.
Gary Lucas is best known for his guitar wizardry in Captain Beefheart and for his dazzling guitar riffs that create the spine for Jeff Buckley’s hits, “Grace” and “Mojo Pin,” but I know him personally as an intelligent, highly-observant raconteur who has a mordant way of conveying the absurdity that exists within the music business. He deftly captures the lifeblood and pulse that comes with writing, collaborating creating music, which, itself, is always the joy. Touched by Grace offers a glimpse into his unforgettable collaboration with the charismatic singer Jeff Buckley in his band Gods & Monsters, from their first performance together in 1991 on through the stunning news of the singer’s tragic drowning in Memphis in 1997.
We're going to do this tribute in St Ann's Church in Brooklyn - a wonderful space. Oh, by the way, we've been contacted by Tim Buckley's son, Jeff. Touched By Grace is an up-close-and-personal account by the legendary guitarist and songwriter Gary Lucas of the time he spent with his friend and collaborator, Jeff Buckley, during Jeff's early days in New York City. It describes their magical performance together at the Greetings From Tim Buckley concert at the Church of St Ann in 1991 - the event that first introduced Jeff to the world at large; the creation of their…
My earliest filmgoing memory is of a bad guy getting pushed down the stairs in Alfred Hitchcock's The Man Who Knew Too Much. That shocking scene has stayed with me, leading me into a lifetime of exploring the dark visions of crime stories. It was only natural that my love of rock music, and in its interaction with other media would draw me to mystery writers whose books were fueled by their love of rock, blues and pop. "If not for music and movies, I wouldn't be a novelist," George Pelecanos once told me. "They have influenced me more than any author. I want to shout about it." Me too.
A lot of people know George Pelecanos from his work as a TV writer, but long before he contributed to The Wire and The Deuce, he was turning out great mysteries, most of them set in his hometown of Washington, D.C. These are smart, sociological thrillers that teach you a lot about life on the city's mean streets. What sets books like King Suckerman apart for me is how much they teach you about the way popular music—heard from car radios, boom boxes, and record store systems—defines people's lives. For me, one of the book's many highlights is a fierce exchange between a guy who, based on Jimi Hendrix's funky playing in Band of Gypsys thinks the guitarist should be filed under soul rather than rock because that was the direction he was going and a friend who responds, "What you think you are, man, the Amazing Kreskin... gonna…
While out looking to buy drugs, small-time dealer Dimitri Karras and his friend, record-store owner Marcus Clay, stumble into a big deal gone bad, acquire some cash that is not theirs, and become players in a savage game of cross and double-cross.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
A controversial book amongst Deadheads as Selvin takes a critical and insightful look at the machinations of the post-Garcia band and things don’t always come up smelling roses. Selvin’s not a card-carrying member of the Dead Fanclub – but he can write superbly and has dug very deep and uncovered all sorts of fascinating maneuvering and powerplays between the key participants in the band. It’s not always pretty but it’s certainly fascinating. If you don’t want to know then maybe look away.
A tell-all biography of the epic in-fighting of the Grateful Dead in the years following band leader Jerry Garcia's death in 1995The Grateful Dead rose to greatness under the inspired leadership of guitarist Jerry Garcia, but the band very nearly died along with him. When Garcia passed away suddenly in August of 1995, the remaining band members experienced full crises of confidence and identity. So long defined by Garcia's vision for the group, the surviving 'Core Four,' as they came to be called, were reduced to conflicting agendas, strained relationships, and catastrophic business decisions that would leave the iconic band…
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
This is a big, sprawling biography of the heart and soul of The Grateful Dead - guitarist, songwriter, and troubled musical genius Jerry Garcia. Jackson did his research, interviewing over a hundred people including Garcia, his friends, lovers, and bandmates. Plus he went through thousands of source material documents and probably listened to thousands of concert tapes and recordings. He knows the Dead. He loves the Dead. And he captures the essence of Garcia superbly. It’s been called a definitive portrait and it is.
Examines the life and times of Jerry Garcia, capturing the psychedelic world of the musician and songwriter, his relationship with members of the Grateful Dead, his battle with drug addiction, and his lasting influence on popular music.
Rock music has been in my blood and my soul for as long as I can remember. I’ve recorded two albums, "Twice Upon a Rhyme" (1972) and "Welcome Up: Songs of Space and Time" (2020). My most recent novel is It’s Real Life. I’m also Professor of Communication and Media Studies at Fordham University, and my students will tell you that from time to time, I’ll sing a bar or two from a song in my class. A book about music is always a hard-to-resist temptation.
I was a devoted fan of Bob Shannon on WCBS-FM Radio in New York City for decades. He was right up there with Alan Freed and Murray the K.
And he wrote Behind the Hits back in the 1980s, a gift to the future, including me, a gift to anyone who wants to know more about a song that they danced to as a kid, or found themselves humming or singing to themself or someone else on a moonlit summer night.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Hi, my name is Nick, and I’m a recovering rockist. I’ve collected records and vintage gear; I’ve owned Ray Coleman biographies. I’ve played in garage bands that did terrible punk-rock covers of songs like Cream’s “Sunshine of Your Love.” I even used to subscribe to Rolling Stone magazine. And most embarrassingly, I believed in the power of rock – to effect political change, to free people’s bodies and minds. But if once I was a true believer, today I’ve become a rock ’n’ roll skeptic. And I hope that this list might help you rethink everything you thought you knew about rock, too.
A provocative pre-history of rock music, written to provoke. (Don’t hold your breath waiting for John, Paul, George, and Ringo to show up.)
Wald crafts a fascinating alternative history of commercial popular music in the first half of the twentieth century, asking readers to focus not on big names or influential records but on the everyday practices, technologies, and contexts through which musicians and listeners actually experienced the music. Avoid if you don’t want to see a few sacred cows slaughtered.
"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hiphop. As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and technologies-including…
