100 Books Like Anabasis

I love how thorough this book is–it is full of fantastic examples covering all sorts of aspects of ancient Greek warfare. What causes ancient Greek wars? Who fights? How do they prepare? What happens? There are so many interesting questions.

This book, by one of the world’s leading experts, offers many thoughtful answers drawn from ancient literature, archaeology, and iconography–pottery, stone carvings, statues, and statuettes. I come back to this readable, informative book again and again.

This book is a graphic novel re-telling of The Iliad from Ares’ perspective. It looks amazing and it’s an absolute blast. I really enjoy the attention to detail in the illustrations, which look very dynamic and are full of information drawn from decent sources.

The storytelling is very sophisticated, so while Ares is the focal point, we move around the Trojan War and see it from different perspectives, divine and human. It is simply a great retelling of the Trojan War story with as much blood, glory, and tragedy as anyone could ask for.

This is a super useful book that really gets into the practical realities of ancient Greek land warfare. With contributions from many noted experts, this book examines the weapons used in classical Greek battles and the contribution of the instruments used for signaling.

There’s a chapter on techniques for identifying battle dead, which is very niche but very interesting. I particularly like the chapter by Michael H. Jameson on sacrifice before battle; this is probably the best treatment available on this subject, and it gives so much insight into the world of classical Greek warfare.

I love this unusual and thoughtful book. It looks not at the realities and practicalities of ancient warfare but at how different societies have made use of the striking, impressive, sometimes pitiable spectacle of ancient war.

Roman poets wrote about the last moments of dying warriors, and ancient Greeks conjured up images of the battlefield in song and dance. War as Spectacle also makes space for thinking about how and why later eras refer back to ancient wars, be it the military dictators of modern Greece or the monument-makers of the USA. This work is a rich cultural experience across space and time.  

The book starts off with the hero, Arimnestos of Platea, as the son of a farmer and ends with him, a cold-blooded and rational killer of men, proven in battle and with a terrible revenge yet to be taken. On one level, I found it to be a strong story taken from Greek history at the time of the Persian invasion, but I also marveled at the strength of Cameron’s characterization, his deeply detailed descriptions of war and battles, and most of all the undeniable fact that his re-enactment interest means that he knows just what it’s like to fight to the point of exhaustion in bronze armor or in a Greek phalanx.

By the end of this book, there was no choice. I was straight into the next, and this series is perhaps the strongest I’ve ever read on war in the ancient world, taking in Marathon, the naval… show more.

Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.

Williams was one of the most creative and engaging moral philosophers of the 20th century. He was a student at Oxford of E.R. Dodds. While Dodds reminded his readers of how strange the Greeks are to us, in terms of their religious practices, Williams reminds us that the Greeks are also very like us in the moral problems they confronted. Rejecting the idea that modern people have given up on “shame” in favor of “guilt,” Williams showed that we still share the same concerns as the conflicted characters of Greek tragedy – like them, for good and for ill, we gain our sense of ourselves and our moral worth from the reactions of the those around us. 

Not – repeat not – because I am its editor and wrote more than half of it but mainly because this is I believe the one-volume, one-stop-shop book to have on your shelves or digitally on your computer if you want to gain something like a complete understanding and appreciation of the world or rather worlds of Ancient Greece. I can do no better than quote from the ‘blurb’ provided online by the C.U.P. itself.

It is sumptuously illustrated throughout, almost entirely in colour. It offers fresh interpretations of the whole range of ‘Classical’ Greek culture, different aspects of which are expertly handled by members of an international cast of top-notch scholars both male and female. These aspects include: the influences of the environment and economy; the effects of interstate tensions; the implications of (bi-, homo-, hetero-normative) sexuality; the experiences of workers, soldiers, slaves, peasants and women; and the roles… show more.

Closely related to my love for history is my love of mythology—the boundary between the two is porous. This book started that love. There have been many books published that present the Greek myths to children, and this book is not considered one of the classics, but because it was my favorite book when I was six, I have never found another version better. I love the illustrations and how stylized they are. They capture the myths’ mystique, yet you can always see the human. I was clutching this book in the back seat of my family’s car when my mom announced that we would be getting a baby brother. As I was reading about Jason and the Golden Fleece, I suggested Jason as a name. It stuck!

I read this years ago; it's one of the reasons I began writing historical romance novels. It's the story of Aspasia, a woman in ancient Greece. She's educated in a selective school for courtesans, beautiful, groomed for pleasure, and bought by a Persian man who comes seeking a courtesan from this famous establishment. He takes Aspasia back to Persia. Eventually, she is freed and returns to Athens, where she meets Pericles. Inspired in part by his love of Aspasia, Pericles initiated the building of the famous Acropolis in ancient Greece. 

I was fortunate to visit Athens after reading Glory and the Lightning, and standing on the Acropolis, I found myself thinking of Pericles and Aspasia, real people who lived and loved over 2,000 years ago. (And yes, I may have gotten a lump in my throat and one or two tears threatened.)