Here are 90 books that An Underground Guide to Sewers fans have personally recommended if you like
An Underground Guide to Sewers.
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I've been obsessed with the material aspects of places - and the infrastructures that make them work - since I was a really young boy! (I remember, aged around 7, sitting on a bridge over the M6 motorway near Preston watching the traffic). This obsession was channeled into studying Geography, becoming a qualified urban planner, and completing a Ph.D. on how digital technologies effect urban life. A preoccupation with the subterranean realms of cities is also long-standing; it drove the 'Below' parts of my 2016 book Vertical: The City From Satellites to Bunkers. (I must admit I suffer from both claustropobia and vertigo! So, sadly, a lot of my work is necessarily desk-based!)
This book was pivotal in sparking my fascination for the secretive and mysterious worlds beneath cities.
It is the definitive guide to the vast assemblage of underground spaces, infrastructures, and nooks and crannies beneath the streets of London.
The coverage of the book is remarkable and will really help readers that are new to the theme to appreciate the huge range of spaces and infrastructures that lurk hidden far beneath London’s streets.
The book opened my eyes to culverted and hidden rivers; to sewers, water, and hydraulic pipes and tunnels under the Thames; and to underground transport systems, hidden power and communications grids, and labyrinths of bunkers.
Most important for me were the book’s amazing array of maps, lithographs, and photographs.
A revised edition of a guide covering the latest underground developments in London, such as the substation beneath Leicester Square, underground railways and glass fibre communication together with a gazetteer of places open to the public.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
I enjoy Ackroyd's novels as well as his biographies, the former almost always being set in London which he, as a noted flaneur, loves. London Under is not fiction, though it often references the literature and mythologies which have grown up around certain places and landmarks within London, from its earliest incarnation before it was even a city to the present day. Ackroyd chronicles how the London of one time reappears and impacts upon the London of another time, one stratum intruding upon another and shows how the world below mirrors and reflects the world above. This is not unlike how I wanted the clandestine and criminal world to mirror and reflect the above ground and above-board world in my novel Plague.
In this vividly descriptive short study, Peter Ackroyd tunnels down through the geological layers of London, meeting the creatures that dwell in darkness and excavating the lore and mythology beneath the surface.
There is a Bronze Age trackway below the Isle of Dogs, Anglo-Saxon graves rest under St. Pauls, and the monastery of Whitefriars lies beneath Fleet Street. To go under London is to penetrate history, and Ackroyd's book is filled with the stories unique to this underworld: the hydraulic device used to lower bodies into the catacombs in Kensal Green cemetery; the door in the plinth of the statue…
I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
OK, this isn't focused on the subterranean, but it does touch frequently upon underpasses and tunnels and is a personal journey, passing through the parts of London where the 'Ginger Line' - the London Overground railway - runs. Sinclair uses his experiences to illuminate the changing city, a jumping-off point for explorations of places, their past, and present. His journey is bound up with writers and artists of all kinds. He, like Ackroyd, has an eye for the bizarre, but Sinclair has a sense of danger, real and modern, while Ackroyd summons the haunting past.
Iain Sinclair explores modern London through a day's hike around the London Overground route.
Echoing his journey in London Orbital over a decade ago, Iain Sinclair narrates his second circular walk around the capital. Shortly after rush-hour and accompanied by a rambling companion, Sinclair begins walking along London's Overground network, or, 'Ginger Line'. With characteristic playfulness, detours into folk history, withering assessments of the political classes and a joyful allegiance to the ordinary oddball, Sinclair guides us on a tour of London's trendiest new transport network - and shows the shifting, changing city from new and surprising angles.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
The System is the third book in the Baroque Cycle which begins with Quicksilver and continues with The Confusion. The whole Cycle is a rip-roaring, wildly inventive, and massively ambitious saga, ranging from the mid-seventeenth to the early eighteenth century, spanning the globe and casting an amazing set of characters from Leibnitz and Newton, to King George, Thomas Newcomen and William Teach the pirate. It's astonishing and has some of the best subterranean London episodes I've ever read, including an escape from Newgate Prison which takes in the Bank of England, a Roman Temple, and a medieval privy. Read all three books and hang on to your hats, it's a thrilling ride.
Neal Stephenson follows his highly-praised historical novels, Quicksilver and The Confusion, with the extraordinary third and final volume of the Baroque Cycle.
The year is 1714. Daniel Waterhouse has returned to England, where he joins forces with his friend Isaac Newton to hunt down a shadowy group attempting to blow up Natural Philosophers with 'Infernal Devices' - time bombs. As Daniel and Newton conspire, an increasingly vicious struggle is waged for England's Crown: who will take control when the ailing queen dies?
Tories and Whigs clash as one faction jockeys to replace Queen Anne with 'The Pretender' James Stuart, and…
I fell in love with the Arcata Marsh and Wildlife Sanctuary thirty years ago, when I first moved to town. At the time, I was working as a field biologist, and I loved to hang out at the marsh and birdwatch—I’d see everything from pelicans to peregrine falcons. Later I shifted from field biology to science writing, and some of my first articles were about how the Arcata Marsh serves both as a wildlife habitat and a means of treating the city’s sewage. I learned about the grassroots movement that created the marsh, and the global history of wetlands loss. I’ve been hooked on wetlands ever since.
While researching my book, I learned about the sewers of Victorian London. The hideous load of pollution they carried stank unbearably, caused epidemics, and later inspired the invention of modern sewage treatment. This mystery novel takes us into the dank hell of those sewers. A fictional war veteran named William May roams this subterranean world as a surveyor for engineer Joseph Bazalgette, a real-life figure responsible for redesigning London’s sewer system and saving thousands of lives. Reading this novel is as close as one can get to that time and place.
A mystery that offers “a gripping and richly atmospheric glimpse into the literal underworld of Victorian England—the labyrinthine London sewer system” (Publishers Weekly, starred review).
Clare Clark’s critically acclaimed The Great Stink “reeks of talent” as it vividly brings to life the dark and mysterious underworld of Victorian London (The Washington Post Book World). Set in 1855, it tells the story of William May, an engineer who has returned home to London from the horrors of the Crimean War. When he secures a job transforming the city’s sewer system, he believes that he will be able to find salvation in…
I’m fascinated by the mind-body-spirit’s impact on our human experience. Especially the aspect of mind, because deep within us resides the shadow-self described by Carl Jung. Most of us spend our lives hiding this part, but it’s there, waiting to pounce. These are the stories I tell, and with my background in Health and Wellness and in Creative Writing, I write paranormal, supernatural, and horror stories containing the simple truths about our human experience. All are designed to bring out the shadow lurking within and expose it to the light. As a counterpoint to these dark tales, I write evocative poetry, uplifting children’s stories, and some educational books with my writing partner, Derek R. King.
First of all, Drood is a fantastic trip into the macabre. And, because I love to weave actual truths into my stories, either real-life experiences or real encounters, I am fascinated that Simmons based his novel on the last five years of Charles Dickens's life. Whether this is entirely speculation or otherwise, this novel draws on the character found in Dickens's last and unfinished novel, The Mystery of Edwin Drood. Simmons does precisely what I hope to do with my stories; draw the reader into my world and leave them wondering what parts were based on unexpected truths.
On June 9, 1865, while traveling by train to London with his secret mistress, 53-year-old Charles Dickens--at the height of his powers and popularity, the most famous and successful novelist in the world and perhaps in the history of the world--hurtled into a disaster that changed his life forever. Did Dickens begin living a dark double life after the accident? Were his nightly forays into the worst slums of London and his deepening obsession with corpses, crypts, murder, opium dens, the use of lime pits to dissolve bodies, and a hidden subterranean London mere research ...or something more terrifying?Just as…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Many believe the planet's energy needs can be provided carbon-free, with solar, wind, and water carrying the load. Coal, oil, and natural gas use will fade away. It’s an appealing vision. But the numbers don’t back it up for seven billion people, many looking in on the comfortable lifestyles of the wealthy countries and thinking: “What about us?”. Humanity needs a mix of energy sources, and nuclear energy is a carbon-free power source that can deliver at scale. I’m a nuclear physicist by training, recently retired from North Carolina State University, with interests in cosmology, energy research and policy, science education, and neutron and neutrino physics.
I can’t say I love this book since I don’t agree with his premise: wind, water, and solar can do it all. But to be fair, he’s right that cleaning up the air by removing coal plants would be a boon to global health everywhere.
He makes an appealing case. But his vision of the future founders for me on the intermittency issue of his power sources, particularly wind and solar. How will they scale to match the needs? Where is the battery technology to support the downtime? What are the environmental impacts? How will the power get from producer to user? He is opposed to nuclear power and yet it is the closest thing to a plug-to-plug replacement for the coal fired plants we all agree should be phased out.
The world needs to turn away from fossil fuels and use clean, renewable sources of energy as soon as we can. Failure to do so will cause catastrophic climate damage sooner than you might think, leading to loss of biodiversity and economic and political instability. But all is not lost! We still have time to save the planet without resorting to 'miracle' technologies. We need to wave goodbye to outdated technologies, such as natural gas and carbon capture, and repurpose the technologies that we already have at our disposal. We can use existing technologies to harness, store, and transmit energy…
I’m a trained microbiologist who received my doctorate from the University of Washington and who has long been fascinated by the natural world—whether microscopic or gigantic, within us or all around us. For more than 20 years, I’ve also been an award-winning science writer who has written for publications like The New York Times, Nature, Wired, and Scientific American. Ever since I wrote about the incredible ability of fecal transplants to cure a deadly bacterial infection, I’ve been obsessed with books that explore how the seemingly gross or ordinary things we often dismiss as lacking value have the power to transform both us and the planet.
One of the many things that astonished me about Lina’s lovely book is that although I put off reading it until I had finished my own book, for fear of too much overlap, I need not have worried.
She deftly uses different yet compelling examples for an exciting read that convincingly makes the case for giving a crap about crap. She also uses her own family’s history and experience as immigrants to provide some surprisingly moving scenes in support of her larger points.
Even after all the poop-related research I had done, I learned plenty more, which was a nice revelation: something that I thought I knew still had the ability to surprise me in profound ways.
The average person produces about four hundred pounds of excrement a year. More than seven billion people live on this planet. Holy crap!
Because of the diseases it spreads, we have learned to distance ourselves from our waste, but the long line of engineering marvels we've created to do so-from Roman sewage systems and medieval latrines to the immense, computerized treatment plants we use today-has also done considerable damage to the earth's ecology. Now scientists tell us: we've been wasting our waste. When recycled correctly, this resource, cheap and widely available, can be converted into a sustainable energy source, act…
I’m a trained microbiologist who received my doctorate from the University of Washington and who has long been fascinated by the natural world—whether microscopic or gigantic, within us or all around us. For more than 20 years, I’ve also been an award-winning science writer who has written for publications like The New York Times, Nature, Wired, and Scientific American. Ever since I wrote about the incredible ability of fecal transplants to cure a deadly bacterial infection, I’ve been obsessed with books that explore how the seemingly gross or ordinary things we often dismiss as lacking value have the power to transform both us and the planet.
This superb book was one of the first to raise the issue of how poorly we’ve considered our waste and what to do with it, and it was a big inspiration for me.
It’s thoughtful and incredibly well-researched, packed full of amazing historical details, and provides a compelling case for how and why we should get our shit together—literally. I learned so much from this book, and it really encouraged me to keep digging and exploring how we might reimagine our human output. Just an excellent read and a compelling case for change.
Produced behind closed doors, disposed of discreetly, hidden by euphemism, shit is rarely out in the open in 'civilized' society, but the world of waste - and the people who deal with it, work with it and in it - is a rich one.This book takes us underground to the sewers of New York and London and overground to meet the heroes of India's sanitation movement, American sewage schoolteachers, the Japanese genius at the cutting edge of toilet technology and the biosolids lobbying team. With a journalist's nose for story and a campaigner's desire for change, Rose George also addresses…
Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
It is suffused with music throughout (and the nerd within me loves the reoccurring literary motifs and phrases that definitely lend a musical quality to the book) and took me back to lazy summer days as a teenager when I first moved to London and the city felt wide open with excitement and possibility.
This is another love story, but one about community, family and the first loves that we learn from our parents.
An exhilarating and expansive new novel about fathers and sons, faith and friendship from National Book Foundation 5 Under 35 honoree and Costa First Novel Award winning author Caleb Azumah Nelson
One of the most acclaimed and internationally bestselling “unforgettable” (New York Times) debuts of the 2021, Caleb Azumah Nelson’s London-set love story Open Water took the US by storm and introduced the world to a salient and insightful new voice in fiction. Now, with his second novel Small Worlds, the prodigious Azumah Nelson brings another set of enduring characters to brilliant life in his signature rhythmic, melodic prose.
