85 Books Like An American Dream

The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt. 

His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace. 

First published in 1959, Naked Lunch was shocking then, and it still retains its power today. Both in content and structure, Naked Lunch is powerful and wholly original.  In effect, it becomes more than a work of fiction, it becomes an experience. Burroughs invented a technique called the “cut-up method,” where he cut up his coherent storyline into paragraphs, scenes, and even sentences, then reordered them both randomly and editorially. The disorder thematically represents the chaos of existence and the universe, and it also disrupts the reader. Like the book or not, it shakes you into realizing that there are possibilities beyond the conventional.

Burrough’s language is honed to a razor’s edge, and I find that many of the sentences in Naked Lunch burn like fire. The meaning of the title as Burroughs explains it is to bare the naked truth of reality on the end of a fork. From… show more.

I found this book in college, and at the time, I thought it was the most unique book I had ever read.

Thompson’s “Gonzo Journalism” was fresh, funny, and thought-provoking, with a subtext of modern poetry, political activism, and a sense of humor I have never seen replicated.

This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.

McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!

As an ex-pat Oklahoma who writes crime fiction, I’ve long been enamored of my homeboy, the great noir-ist Jim Thomson, whose best novel this is. Like most of Thompson’s work, this is set in Texas, not Oklahoma, but as in all my choices, the world he evokes is indistinguishable, the one from the other.

Lou Ford, the main character, is the kind of guy who makes you want to sleep with both eyes open. A psychotic, small-town Deputy Sheriff, Ford openly mocks the idea of justice; he is a purely malign force, a glad-handing menace who rules his petty fiefdom with the wisdom of Josef Goebbels and the kind-heartedness of Charles Manson. Ford’s first-person narration reads like it’s been scrawled in Magic Marker on the walls of a men’s room in hell. No one did nihilism better than Jim Thomson.

Early in this book, a character uses his kitchen oven to dry out some psychedelic mushrooms harvested from the rooftop garden at his flat in World War II London. Dosing the characters (and somehow the reader) with Amanita Muscaria is an appropriate way to set the tone of this book.

Mushroom experiences are fun and giggly and clever, at times, but they can also open the mind to the evils mankind is capable of and the intricate conspiracies seemingly hiding in plain sight. Which is what I love about Gravity’s Rainbow – Pynchon’s writing is hilarious, but then he’ll hit you with a gut punch so poignant it will linger in your mind for decades. 

There isn’t an author more frightening than Cormac McCarthy.

No Country for Old Men is an existential novel about the pure evil that exists in a barren landscape. The antagonist Anton Cigurth is the darkest character imaginable in a world where there is no justice or remorse.

The sheriff pursuing Cigurth is forced to accept the reality that in the modern world, there is no way to control pure evil.

This book is not strictly a whodunnit, as Highsmith follows the murderer closely, and we see not only the murder but experience all its ghastly ramifications. 

This was her first novel, and it set the template for the rest of her oeuvre, in which a relatively ordinary person is dragged into a horrific situation by a chance meeting with a personable weirdo. It could have been you on that train; that’s the shocking thing. And soon our hero is caught in a trap from which it seems there is to be no escape.

This is a gripping read and will set you up, if you’re compulsive like me, to read all her other books, which, though often quite dark, always have the most compelling plots.

Financial whiz Julia Snowden returns to her Maine hometown to rescue the family’s clambake business. Although she has financial acumen, she lacks true knowledge of how a clam bake works. She learns the hard way when a murder and a wedding reception don’t mix. I wasn’t familiar with the inner workings of clam bakes, from menu to preparation, but I learned with Julia. I also enjoy Ross’s writing style. The combination of the storytelling plus the facts interwoven make this a good book choice.

When I read in the book description of Come Hell or Highball that Lola survived on “highballs, detective novels, and chocolate layer cake,” I was so in. I can root for a sleuth who loves mysteries and chocolate layer cake. The book has an American setting, which I find is a nice change from the mostly European-focused books of this time period. After her no-good playboy of a husband dies unexpectedly, Lola learns he burned through their income. Only Berta, her loyal cook, stays with her. Desperate for cash, Lola agrees to an unusual job, retrieving an item from a swanky mansion. But then a murder embroils Lola and Berta in a police investigation. The pacing is snappy, and there’s plenty of fun 1920s slang, but I think the best thing about the book is the friendship between society matron Lola and her practical cook Berta.