100 Books Like American Environmental History

When European colonists settled North America, they began to significantly alter the landscape in ways that were deeply ignorant of ecological health. Now, over 400 years later, that impact has not lessened. However, over that time, there have been significant ebbs and flows in the landscape relative to how it’s used (or not used). This fascinating book follows that trajectory as it explores the environmental history of New England. Even for those not familiar with this particular region, this book offers a unique window into how dynamic and fluid landscapes and ecosystems can be over the course of time.  

This is a classic by a leader in the field. It’s a hefty tome combining philosophy, economics, and history, but is well worth the time and energy required. Worster emphasizes that lack of water resources is a massive problem for the modern American West, necessitating increasingly complex and far-reaching irrigation systems that come at high social and economic costs. The result is an “empire” whose power is based on who controls the water vital to the urban, suburban, and rural life of the hydraulic west.

The environmental justice movement grew out of recognition of the disproportionate environmental burdens faced by low-income communities, including many communities of color. Zimring provides a detailed and compelling analysis of the long history of environmental racism that the environmental justice movement seeks to remedy. He reveals how ideas about race, hygiene, and waste have shaped where and how people (including Native Americans, immigrant groups, and African Americans) have lived and worked.

Adam Rome examines an underappreciated topic in environmental history: the environmental costs of the ever-growing American suburbs. Mass migration to the suburbs coincided with the rise of the environmental movement. That convergence was followed by political controversy, and ultimately codes, regulations, and guidelines. Rome is a great storyteller who reveals important shifts in growth management and environmental policy. 

This is an engrossing tour of public lands from Terry Tempest Williams, a poet and essayist who is an American treasure. From this beautiful and vivid book, I realized spiritual connections between human beings and nature, between past and future, between the soul and the earth.

"Our national parks are blood," she writes. 

Philip Dreyfus has written a fantastic one-stop ecological history of San Francisco that properly puts the city’s evolution into the natural systems on which it was built. Too many histories overlook the basic questions of water, topography, and climate and how human activity, that is work, has altered those over time. Dreyfus starts with an eloquent description of pre-contact life on the windy, foggy, sand-dune-covered peninsula, and methodically takes us through the sequences of urbanization, including the struggle over green spaces and parklands, water provision, and ultimately the surrounding bay itself. Few cities have benefited as much as San Francisco from the activism of previous generations that in our case, saved the bay, blocked freeway construction, and halted nuclear power.

When I first read this book, I couldn’t stop marveling over how much I didn’t know about this beautiful, complicated state that I call home—and how much I learned in just 200 pages. Now, I return every time I want to reinforce my understanding of why there are so many abandoned stone walls in the mountains, why there are no billboards, and what happened to the Peregrine falcons.

The authors are teachers and know how to keep it interesting, even when discussing tedious subjects like tectonic plates, highway commissioners, and population statistics. Noting that Vermont as we know it has only been around for about 225 years, they begin with a chapter about the continent’s formation more than a billion years ago and the centuries under an ice sheet before bringing us up to date with the mountains and rivers we know and love.

This context, along with the details… show more.

Six hundred and fifty pages and every one fascinating, in the true sense of the word, i.e. it cast a spell on me. I read this the one and only time I joined a book club led by a visual artist, which made perfect sense as the book is not only richly illustrated with extraordinary images of paintings, sculpture, and drawings, the author argues that our experience of nature is entirely mediated by art.

We can’t, for example, see a tree, except from an inner perspective shaped by mythic trees seen in some paintings, even a picture postcard or poem from our Grade 8 reader. Using the most extraordinary (have to use that word again) examples, Schama convinced me that every natural thing I see is a mythological artifact.

This is similar to Wild Isles – a vast celebration of nature incorporating fiction, non-fiction, and poetry – but this time with its focus on the beautiful wild North of Britain.

It’s exciting to see so many different aspects of the area brought out and the inclusion of lesser-known contemporary writers such as Katie Hale, Loren Cafferty, and Graham Mort alongside greats such as William Wordsworth and Charlotte Brontë. 

So often neglected, so often stereotyped, the North is viewed here by those that know it, through clear eyes but with understandable adoration. I particularly enjoyed the descriptions of the moors, the dark green and grey wilds inhabited by curlew, kite, and hare.

This is the place where the Brontës created their epic romances and where contemporary writers sought solace during lockdown. The land continues to be a source of inspiration and it is gratifying to see it celebrated in this… show more.

This book takes the physical and built environment as the centerpiece for looking at the historical trajectory of the United States. The multiple essays highlight the ways in which the country was being shaped by the interaction of both the physical environment of North America and the cultural forces acting upon the land from Native Americans to the Federal Government.

The landscape is seen as a text that, if one stops to observe, reveals itself as a rich artifact to be examined. Place names, architecture, and land use patterns are not arbitrary but are the result of culture, politics, economics, imperialism, etc.