Books like American Demon — picked by fans

The first twenty-five years of my life appeared to be atypical for an inner-city African American boy from a large family. Only a small number of children were bused to more “academically advanced” schools. I earned that honor by frequently running away from the local school. Overcoming the challenges of being a minority in a demanding, predominantly Jewish, school district eventually benefited me greatly. In the early 1970s, my parents did something unprecedented for a working-class African American family from Queens: They bought an old, dilapidated farmhouse in Upstate New York's dairy country as a summer home. What other unusual life experiences that impact people of color have taken place on the American tapestry? 

After writing a novel about the toll true crime can take on victims’ loved ones and the risk it runs of glamourizing killers while overshadowing victims, I’ve been on the hunt for true crime books that don’t fall into these traps. The titles on this list showcase beautiful writing and tell compelling stories without dehumanizing the victims or glamourizing the perpetrators. 

Growing up in a violent household drove me to find refuge in books and libraries. By vicariously experiencing other lives, I found inspiration in strong heroines. I am continuously attracted to stories where women who are victims of crime or injustice fight back with grit, brains, and strategy to win. That being said, in a worldly society that demands conformity in behavior and thought, the outsider—that independent thinker who embraces her individuality and faith—is my very favorite kind of heroine. The outsider heroine is also the kind I create in my books to inspire women to complain less and achieve more.

I started keeping a daily journal when I received one for my ninth birthday, and, as they say, the rest is history. Into my twenties, there was nothing I loved more than sitting down to write and write`. It was a way to understand my feelings, and it was also a way to make sense of the world in all its beauty and bewilderment. There seemed to be magic and attempted connection everywhere! And so I became a lover of writing that focused on humans playing out their lives in a world at once surreal and real in an attempt to make sense of the extraordinary.

Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.

I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject. 

William Heath has a Ph.D. in American Studies at Case Western Reserve University. He has taught American history and literature as well as creative writing at Kenyon, Transylvania, Vassar, the University of Seville, and Mount Saint Mary’s University, retiring as a professor emeritus. He has published two poetry books, The Walking Man and Steel Valley Elegy; two chapbooks, Night Moves in Ohio and Leaving Seville; three novels: The Children Bob Moses Led (winner of the Hackney Award), Devil Dancer, and Blacksnake’s Path; a work of history, William Wells and the Struggle for the Old Northwest (winner of two Spur Awards); and a collection of interviews, Conversations with Robert Stone. 

Lori Benton is an award-winning, multi-published author of historical novels set during the 18th century North America. Her literary passion is bringing little known historical events to life through the eyes of those who lived it, particularly those set along the Appalachian frontier, where European and Native American cultural and world views collided. Virginia Governor Lord Dunmore’s campaign against the Shawnee nation on the eve of the Revolutionary war, culminating in the Battle of Point Pleasant, is a fascinating, complex, and poignant example of the armies and individuals that planned, fought, and resisted the campaign.

I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.

Coming-of-age stories fascinate me because they are all so different. While we each experience many of the same events, each person’s story is unique. I like to read about how they first understood love or how they met their best friend. I like to try on their life for a bit, walk around in their shoes, and then return to my reality with the person I’ve worked so hard to become. The more I read other people’s stories of growing up, the more I feel we all harbor the same worries about ourselves and our future. We all struggle with similar problems while becoming who we’re meant to be.