Books like Alvin Ailey — picked by fans

I love Gregory Christie’s artwork. His naïf style illustrations may seem crude and simple at first glance, but I think they are incredibly rhythmic and powerful.

His images pair seamlessly with the book's lyrical text, which depicts the awful hardships that enslaved people in New Orleans endured and the joy they felt on Sundays when they were free to play music, dance, and spend time together in Congo Square.

Bryan Collier’s watercolor and collage illustrations are amazing. They are warm and joyful, just like Troy Andrews’s story.

In the book, Andrews, aka “Trombone Shorty,” recalls growing up in the Tremé neighborhood of New Orleans. He remembers playing non-stop a broken trombone he found on the street and eventually—as a young kid—getting to play on stage with the legendary Bo Diddley at the city’s Jazz Festival. This is an inspiring story and a visual delight. 

Christian Robinson is one of my favorite illustrators. His images are very free and childlike while also being incredibly poignant and strongly designed. His artwork pairs beautifully with Hruby Powell’s exuberant text.

The book recounts Josephine Baker’s extraordinary life, from growing up poor in Missouri to becoming a beloved dancer and star in Paris. Both text and images denounce with wit and force the cruel segregation that Black people, including Josephine, experienced in the United States for a large part of the twentieth century. 

The illustrations in this book are fantastic. They are filled with pastel blues, reds, floating circles, and overlapping shapes. They are very atmospheric. It feels like I’m listening to one of John Coltrane’s melodies.

The text is musical, too. The short and lyrical lines focus on the sounds that Coltrane heard as a boy and the events in his early life that inspired him to become a Jazz giant. The book’s ending is great. It is very satisfying. 

In the fall of 2016, Deborah Hay came to the Montclair State University campus, where I was professor of theatre & dance, to stage her new work, "Figure a Sea," performed by the Cullberg Ballet of Sweden and featuring the music composition of Laurie Anderson. During her time in residence at the university, I talked with Deborah at the Kasser Theatre about her life and work. Hay was one of the founders of the postmodern Judson Dance Theatre in NYC in the early 1960s and she has pursued an iconoclastic, independent, headstrong, and mystical path ever since, which is why I loved chatting with her so much. Her appeal as a teacher in the studio with our students was equally shape-shifting and mind-bending. And this book creates the same ambiance in the reader’s head – it is a synthesis of memoir and physicalized ‘auto-body-ography,’ to subvert the term!… show more.

In 1946, Sir Robert Paul Cohan CBE (26 March 1925 – 13 January 2021) became one of the first male dancers to join Martha Graham’s company – and stayed for twenty-three years. He went on to become the first Artistic Director of the Contemporary Dance Trust in London and Artistic Advisor to the Batsheva Dance Company in Israel. I had the greatly entertaining privilege of interviewing Sir Robert in the Graham studio at their Westbeth home in NYC, where he regaled me with warm and acerbic vignette memories of “Martha,” her rigorous demeanor, her abrupt critiques, her searching analyses of his movement, her extreme demands as a partner – and her dire yet lyrical sensuality. The book is built around interviews skillfully and subtly conducted by Paul Jackson, principal lecturer in Choreography and Dance at the University of Winchester, UK.

I came across Early Memoirs when I set off to explore the fiery end of Catherine’s Russia and quickly realized I found a brilliant first-hand account of the dramatic transformation of Russian art and culture in early 20th century. Bronislava (Bronia) Nijinska, a talented dancer and choreographer herself, was the younger sister of Vaslav Nijinsky—the God of Dance—one of the best dancers of all times. In these memoirs she describes their childhood spent with dancer parents touring provincial Russian theatres, their education at the prestigious Imperial Ballet School in St Petersburg, and their years in the Ballets Russes, the ground-breaking Russian dance company which took Paris by storm in 1906.

Both clear-eyed and passionate about art Nijinska not only offers personal, intimate portraits of Vaslav Nijinsky, Sergey Diaghilev, Igor Stravinsky, Tamara Karsavina, Anna Pavlova, but documents the transformation of Russian ballet from its imperial glory to the breathtaking and… show more.

I thought this was such a gorgeous book with complex, relatable characters and a really profound portrayal of the sweetness and depth of first love! Thirteen-year-olds Andi and Zora are dealing with grief, the complexities of friendships and family pressure, and the hyper-competitive world of their elite music camp.

This is one I had to really savor—I kept re-reading sentences because the writing was just so lovely and really brought the characters’ feelings to life. There were also several references to songs and performing artists I love, adding an extra layer of connection with the story!

This book taught me that ancestral Intelligence doesn’t have to be “woo-woo.”

All around the world, communities have made magic by simply collaborating to survive. This book defies conventional wisdom by sharing the hidden history of cooperatives, where workers and customers own the businesses that serve them.

For decades, African Americans and other communities have pooled resources to do everything from freeing themselves from slavery, farming for food, and even creating media. I saw this firsthand. 

By creating ways for people to pool and share resources, I saw how community-based platforms can value and defy the laws of economics. I used to think corporate capitalism was unbeatable. This book showed me another way.

How has your community survived in times when resources were scarce?

There are other books on African-American history, some arguably even more authoritative. But this was the only one that felt to me as if the writer had dipped his pen in fire.

Lerone Bennett, Jr., traces African-American passages from the great kingdoms of early Africa through the 1619 encounter with Jamestown settlers that changed everything, up until (depending on which edition you read) about the middle 1980s and does so with a fierce moral urgency and poetic passion that drew me into the story and, more to the point, that implanted the story into me.