Here are 17 books that All the Fiends of Hell fans have personally recommended if you like
All the Fiends of Hell.
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I’ve always been drawn to the quiet mystery behind ordinary lives, the sense that something sacred hides in the margins. As a caregiver, teacher, and author, I’ve seen how small moments carry enormous weight. That’s why I created this book list: each title touched me deeply and helped shape my own writing, especially Midrash Whispered By Stars. I write to honor forgotten souls, overlooked stories, and the quiet transformations that happen when no one’s watching. These books aren’t just favorites, they’re part of the emotional and spiritual DNA behind everything I create.
I recommend this book because it captures everything I love about Arthur C. Clarke, that sense of vast, quiet wonder, where the universe feels enormous and ancient and full of secrets we may never fully understand.
This story of a massive alien craft drifting through our solar system pulled me in with its scale alone, but what stayed with me was the mystery. Clarke never shows you the aliens, just like in 2001: A Space Odyssey, only the technology, the structures, the hints of something far beyond us. I loved that restraint, that feeling of standing at the edge of something we can sense but not grasp.
Readers who enjoy epic, contemplative science fiction will feel right at home here. And it fits my theme because it honors the unknown, the same quiet mystery I explore in my own writing.
In the year 2130, a mysterious and apparently untenanted alien spaceship, Rama, enters our solar system. The first product of an alien civilisation to be encountered by man, it reveals a world of technological marvels and an unparalleled artificial ecology.
The bodies of the People are asleep in the frozen winter ground, while their spirits wander in the dreamlands. But what emerges in the spring from the winter houses is not always human.
Kua, a reluctant shaman, cursed with the other-sight that allows her to see the monstrous powers ruling…
Drunk customers. Shoplifting raccoons. Otherworldly visitors. As night shift clerk at the twenty-four-hour gas station at the edge of town, Jack has pretty much seen it all.
That is, until his best friend reveals the body of a local politician hidden in the trunk of a car, setting off a chain of events with apocalyptic potential. Soon, Jack finds himself entangled in a supernatural conspiracy involving monster hunters, sociopaths, doomsday cultists, and... garden gnomes?
Armed with nothing but his wits, sarcasm, and alarming amounts of coffee, can Jack stay alive long enough to see another morning shift? Or will he,…
I'm continually asked why I write horror. But I wonder why every writer isn't writing horror. Not a day passes without me being aghast at the world and my own species, the present, past and future. Though nor do I stop searching for a sense of awe and wonder in the world either. My Dad read ghost stories to me as a kid and my inner tallow candle was lit. The flame still burns. Horror has always been the fiction I have felt compelled to write in order to process the world, experience, observation, my imaginative life. I've been blessed with a good readership and have entered my third decade as a writer of horrors. In that time two of my novels have been adapted into films and the British Fantasy Society has kindly recognised my work with five awards, one for Best Collection and four for Best Novel. I'm in this for the long haul and aim to be creating horror on both page and screen for some time to come.
It's too easy to dismiss the Second World War. To relegate that epochal conflict into realms of ancient history, action films, kitset models, unread Father's day gifts, and black & white footage. But we all live through the consequences of this epic global struggle. This was the last time western civilisation brought itself close to destruction and it was a close call. 60 million lives were lost and no one died easily. The war was also raging just shy of 80 years ago. In the scheme of human history, that's recent.
Beevor's history of the global conflict - and it was global - is a page-turning affair. Vivid, engaging, heartbreaking, shocking. Really fine storytelling and a first class history, encompassing the great conflicts of east and west (China's experience of the war is much overlooked in the west but not in these pages). I found myself engrossed by this monumental…
A magisterial, single-volume history of the greatest conflict the world has ever known by our foremost military historian.
The Second World War began in August 1939 on the edge of Manchuria and ended there exactly six years later with the Soviet invasion of northern China. The war in Europe appeared completely divorced from the war in the Pacific and China, and yet events on opposite sides of the world had profound effects. Using the most up-to-date scholarship and research, Beevor assembles the whole picture in a gripping narrative that extends from the North Atlantic to the South Pacific and from…
The bodies of the People are asleep in the frozen winter ground, while their spirits wander in the dreamlands. But what emerges in the spring from the winter houses is not always human.
Kua, a reluctant shaman, cursed with the other-sight that allows her to see the monstrous powers ruling…
As a teenager, I visited my uncle, who farmed rice in southern Haiti. I met a community that helped me understand that food is not just about dollars and cents—it’s about belonging, it’s about identity. This experience inspired me to become an aid worker. For the last 20+ years, I have worked to mend broken food systems all over the world. If we don’t get food right, hunger will threaten the social fabric.
I found this book to be well-written and well-documented. While it does not focus solely on food systems, it does explain how a lack of food contributed to the demise of the societies explored in this book, such as the Greenland Norse and Easter Island. Diamond offers a stark warning about how a weak food system can undermine an entire civilization.
From the author of Guns, Germs and Steel, Jared Diamond's Collapse: How Societies Choose to Fail or Survive is a visionary study of the mysterious downfall of past civilizations.
Now in a revised edition with a new afterword, Jared Diamond's Collapse uncovers the secret behind why some societies flourish, while others founder - and what this means for our future.
What happened to the people who made the forlorn long-abandoned statues of Easter Island? What happened to the architects of the crumbling Maya pyramids? Will we go the same way, our skyscrapers one day standing derelict and overgrown like the…
I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it explores the end of the world in the most intimate and emotional way possible.
What moved me deeply was not the apocalypse itself, but the quiet relationship between father and son, trying to preserve goodness in a world where goodness no longer seems to matter. I felt a constant weight while reading, as if hope itself was fragile and rare.
It made me reflect on what it truly means to carry faith and humanity when everything else is gone.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
I am a former Shakespeare scholar who became increasingly concerned about the climate crisis after I had a son and started worrying about the world he would inherit after I died. I began to do research into climate communication, and I realized I could use my linguistic expertise to help craft messages for campaigners, policymakers, and enlightened corporations who want to drive climate action. As I learned more about the history of climate change communication, however, I realized that we couldn’t talk about the crisis effectively without knowing how to parry climate denial and fossil-fuel propaganda. So now I also research and write about climate disinformation, too.
This book shook me to my core. I felt so frightened by its vision of a world destroyed by global warming that I became even more determined to help get climate deniers out of power.
I know that other people who read this book were equally inspired to learn more about climate change or even join the climate movement. It’s really one of the most influential books of our time.
**SUNDAY TIMES AND THE NEW YORK TIMES BESTSELLER**
'An epoch-defining book' Matt Haig 'If you read just one work of non-fiction this year, it should probably be this' David Sexton, Evening Standard
Selected as a Book of the Year 2019 by the Sunday Times, Spectator and New Statesman A Waterstones Paperback of the Year and shortlisted for the Foyles Book of the Year 2019 Longlisted for the PEN / E.O. Wilson Literary Science Writing Award
It is worse, much worse, than you think.
The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says…
I’ve been a horror fan since I first read The Fog by James Herbert at much too young an age. Being British-born and now Australian, the horror I write is almost always set outside America (and the UK more and more often), and I’m always on the lookout for good horror fiction set in different places. I’m fascinated by cultural folklore and mythology and how people create stories to understand the world. For three years, I was President of the Australasian Horror Writers Association.
Kaaron Warren has a unique style, and this is my favorite of her novels and one of my favorite novels of all time. I’m a sucker for grief horror and stories of people lost in urban decay, and I’m a sucker for ghost stories.
This is a ghost story unlike any other. I was moved by this book as much as I was disturbed. It’s a deeply emotional story that really dug under my skin. Some books stay with you; they leave a mark on your soul that you know you’ll never be able to remove, and this did that to me in the best way.
Winner, Best Horror Novel, 2016 Aurealis Awards Winner, Best Novel, 2016 Shadow Awards Winner, Best Novel, 2016 Ditmar Awards
There are many grief holes. There's the grief hole you fall into when a loved one dies. There's another grief hole in all of us; small or large, it determines how much we want to live. And there are the geographical grief holes, the buildings that attract sorrow and loss and are filled with ghosts. Theresa sees these ghosts better than most, but can she figure out how to close the holes?
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
If ever there was a perfect ghost story, this is it. Gothic with atmospheric language and vivid scenes that still haunt me. I suppose this could have been written by Jane Austen because of its nightmarish ghostliness on the English moors. So masterfully done—the wreaths of moving fog and haunted cries.
I love the unknown fear of it all. Susan Hill is highly skilled in making ghosts present on the page: the eerie sound of the rocking chair in the old nursery is a spine-tingler, albeit a cliché. Written in a sublime fashion, it fits the “quiet horror” genre. Quiet horror is so savory to me because it digs into the imagination with shadowy phantoms without slamming the reader viscerally. I love that kind of artful creation.
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip…
I’ve been a horror fan since I first read The Fog by James Herbert at much too young an age. Being British-born and now Australian, the horror I write is almost always set outside America (and the UK more and more often), and I’m always on the lookout for good horror fiction set in different places. I’m fascinated by cultural folklore and mythology and how people create stories to understand the world. For three years, I was President of the Australasian Horror Writers Association.
Clive Barker is one of my favorite authors and greatly influenced me. This is his first novel but also, in my opinion, one of his best. I love books that blend crime and horror, particularly supernatural horror. I enjoyed the interplay here between the protagonist, recently released from prison, and the wealthy Londoner he starts to work for as a bodyguard.
I was hooked by the slow ramping up of danger throughout the book as the characters get more deeply entangled in the supernatural elements. I love Barker’s lyrical style and amazing use of language, and this remains one of the best horror novels I’ve ever read.
"ONE OF THE BEST HORROR NOVELS IN A VERY LONG TIME...do not miss it!"-USA Today
There are things worse than death. There are games so seductively evil, so wondrously vile, no gambler can resist. Amid the shadow-scarred rubble of World War II, Joseph Whitehead dared to challenge the dark champion of life's ultimate game. Now a millionaire, locked in a terror-shrouded fortress of his own design, Joseph Whitehead has hell to pay. And no soul is safe from this ravaging fear, the resurrected fury, the unspeakable desire of...
