Here are 100 books that All the Blues in the Sky fans have personally recommended if you like
All the Blues in the Sky.
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I have authored four verse novels myself and crafting imagery is my favorite part of writing in the form; most recently, one that revolves around earth imagery, Lilac and the Switchback. I also teach many verse novel classes and have studied the form a great deal, particularly on how to create a successful image system for your novel in verse. When reading verse novels, I am always keeping an eye out as to how the imagery and symbolism help to reveal character growth and change.
The multimodal format is perfect for this moving new book by Kate Messner.
I loved how the main character learned new things about himself with every peak he climbed, the number of obstacles that were in his way, and how directly he examined metaphorical language.
The backstory about the father really came to a satisfying conclusion, and I felt like it was well-earned.
I have authored four verse novels myself and crafting imagery is my favorite part of writing in the form; most recently, one that revolves around earth imagery, Lilac and the Switchback. I also teach many verse novel classes and have studied the form a great deal, particularly on how to create a successful image system for your novel in verse. When reading verse novels, I am always keeping an eye out as to how the imagery and symbolism help to reveal character growth and change.
This book has so many stand-alone beautiful poems while maintaining the voice of a realistic middle school character.
The loss of a beloved landscape to wildfire is such a real-world issue, and Chris Baron manages to tackle this in a way that isn’t frightening but somehow hopeful by the end.
I also absolutely love the bearded dragon named Watermelon!
As a community recovers from a devastating wildfire, two friends find their way back to each other and their homes, by award-winning author Chris Baron.
Perfect for fans of Alan Gratz and Lauren Tarshis.
Finn and his friend, nicknamed Rabbit, live in a rural area that's been hit hard by wildfires. Families were displaced and school was interrupted. Moreover, their beloved forest is suffering -- animals and plants haven't been able to come back, and the two friends wonder if there's anything they can do to help. Rabbit's uncle, a science teacher, is part of a study that may help…
I have authored four verse novels myself and crafting imagery is my favorite part of writing in the form; most recently, one that revolves around earth imagery, Lilac and the Switchback. I also teach many verse novel classes and have studied the form a great deal, particularly on how to create a successful image system for your novel in verse. When reading verse novels, I am always keeping an eye out as to how the imagery and symbolism help to reveal character growth and change.
Amber McBride is a master of the verse novel form. It was fun to read a middle-grade verse novel by her!
In this one, the main character, Onyx, dreams of flying during the time of the moon landing. He is also struggling with a loved one’s dementia, and Onyx dreams of actually building wings as a form of escape and fantasy.
McBride cleverly frames the book with the phases of the moon.
Praised as "a story of perserverance and love" in a starred review by Kirkus, here is a story about keeping dreams alive.
Onyx lives with his mother, who is showing signs of early-onset dementia. He doesn't want to bring attention to his home -- if Child Protective Services finds out, they'll put him into foster care.
As he's trying to keep his life together, the Civil Rights Movement is accelerating. Is there anywhere that's safe for a young Black boy? Maybe, if only Onyx can fulfill his dream of becoming an astronaut and exploring space, where none of these challenges…
I have authored four verse novels myself and crafting imagery is my favorite part of writing in the form; most recently, one that revolves around earth imagery, Lilac and the Switchback. I also teach many verse novel classes and have studied the form a great deal, particularly on how to create a successful image system for your novel in verse. When reading verse novels, I am always keeping an eye out as to how the imagery and symbolism help to reveal character growth and change.
I love how this LGBTQ+ verse novel combines magical realism, hurricanes, and family conflict to create a compelling read!
Murray’s deep connection to the ocean is something that shifts and changes through the course of the story as the storm forces her to literally move and for family dynamics to shift.
The water imagery helps reflect Murray’s character growth during the story.
* A Stonewall Award Honor Book * ALA Notable Book * Bank Street Best Book of the Year *
Perfect for fans of Rebecca Stead, Natalie Lloyd, and Jasmine Warga, this beautiful novel in verse explores one girl's struggle to regain her magic after a hurricane forces her to move away from her beloved ocean that, she believes, has given her special powers.
Bighearted and observant twelve-year-old Murray O'Shea loves the ocean. Every chance she gets, she's in it. It could be because the ocean never makes her apologize for being exactly who she is—something her family refuses to do—but…
I went through major surgery when I was in eighth grade. The physical pain was bad, but what hurt more was the emotional side. When I returned to school, the friend groups had shifted, shutting me out because of my extended absence. I had to face that time in life alone. Perhaps that’s why I’m drawn to works about kids who have to face challenges on their own. When we go through hard times, our true selves come out. They have to; we have no one else. We can’t pretend. We can only try to make it. The books I like show characters that shine through their hardships.
This book features a girl named Suzi, who is convinced her friend drowned because of a jellyfish sting. She’s so affected by her friend’s death that she stops talking. I loved seeing Suzi research jellyfish through this book.
I love learning and studying and how she went about it was cool. She was determined and strong. I also appreciated how the plot moves from the present to the past and showed the truth about Suzi’s friendship in the end.
It's peculiar how no-words can be better than words. How silence can say more than noise, or a person's absence can occupy even more space than their presence did.
Suzy is twelve when her best friend, Franny, drowns one summer at the beach. It takes two days for the news to reach Suzy, and it's not something that she can accept: Franny has always been a strong swimmer, from the day they met in swim class when they were just five. How can someone all of a sudden, just no longer be there?
As far as I can remember, I have been obsessed with death! Maybe it’s because my mom, who died four years ago at the age of 86, was a Holocaust survivor. Anyway, what I’ve noticed is that all kids' stories deal with death. Think, for instance, of how Harry Potter is an orphan. Or how so many characters in fairy tales have a parent who is dead. I think dealing with death – talking about it openly --- helps us live our lives in a more meaningful way. For my own novel, Planet Grief, I did a ton of researcher and befriended an amazing grief counselor named Dawn Cruchet. You can look her up on the web and learn about her too. Dawn taught me that there is no one, correct way to grieve, that grief is a life-changing journey.
Because I love how this book combines crazy humour and deep feeling. Because I am friends with the author I know that this book comes from somewhere deeply personal in his life – Silberberg’s mom died when he was a kid. This book needs to be read by anyone coping with the death of a loved one. Like all great books for kids, it’s for adults too!
1
author picked
Milo
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10,
11, and
12.
What is this book about?
Loveable thirteen-year-old geek Milo Cruikshank finds reasons for frustration at every turn, from the annoying habits of his neighbors to his futile efforts to get Summer Goodman to realize his existence. The truth is, ever since Milo’s mother died, nothing has gone right. Now instead of the kitchen being full of music, his whole house has been filled with Fog. Nothing’s the same. Not his Dad. Not his sister. And definitely not him. Milo achieves a rare and easy balance of poignancy and awkward, natural humor, making it deeply accessible—this is the kind of book that can change lives.
I’ve been fascinated by altered states of consciousness and social change since childhood. Growing up in an esoteric home, I was immersed in a spiritual worldview, but this didn’t provide guidance on how to deal with grief or address social challenges. I sense that noticing and tending to the various forms of collective grief we are immersed in is a crucial place to begin. As a writer, artist, and somatic practitioner, I aim to create care networks to support liveable futures and world(s) where as many beings as possible can live with safety, dignity, and belonging.
I love this book because it helped me to understand how death-phobic the Western world is and why grief, death, and mourning are currently taboo topics for many. I read the book shortly after the death of a family member, and it helped me to make sense of my feelings and give myself permission to be with them.
I found the book very hard to put down. With poetic wisdom, Stephen Jenkinson outlines how little space there is to consider what a good death is, especially in the context of Western medicine. One of the biggest messages I gained from this book is that we must embrace grief and death in order to embody our ethics and, ultimately, live and die well.
Die Wise does not offer seven steps for coping with death. It does not suggest ways to make dying easier. It pours no honey to make the medicine go down. Instead, with lyrical prose, deep wisdom, and stories from his two decades of working with dying people and their families, Stephen Jenkinson places death at the center of the page and asks us to behold it in all its painful beauty. Die Wise teaches the skills of dying, skills that have to be learned in the course of living deeply and well. Die Wise is for those who will fail…
Since 2012, when I was fortunate to be a companion to my dying father, I have gained a deep appreciation for the topics of death, dying, grief and bereavement. Being with him during his final moments was a vitally transformative event in my life, and subsequent developments led me to become a writer and curator of content in this field. I am now an end-of-life educator and preparedness facilitator, whose role it is to assist others to prepare for their inevitable, eventual death. Being prepared, by making informed choices and documenting them, can be one of the greatest gifts we give to our loved ones. I coach my End-of-Life Matters clients to do just that.
This book is an anthology of over 50 perspectives on death and dying, grief, and bereavement shared by professionals who work in supporting the dying and bereaved and by those who have lived their own unique experiences of loss. It is a comprehensive cross-section of this topic and one which can be a valuable resource to anyone going through their own such experience or those who are preparing to support others in grief.
In Journey's End, many and varied collaborators write about death, dying, and the end of life. We attempt to describe real life issues and circumstances, and we discuss ways to proactively deal with them. Useful training, resource, and reference material is also included.
Death, dying, and end of life are topics many prefer to avoid. This book suggests that we benefit from having frank discussions, living life to the fullest, and planning for our own journey's end, whenever that may be. Everyone who is born eventually will die, whether or not we want to embrace that fact.
I was born and grew up in India and I’ve always been fascinated by elephants. When I wrote The Problem with Being Slightly Heroic, it felt natural to have Mini, the elephant, become part of its world. She’s not the main character, yet her presence raises questions about the place of these amazing animals in our world and in our hearts. I picked five titles in which elephants are secondary characters, raising similar questions for readers about who these extraordinary creatures are and why we should care. Curiously, I couldn’t find a single novel featuring African elephants.
Linda’s a graduate of the MFA program in Writing for Children and Young Adults, Vermont College of Fine Arts, where I’ve taught since 2006. I love it when my reading mind seems to make a conversation out of the books I’ve read. For me, this novel seemed to be speaking to all the other books on this list—through the large, tender presence of the elephant, Queenie Grace, especially in the chapters written in her first-person voice; the growing affection between the child, Lily, and the elephant; the shifting family dynamics, so that blame and guilt give way to communication and empathy; all kinds of chains and ways to loosen them and be free. I even found a surprising little nugget of historical information in the author’s note.
A poignant middle grade animal story from talented author Linda Oatman High that will appeal to fans of Katherine Applegate’s The One and Only Ivan. In this heartwarming novel, a girl and an elephant face the same devastating loss—and slowly realize that they share the same powerful love.
Twelve-year-old Lily Pruitt loves her grandparents, but she doesn’t love the circus—and the circus is their life. She’s perfectly happy to stay with her father, away from her neglectful mother and her grandfather’s beloved elephant, Queenie Grace.
Then Grandpa Bill dies, and both Lily and Queenie Grace are devastated. When Lily travels…
I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
If you haven’t already, READ ERIC LAROCCA NOW! I have devoured all his published work, and this one was so bleak, subversive, gothic, and intense… in fact, I’m sure a whole dictionary would never completely describe how it made me feel.
He has a way of slicing through the viscera and injecting words into your bloodstream. Whenever I read any of his stories, I feel inspired as a horror writer to up my game and insert more gore into my own writing. Yet, he makes it look incredibly easy, almost as if he is writing poetry using his own bodily fluids. Perhaps he does!? Proceed with care…
"When you're given a gift, something else gets taken away."
A precocious young girl with an unusual imagination is sent on an odyssey into the depths of depravity. After her father dies violently, young Mara is surprised to find her mother welcoming a new guest into their home, claiming that he will protect them from the world of devastation and destruction outside their door.
A grotesque and thrilling dark fantasy, We Can Never Leave This Place is a harrowing portrait of inherited grief and familial trauma.
"We Can Never Leave This Place is the apocalyptic 21st century Grimm's fairy tale…
